Tag Archives: landscape

Desert Holly Plant, Dry Wash

Desert Holly Plant, Dry Wash, Death Valley
“Desert Holly Plant, Dry Wash” — A dormant desert holly plant in a desert wash, Death Valley.

This photograph comes from one of the more arid, inhospitable-looking locations in Death Valley National Park. The soil here is not conducive to much plant life, and few plants manage to eke out an existence. One that does is the desert holly. When it gets enough water it sports lovely gray-green foliage, but when the heat and aridity become too much the plant goes dormant and turns brown/tan.

These plants are growing along the edges of a desert wash, which makes sense given that any sufficient runoff will move down this stream bed and leave behind a bit more moisture for the plants growing there. Washes like this, though often with a more gravelly surface, are everywhere this park, and they frequently provide passage into mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Narrows Light

Canyon Narrows Light, Death Valley
“Canyon Narrows Light” — Soft, filtered light illuminates the walls of a Death Valley slot canyon.

Desert canyon light is remarkable. A canyon like this one is a huge contrast with the world outside — the intense, harsh desert light gives way to soft, gentle light and shade. The temperature drops. The color of the ight changes, too. Deep in the canyon it often shifts to ward blue, especially when the canyon walls are black or gray. There are also changes and contrasts where different softs of light come together — as in this photograph where the deeply shaded blue tones contrast with the warmer tones of the higher walls.

I walked quickly to get to these narrows, but once I arrived I stopped, took out my tripod, attached my camera, and ambled slowly while searching for photographs. New possibilities appeared at every bend in the canyon, and my progress stalled to a near standstill as I stopped every few feet to look at a new composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Trees, Dusk

Winter Trees, Dusk
“Winter Trees, Dusk” — A row of bare winter trees silhouetted against the a colorful dusk sky.

This photograph lets me recall how we greeted the New Year. It was the same way we’ve done it for the past decade or so — joining a group of photographer friends to photograph migratory birds in the winter landscape. A few of us arrived the day before, but everyone showed up before dawn on New Year’s Day to greet the first sunrise of the new year together.

This photograph comes from New Year’s Eve. We arrived in the middle of the afternoon, in time for the late-day light. It was a quiet evening, with a few clouds forming when I made this photograph of a row of winter-dormant trees in the post-sunset dusk light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands, In Shadow

Badlands, In Shadow, Death Valley
“Badlands, In Shadow” — Badlands formations in early morning shadows, Death Valley.

This is another is a series of photographs I made one morning at Zabriskie Point during my late February visit to Death Valley National Park. Previously I mentioned that I rarely photograph at this spot any more — after a couple of decades it takes some pretty special conditions to persuade me to join the crowd there. I stopped when pre-dawn clouds suggested the potential for a very colorful sunrise. Alas, that did not happen, but I did get some interesting light before the direct sunlight came to the formations at Zabriskie.

I’m a big fan of photographing in subdued light and especially in shade and when reflected light fills in the shadows. That is what we see here. The morning sunlight was striking nearby subjects, but it had not yet penetrated down into this little valley. The light produced a kind of soft glow and it picked up colors from the sky and reflected light from nearby prominences that were in the sun. Once again, the Death Valley landscape is a sort of canvas that is colored by light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.