Tag Archives: ledge

Photographs: England, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Woman in Red, London

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Woman in Red, London
“Woman in Red, London” — :A woman in red sits on a ledg to check her phone in London.

I confess that I barely, if at all, remember making this photograph, nor can I say precisely where in London I made it. I grabbed it while in a particular mode of street photography that is the antithesis of how I might photograph, say, a landscape. I shoot handheld. I carry a small camera with a single small prime lens. I work very quickly, often not even slowing down to frame the subject, and continue on. In this case, I shot “blind,” holding the camera down at my side. (That created a little problem. More below.)

There are a few things about this photograph that could make some viewers a bit uneasy. First, I did not ask for permission and I doubt the subject was even aware that I made the photograph. There was no time, and if I had asked, the photograph would have been a very different thing. (BTW, sometimes I’m in public and I see that I might end up in someone’s photograph like this — and I remind myself that it is OK since I do it, too!) Second, the original image had a serious problem. It was badly tilted, perhaps as much as 20-degrees. I liked the image, but I had to crop radically to get the framing I wanted, and there were still problems. How did I fix it? For the first time, I allowed an AI tool to generate some content in the corners of the frame. Still not sure how I feel about that, but it seems worth experimenting with at least.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Scotland, Photographs: Travel

Lamp, Window, Morning Light

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Lamp, Window, Morning Light
“Lamp, Window, Morning Light” A lamp on the ledge of a window in a Stirling, Scotland hotel.

This is an opportunistic photograph, made at a moment when photography is not typically my priority. We were staying in Stirling, Scotland for a few days after our Great Glen Way walk, and it turned out that breakfast was included with our room. So instead of heading out to hunt for coffee and breakfast, we just walked down that hallway, took the elevator down a floor, and walked into the dining room. And there on the window sill next to our table was this eye-catching lamp, posing against the window lit by morning light, with the blue sky beyond.

“So,” you may ask,” you say you weren’t thinking about photographing. But you had your camera with you? At breakfast?” Well, not exactly. This is an iPhone photograph. (I’ll bet that you didn’t realize that until now, right?) It turns out that sometimes the iPhone can be used to make things other than selfies. For the photographers out there, I did use the iPhone’s raw mode so that I’d have a bit more latitude in post — as you can imagine, the dynamic range in this scene was pretty large!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Rocky Ledge

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Autumn Aspens, Rocky Ledge
A line of aspen trees, with backlit peak color, on a rocky ledge, Eastern Sierra Nevada.

Autumn Aspens, Rocky Ledge. © Copyright 2022 G Dan Mitchell.

A line of aspen trees, with backlit peak color, on a rocky ledge, Eastern Sierra Nevada.

These trees defied one of my working assumptions about Eastern Sierra Nevada autumn aspen color, namely that the high-elevation clusters of smaller trees growing in challenging surroundings usually turn and then drop their leaves earlier in the season. I know that’s often true, because I have seen it for myself in many locations. But this year seemed different, and in places where I have seen bare trees before the middle of October there were quite colorful groves this time. This line of trees was up very high in very rocky terrain, yet it managed to produce enough color to glow like flame in the morning back-light.

This wasn’t the only location where I saw this surprising change. I’m pretty familiar with groves along the June Lakes Loop, including some that are well above the loop and only accessible in some relatively difficult ways. I have photographs of those trees from previous years, and they peaked and then dropped leaves early. Yet this year, as I drove that loop on the last day of my visit, at the end of the third week of October, the same trees were producing vibrant gold colors. All of this reminds me that while the trees tend to follow the same general schedule from year to year, each season has its own personality.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Wall Sunrise

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Red Wall Sunrise
Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

Red Wall Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

If you have been reading my posts about Utah recently, you may recall that I mentioned the striking contrast between my home range, the Sierra Nevada, and the far more colorful landscapes of Utah. Every time I return from red rock country the California landscape seems so… gray. (Don’t worry. I get over this quickly, and there’s plenty to photograph here, too!) But in many places in Utah the combination of blue sky, red rock, and green foliage — often with a few other colorations mixed in — produces a landscape of remarkably varied coloration.

But sometimes things go just a bit over the top. I have a few photographers here and there in my archives where the colors were so intense or so unusual that I hesitate the share them, as I know that someone will inevitably doubt that the photograph represents something close to what happened. (To be sure, photographs do not simply “capture” what the camera saw, and most good photography involves some level of post processing… just like good writing involves some degree of editing.) This sunrise light in Zion Canyon produced something that seems, at least in a photograph, to be unbelievable and even impossible. But red dawn light on red rock walls actually can look like this, at least for a brief interval. The truth of the matter here is that I had to reduce the color saturation!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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