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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dissipating Rain, Cottonwood Mountains

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Dissipating Rain, Cottonwood Mountains
Dissipating Rain, Cottonwood Mountains

Dissipating Rain, Cottonwood Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last vestiges of dissipating afternoon rain showers fall over the Cottonwood Mountains, Death Valley National Park

I have written in the past, here and elsewhere, about how I “see”—which is a very complicated subject and one that I sometime struggle to explain. (Here I think of the quote attributed to Ansel Adams: “When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” Those who know me may scoff at the possibility of the “silence” part of this, but still…) One aspect of my seeing, and one that I know I share with other photographers, is that I carry around a sort of mental library of visual bits and pieces, light and color and things that I want to see and, in fact, expect to see at some point. I am aware that some of these come from far back in my memory, and I can even associate them with experiences when I was quite young. One category of these “bits and pieces” has to do with curtains of rain falling across mountain ridges. When I was quite young, my family went on a drive to Southern California and on the way we drove across an agricultural valley, and still today the image I saw of rain falling in the mountains we were about to cross is still clear in my mind as is the magical impression that it made on my young mind.

So, in a sense, this is yet another working out of that category of subjects from the mental image library. These are very different mountains from those I saw so many years ago, but the them of semi-transparent sheets of rain falling in front of mountain ridges and obscuring the details is the same. These ridges are in the Cottonwood Mountains, a sub-range of Death Valley National Park’s Panamint Range. The rarely look quite like this, being a very arid, rugged, and austere desert range. But this was a day of rain (and snow!) and late in the day, as we photographed from an elevated location out in Death Valley, the weather began to clear and the clouds dissipated, leaving behind final backlit curtains of falling rain above the mountains.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Last Light on Snow, Fog, and Granite

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Last Light on Snow, Fog, and Granite
Last Light on Snow, Fog, and Granite

Last Light on Snow, Fog, and Granite. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees, fog, and snow on the granite summit of El Capitan glow in a final beam of sunset light.

Near the beginning of March I was in Yosemite Valley for three days in conjunction with the opening of the Yosemite Renaissance XXIX exhibit. (One of my photographs is in the show.) It was a wonderful weekend in many ways. Lots of artists of all sorts were there for the opening—and for Yosemite!—and I had the chance to get together with many friends among them. It was also a time of atmospheric conditions that were spectacular in ways that interest me as a photographer – broken light, occasional rain, mist and clouds.

On this evening we went to Tunnel View since it was mostly gray down in the Valley and because there was some promise of not only drifting clouds and mist there, but also of some late day light. All of those things happened, but as the end of the day approached, the “lights went out” as the clouds to the west thickened and blocked the setting sun. I continued to shoot for a while, mostly focusing a long lens on small distant details within the scene, but I finally decided that the light was simply becoming too flat and I walked back to the car to pack up, thinking about the friends I would soon join for dinner in the Valley. At the back of the car I removed the long lens, collapsed the tripod, and was packing everything away when Patty, who was sitting the front seat and facing the valley, exclaimed, “Look at that light!” Frankly, I wasn’t expecting much, but when I looked up I saw a blood red band of light stretching across the cliffs of El Capitan on the left and Sentinel Rocks on the right. Apparently the sun had found a narrow gap in the clouds almost exactly at the point it reached the horizon far to the west. I immediately knew that this light would be gone very quickly—at best it might last a minute or two—so I worked very quickly to set up the tripod, attach the camera, and stick a long lens on it… not even looking up at the view as I worked. No time to look! I quickly moved the camera to the nearest possible shooting location and, working almost entirely intuitively, quickly picked out perhaps four different shots, each focusing on the momentarily best bit of light as the scene evolved quickly. The final bit of light was a rapidly fading stripe just across the snow- and cloud-shrouded summit of El Capitan, where the upper rocks, snow, and trees picked up the intense red light for a matter of a few seconds, and then it was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Detail, Last Light

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Dune Detail, Last Light
Dune Detail, Last Light

Dune Detail, Last Light. Death Valley National Park, California. December 11,2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A last beam of light slants across rippled sand dunes and a few desert plants, Death Valley National Park

After a long day of driving and photographing along a back-country road in Death Valley National Park, I finally made it back to my campground in the mid-afternoon. (You might wonder how I can claim a “long day” when I finished in the mid afternoon – something about starting a couple of hours before dawn in temperatures in the teens!) I took a short break and did a few camp chores, and then it was time to head out once again for an evening shoot. I decided to make it something fairly simple that wouldn’t require a lot of travel, so I ended up at some dunes just before sunset.

While I’m not unwilling to shoot big, long views of dunes – sometimes they are quite impressive! – more often I focus on some smaller aspect of them, and I really like looking very closely when I can. One of the great things about focusing on the small details is that once you start to see them you find them everywhere – even in places that you might not think are all that spectacular. As I walked out into the dunes, with only a general sense of where I wanted to go, it was not long at all before I started noticing all sorts of subjects in the long shadows and warm light of the oncoming evening. Many subjects, such as this one, are illuminated by extremely transient light – slanting at a low angle across the tops of dunes and momentarily catching a plant or a bit of dune texture. I probably had little more than a minute to work with this subject and then the light disappeared – and I quickly found another similar subject and then another and so on until the light finally was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Fin Dome, Storm Clouds

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Fin Dome, Storm Clouds
Fin Dome, Storm Clouds

Fin Dome, Storm Clouds. Kings Canyon National Park, California. September 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Last rays of sunset light illuminate the fractured summit of Fin Dome and the Sierra crest on a stormy late-summer evening

During a week of beautiful days in the King Canyon National Park High Sierra back-country, this may have been one of the most compelling. The day began with interesting clouds and light, eventually evolved into light showers mixed with sun shine, and as sunset approached it cleared enough to give us rainbows, dramatically dark storm clouds, and golden hour light on the surrounding upper peaks.

This dome is a familiar landmark for many who pass along a section of the John Muir Trail not far from where we photographing, though that familiar view shows the opposite side of this feature. Although I was very close to it during the many days we spent photographing here, the face of the dome was often no all that photogenic. During the day the flat light did not complement it, and it is difficult to see how to compose an effective image of the thing from very close and right below it. However, on this evening we had wandered off to another location not far away, where there were many lakes and ponds, beautiful small meadows and granite formations, and more expansive views of the surrounding landscape. Shortly after we arrived there it began to sprinkle on us and we could see heavier showers distributed around the wider terrain. As sunset approached, the clouds thinned a bit over our position and the sun began to occasionally slant in from the west below the clouds, casting light beams that traversed the landscape to our east. I missed a few moments of beautiful light on this dome before I finally realized that this was a situation likely to repeat itself – and I stopped and waited for the next illumination from the west to arrive, here contrasting the warm sunlight on the peak with the darker storm clouds further to the east.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.