Tag Archives: light

The Last Light

The Last Light
Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

The Last Light. San Joaquin Valley, California. December er 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

Earlier this week I spent the day out in the San Joaquin Valley, photographing birds and this expansive landscape of water and sky and a few trees. (I also made a quick midday run up to the Sierra foothills on business, and it was wonderful to see the evidence of a relatively normal looking winter in California — water pooling in flats and snow on the peaks!) It was quiet in the morning when I arrived, and there were few others there at dawn. But shortly, as I was stopped photographing sandhill cranes, a car drove up and it was my friends Michael and Claudia — what a wonderful surprise!

These are long days, beginning with a 3:30 wake-up alarm, a two-hour pre-dawn drive in darkness, and arrival at my destination by perhaps 6:30 AM or so. I photograph for a few hours, take a midday break, and then return in the afternoon to photograph until the light is gone. The cycle of the afternoon photography is striking. I begin in good light, watching for the golden hour light to begin. Soon it arrives, and it goes quickly. On this evening it was hard to figure out where the birds would be, so we finally just decided to pick a spot and see what would happen. As the sun set, geese and cranes began to arrive — cranes flying past, mostly, and some geese landing in the ponds in front of us. We continue to find ways to photograph as the light fades — switching from long lenses to wide-angle, working with rather than against the blur of lower shutter speeds. But eventually it just plain becomes too dark and we stop photographing. And this, in many ways, is the most beautiful moment of the entire day — we lower our cameras and simply stand and look, on the best days standing with a small group of friends as the day ends.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Laundry, Morning Sun

Laundry, Morning Sun
Morning light shines on a building wall with drying laundry, Radda, Italy

Laundry, Morning Sun. Radda, Italy. August 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light shines on a building wall with drying laundry, Radda, Italy

If my memory is correct, I made this photograph on just about our final morning in the Chianti region of Italy in the summer of 2016. We had spent a week with family at a place in the hills, exploring the vineyards and olive groves of the region, and visiting the hilltop village of Radda several times. (It was one of the nearest towns in this rural area.)

We visited again on this morning, arriving early enough that the narrow streets were not crowded, though vendors were starting to set up shop for the day. Because we were in no hurry, I took time to wander off from the main street and look around a few out-of-the-way spots, including this little street up near the highest point of the town, where buildings were packed tightly together. The brilliant summer light was just hitting the wall of this building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Cranes Return

The Cranes Return
Lesser sandhill cranes return to wetland marshes in fading dusk light

The Cranes Return. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Lesser sandhill cranes return to wetland marshes in fading dusk light

There is a natural cycle to the day during the winter at these San Joaquin Valley wetland marshes — actually there are multiple cycles. One is the cycle of the animals themselves, responding to the dawn, moving to daytime activities, coming and going, then settling in once again for the night. Another is the cycle of the photographer or viewer of this wildlife, whose own patterns are inextricably linked to those of the birds and the light, but who also may sometimes choose when and where to focus efforts.

The midday and early afternoon hours are, at least most of the time, relatively quiet and slow. It makes sense that during the times of day when conditions are the most stable that the birds would also be more settled. (There are seasonal exceptions, including the late winter time when the winter residence of many birds is coming to an end and another migration cycle is about to begin.) The evening brings another transition, and one of the final and most impressive moments often comes after sunset with the dusk fly-in of the sandhill cranes. Long strings of these birds appear (usually from the south in this place), flying low and straight paths toward the places where they will land and spend the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tufa, Wildfire Smoke, Mono Lake

Tufa, Wildfire Smoke, Mono Lake
Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

Tufa, Wildfire Smoke, Mono Lake. Mono Lake Basin, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

This nowhere near the first time I have photographed from this location, though it is the first time I have worked with conditions like these. Quite a bit earlier this morning I began to photograph before dawn, quickly realizing that the thickening smoke from a nearby wildfire was blanketing Mono Basin and creating atmospheric effects ranging from very dark sky, to clouds illuminated from behind, to drifting layers. After photographing near the lake I headed to a higher elevation area to the north, photographed there, and then headed back down toward Mono Lake.

As I descended I soon began to enter the fringes of the drifting smoke clouds. Lit from behind, the clouds glowed from within and softened the edges of elements of the landscape. Coming past this spot along the edge of the lake I noticed that some tufa structures formed a near semicircle near the shore, giving a bit of definition to a scene that was otherwise quite soft.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.