Tag Archives: leaves

Trillium Flower and Leaves

Trillium Flower and Leaves
Trillium Flower and Leaves

Trillium Flower and Leaves. Coast Redwood Forest, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A single trillium flower grows in the redwood forest of Muir Woods National Monument

I was brought up mostly in the San Francisco Bay Area. (I like to describe myself as a “virtual native” of California, since I’ve lived here since I was four years old.) When I was a child my parents would often – or so it seemed to me – bundle us into the family car for day trips to many of the nearby areas where I photograph on day trips today: Point Lobos, Pinnacles National Monument (now National Park), San Francisco, Big Basin State Park. One of the main attractions of Big Basin is the presence of coast redwood trees. I suppose that because I’ve always known trees this large that they don’t shock me the way that they do visitors who haven’t seen them before – but every once in a while I realize just how remarkable their size is.

However, with all of my youthful visits to redwood forests, it seems odd to admit that I never saw the trillium flowers there until I was much older. In retrospect, I’m pretty certain that visiting such places was a warm weather event in my family – and trillium blossoms appear at a time of the year when things are still distinctly wet and chilly. Now I try to see them every late winter and early spring, and to photograph them if possible. With this goal, I made a one day trip to the redwoods of Marin County north of San Francisco last week, making sure to arrive very early, before the hordes of tourist buses would arrive from nearby San Francisco. I managed to get a couple of hours in the deep early morning shade of the redwood forest to photograph these flowers before the sun and the other visitors arrived, making photography less appealing. Those who may not have seen the plant in the wild might be surprised at its form. Beneath the three trios of leaves/flowers that you see in this photograph, the whole affair is supported on a single long and bare step that rises vertically from the forest floor. The flowers, which can range in color from pure white through pink to a sort of dark and dusty burgundy, don’t last long, and if you aren’t there during the short interval when they blossom you might not notice them at all.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Slot Canyon Walls

Slot Canyon Walls - The sculpted walls of a narrow and curving slot canyon, Zion National Park
The sculpted walls of a narrow and curving slot canyon, Zion National Park

Slot Canyon Walls. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sculpted walls of a narrow and curving slot canyon, Zion National Park

On the first non-travel day of my most recent Utah visit, since we were passing through Zion National Park on our way to points beyond, we decided to spend the better part of the day shooting there. For a few reasons, including that it was a bit early for fall color there, we chose to not go to Zion Canyon, but to instead spend the time along the Mount Carmel Highway that cuts through the park from west to east. Our object was to photograph the wide range of interesting subjects found there: sandstone of all shapes, textures, and colors; trees, both evergreen and those with fall foliage, and more.

We ended up spending most of the day along this route. An observer might have wondered a bit about us. We would drive slowly along the road in one direction, frequently slowing down and pulling over, looking around a bit, then either getting back on the road or piling out and heading off in various directions – either up into rocks or down into a wash or canyon. Eventually we worked our way to one end of the road’s passage through the park… and we turned around and headed back. We did this loop several times. Why? First, things that you might miss while driving one direction become easier to see when you head the other way. Second, and perhaps most important, light is not a static thing. It changes in may ways – intensity, color, angle, direction, what it strikes and what it misses – as the day goes on, so while the <i>landscape</i> might have been, arguably, “the same,” the <i>lightscape</i> was in constant flux. I made this photograph in a short section of slot canyon, contriving to find a point of view from which almost nothing but the twisting and overlapping forms of the rocks would be visible, along with just a bit of foliage.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Slot Canyon Tree

Slot Canyon Tree - A box elder tree stands against the vertical sandstone walls of a Utah slot canyon
A box elder tree stands against the vertical sandstone walls of a Utah slot canyon

Slot Canyon Tree. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A box elder tree stands against the vertical sandstone walls of a Utah slot canyon

Near the beginning of this late-October photographic trip in Utah, we visited a long canyon, slot-like in places, in the southern reaches of Utah in the Grand Staircase-Escalante National Monument. Although I had been is small sections of little slot canyons before, this was actually the first time I ventured up a desert canyon like this one (with the exception of some in Death Vally) that had a creek running up the bottom, steep sandstone walls, and plenty of cottonwoods, box elders, and other typical plants. We started in a more or less flat area outside the canyon, waded up a section of the creek to enter the canyon, and spent the next few hours exploring and making photographs.

I have a thing about trees standing in front of rock walls, and among the mental images I was carrying as we went to the Southwest were several with that theme. I was actually thinking more about trees with fall colors, but in this particular canyon there was a still a lot of green foliage – and I liked the somewhat unusual combination of the leaves’ lime green and the pinkish, almost purple coloration of the rock in the soft reflected canyon light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Oaks, Morning Mist

Winter Oaks, Morning Mist
Winter Oaks, Morning Mist

Winter Oaks, Morning Mist. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist swirls around Glacier Point beyond the silhouetted branches of winter oak trees, Yosemite Valley.

This morning proved – yet again – that there is “always something to see” if I’m just out there looking. We had stayed overnight in The Valley the night before, following the opening reception for Yosemite Renaissance 28, the annual juried exhibit of work created by artists inspired by and working in and around Yosemite National Park. (It is a wonderful show and you should stop by the Museum Gallery in the Valley if you are in the Valley during the next few months.) After heading out for a late dinner with a group of other participants after the reception, we got to bed quite late and the idea of waking up well before dawn to photograph was not sounding as appealing as it sometimes can. It didn’t help that the weather forecast was for clouds and a chance of rain or snow.

I woke up at 5:30 and reset my alarm for the relatively late hour of 6:30, thinking that whatever photography there might be would be almost outside my door and realizing that sunrise would not be until after 7:00 a.m. I got up, quickly dressed and grabbed camera gear, headed out the door and started walking. In the pre-dawn light I could see that the clear areas of the sky were quickly diminishing and that clouds were ringing the Valley. I ended up in nearly deserted Cooks Meadow, where I made a few photographs of trees and cliffs and so forth. Then it started to rain lightly. I kept shooting a bit longer, but soon realized that I couldn’t really stay out there since I had not thought to bring anything waterproof for me or my gear. I retreated to a nearby shuttle bus stop and found shelter under its roof. Now of all the places to look for aesthetic inspiration in the Sierra, a Yosemite Valley shuttle stop might be very close to the least likely. However, finding myself in one and with nothing else to do, I began to look around to see what I could see from this small sheltered area. First I noticed a large granite face to my east that was becoming reflective in the light rain, and I shot a few photographs in that direction. Then I looked up through the branches of dormant oak trees toward Glacier Point and saw clouds swirling about it and nearby pinnacles and trees, occasionally broken enough to allow some of the sunrise light to create a glow behind the mist. And there you have it – the first photograph I have made from under the roof of a shuttle stop… ;-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.