“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.
Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.
I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.
“Trogir Building” — Bicycles are parked in front of a Trogir building in morning light.
A friend and I arrived in Trogir very early in the morning. Our plan was to photograph the city before the daytime tourist crowds arrived. We had already been photographing for some time when I made this photograph in reflected morning light. Much of the city is connected by very narrow passageways, which means things are often in the shadows. But here the city was open enough to allow reflected light to illuminate this building.
This photograph is largely about the beautiful, warm, soft reflected light. But other things play into it as well. To my eye, there is a lot of interesting geometry here — from the triangular shapes of the roof structure to the big rectangles of the windows and doors, and then the finer patterns of the stones in the building and the sidewalk. Yet all of the geometry is broken up by other elements — the curving wire on the roof, the metal cylinder near the right door, and the bicycles.
“Trogir Waterfront, Morning” — Morning along the waterfront as clouds build, Trogir, Croatia.
I made this photograph close to the conclusion of early morning photography in Trogir, Croatia. We arrived in the old town on the island before sunrise and photographed the nearly deserted narrow, cobblestone streets, the architecture, and a few people who were out early, getting the town ready for the coming onslaught of visitors. As we finished — and before stoping for coffee nearby — we emerged on this side of the island, facing the channel between it and the part of the town across the water.
It was a really lovely morning. The warm sunlight was muted a bit as clouds appeared and a large thunderstorm appeared to develop over the city of Split, down the coast. Here we just had the over-spill from that mighty cloud — just enough to make the sky more interesting and to soften the light a bit.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.
Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.
I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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