Tag Archives: light

Photographs: Nature, Photographs: Sierra Nevada

Tioga Crest, Evening

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Tioga Crest, Evening
“Tioga Crest, Evening” — Tioga Crest in sunset light, reflected in a small pond.

This ridge lies a bit east of the actual Sierra Nevada Crest, just outside of Yosemite National Park’s eastern boundary. The peaks along the park boundary are magnificent examples of the rugged, rocky landscape that characterizes the highest parts of the range. But the ridge in this photograph is different. Despite being over 11,000′ high, on its western side it looks like… a really big hill, with little of the rocky, rugged alpine quality that we expect from these high mountains.

After my early backcountry dinner (as usual, eaten from the bag into which I had poured the cup of boiling water), I headed out for my evening photography. As the last sunlight left the lake where we camped I looked to distant high points where that warm light still shone. Here I lined up the peak with its reflection in a small pond only steps from my campsite.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Mono Lake Basin, Photographs: Nature

First Light — Tufa, Clouds, Mountains

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First Light — Tufa, Clouds, Mountains
“First Light — Tufa, Clouds, Mountains” — The first dawn light on Mono Lake tufa towers, with desert mountains and morning ing clouds in the distance.

The landscape of Mono Lake and Mono Basin seems reduced to essentials: rocks, mountains, water, sky, light. And all of this is in a place of uncommon quiet and immense space — it is difficult to truly comprehend the scale of the basin. These qualities seem especially strong if you come down from the peaks and intimate landscapes of the nearby Sierra Nevada.

I was out there early on this July morning — having literally “come down” from those peaks near the Sierra crest in predawn darkness. Rather than getting close to the famous tufa formations, my goal was to photograph the lake and its surroundings from a distance, using long lenses to bring together some of the close features and distant elements of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Evening Light

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Trees, Evening Light
“Trees, Evening Light” — A row of pine trees at the edge of a subalpine meadow catches the last evening light.

Yosemite’s Tuolumne Meadows, in the park’s high country, gets special and quite changeable evening light. The meadow runs roughly east-west, so the setting sun sends its light along the meadow’s length. As the sunset develops, long shadows play across the landscape, interrupted by bits of warm light here and there.

I suspect that most people looking at this photograph may get a sense of calm and stillness. That’s not inaccurate, but photographing this ephemeral light is quite different from photographing more static subjects. In fact, I was working madly to grab this frame before the last bit of warm light on the trees was consumed by the encroaching shadows.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Morning Shadows and Symmetry

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Morning Shadows and Symmetry
“Morning Shadows and Symmetry” — The line between morning light and shadow descends a talus slope toward a lake, revealing mirror image symmetries.

Getting out of your tent before dawn isn’t easy when it is cold and dark outside and you have to leave a warm sleeping bag. But if you don’t rise early you miss some of the most sublime moments of the day in the high country. And, I promise, once you are up and about you’ll be glad that you made the effort.

On this morning it was almost too dark to photograph when I unzipped the tent, and for the first half hour or longer I photographed in the soft blue hour light. Eventually the first direct sunlight touched peaks high above me and gradually worked its way down the steep slopes toward “my” lake. (At about the time I made this photograph, my non-photographer backcountry partners were starting to awaken in their tents on the peninsula at the right.)

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.