Tag Archives: light

The Cranes Return

The Cranes Return
Lesser sandhill cranes return to wetland marshes in fading dusk light

The Cranes Return. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Lesser sandhill cranes return to wetland marshes in fading dusk light

There is a natural cycle to the day during the winter at these San Joaquin Valley wetland marshes — actually there are multiple cycles. One is the cycle of the animals themselves, responding to the dawn, moving to daytime activities, coming and going, then settling in once again for the night. Another is the cycle of the photographer or viewer of this wildlife, whose own patterns are inextricably linked to those of the birds and the light, but who also may sometimes choose when and where to focus efforts.

The midday and early afternoon hours are, at least most of the time, relatively quiet and slow. It makes sense that during the times of day when conditions are the most stable that the birds would also be more settled. (There are seasonal exceptions, including the late winter time when the winter residence of many birds is coming to an end and another migration cycle is about to begin.) The evening brings another transition, and one of the final and most impressive moments often comes after sunset with the dusk fly-in of the sandhill cranes. Long strings of these birds appear (usually from the south in this place), flying low and straight paths toward the places where they will land and spend the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tufa, Wildfire Smoke, Mono Lake

Tufa, Wildfire Smoke, Mono Lake
Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

Tufa, Wildfire Smoke, Mono Lake. Mono Lake Basin, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

This nowhere near the first time I have photographed from this location, though it is the first time I have worked with conditions like these. Quite a bit earlier this morning I began to photograph before dawn, quickly realizing that the thickening smoke from a nearby wildfire was blanketing Mono Basin and creating atmospheric effects ranging from very dark sky, to clouds illuminated from behind, to drifting layers. After photographing near the lake I headed to a higher elevation area to the north, photographed there, and then headed back down toward Mono Lake.

As I descended I soon began to enter the fringes of the drifting smoke clouds. Lit from behind, the clouds glowed from within and softened the edges of elements of the landscape. Coming past this spot along the edge of the lake I noticed that some tufa structures formed a near semicircle near the shore, giving a bit of definition to a scene that was otherwise quite soft.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning, Wildfire Smoke

Morning, Wildfire Smoke
Wildfire smoke layer drift, above Mono Lake at sunrise

Morning, Wildfire Smoke. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke layer drift, above Mono Lake at sunrise

The subject of this photograph comes about as close to being insubstantial as possible. When I began photographing before dawn on this September morning, Mono Lake was still mostly visible, though a large cloud of wildfire smoke was gathering to the southeast and beginning to drift toward the lake. First, layers of smoke began to stretch individually across the lake as sunrise approached. As more of them arrived they began to completely obscure the more distant landscape and to mute the colors and details of objects that were even closer. If you look at this photograph for a moment you can begin to see what remains — a bit of a peninsula with some tufa formations along the right margin, and in the lower center and stretching toward the left some soft reflections of morning light on the surface of the lake.

For a moment when I first saw the smoke I was disappointed that it might interfere with my photography, but it only took a moment to realize that these were special and beautiful conditions not likely to occur that often. The smoke and the morning backlight rendered details almost invisible, only seen faintly through gaps in the smoke. The smoke itself, dividing into layers and taking on subtle colors from the morning back-light, filled the scene with nearly abstract shapes. But before long smoke filled in even more, and soon it was too opaque to photograph at all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wildfire Smoke, Morning Light

Wildfire Smoke, Morning Light
Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

Wildfire Smoke, Morning Light. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

The night before I made this photograph I had driven back to my Lee Vining Canyon camp from a backcountry hike in the Tioga Pass area, leaving the park and descending the steep route after dark. As I crossed the upper end of Lee Vining Canyon, where there is a relatively clear view to the east, I saw the pall of smoke from a developing wildfire and the glow from the flames lighting it from below. Given California’s drought, the late point in the dry season, and the number of other fires in this area, I was quite concerned about what might be happening.

I got up well before dawn the next morning and as I headed down canyon toward Mono Lake there was just a bit of smoke in the air. As I came around the final bend before the junction with US 395, however, I could see that there was a very dark cloud to the southeast and that layers of smoke were starting to drift across the surface of Mono Lake in the pre-dawn light. My first though was a bit of disappointment that the smoke was likely to interfere with my photography plans, but this was quickly replaced by the realization that I was starting to see some very special and unusual conditions as the dawn approached. I found a high place and went to work photographing abstract and soft patterns composed of the reflecting surface of Mono Lake, the drifting smoke bands, and the partially obscured distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.