Tag Archives: light

Sandstone Towers and Cliffs

Sandstone Towers and Cliffs - Sandstone towers and cliffs in evening light, Capitol Reef National Park
Sandstone towers and cliffs in evening light, Capitol Reef National Park

Sandstone Towers and Cliffs. Capitol Reef National Park, Utah. October 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone towers and cliffs in evening light, Capitol Reef National Park

By comparison to some of the other well-known Utah national parks, it seems to me that Capitol Reef is perhaps a bit more difficult to get to know. Oddly, this might be partially because it is so easy to experience it very superficially. A main highway passes right though the park, and a number of the characteristic and iconic features are visible from the highway or by barely leaving it: the well-known orchards, accessible examples of rock art, large and impressive sandstone walls and towers, the Fremont River. Other features are neatly containing along an impressive “scenic drive” with some popular trails. But it seems that the steps to see additional aspects of the park are bigger than at some other parks. For example, while most Yosemite visitors think of The Valley as the park, it isn’t really all that difficult to drive paved roads to Glacier Point, redwood groves, or even the summit of the Sierra. But to go a bit further at Capitol Reef you might have to drive through a river, have four-wheel drive, ask someone about some relatively unknown canyon, drive for many miles on gravel roads.

My first visit to this park was limited to the most accessible features, as we were passing through on our way to another place. We stopped briefly to see the rock art, and I saw those iconic orchards of Fruita. On the second visit, we had more time – we were in the area of several days – and we spent time on the “scenic drive,” did a few of the hikes, and poked around the fringes of these area. We even drove the dozens of miles down that east side gravel road and took a long drive on less-used roads to return to where we started. On a subsequent trip, we asked around a bit, and ended up poking into a canyon where we were the only visitors and walking along a route high in the mountains on a sub-freezing morning. This photograph comes from the intermediate experience of that second trip. Although there was (and still is!) much that I don’t know about this huge and diverse park, by this point I was starting to get a sense of the rhythms of light and so forth, and this enable us to be at this (accessible) location at the right hour as the day came to an end.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Theatrical Landscape #1

Theatrical Landscape #1
Theatrical Landscape #1

Theatrical Landscape #1. San Jose, California. January 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abstract photograph based on stage rigging and theatrical lighting.

I know what I’m looking at in this photograph, but I wonder how apparent the subject is to other viewers, or if it appears completely abstract? The photograph was made backstage in the wings of a theater where I have recently been photographing a very different sort of subject. The “stuff” of the theatrical world intrigues me, and the stuff here is the rigging that is mounted high in the fly space above the stage: catwalks, lights, cables of various sorts, and much more. Intense lights were mounted very high above this backstage area, shining down through much of this other material, so I simply pointed the camera up, composed a shot that included the source of the light, and made a rather long handheld exposure, during which I intentionally moved the camera a bit.

The project that brought me to this theater is a long-term one to photograph professional musicians in situations other than just their concerts. I’m initially working with classical groups, but I may consider expanding the scope to include other sorts of music later on. While working on this project I attend a lot of concerts and rehearsals. Besides having an opportunity to photographically explore this other artistic world, I get to watch and talk with musical artists and hear a ton of wonderful music. This project is not yet at the point where I’m ready to share much of the photography, but stay tuned…

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Golden Hour Fly-Out

Ross's Geese, Golden Hour Fly-Out
Ross’s Geese, Golden Hour Fly-Out

Ross’s Geese, Golden Hour Fly-Out. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Ross’s geese take wing during the sunset fly-out, San Joaquin Valley, California

As happens often enough to make things interesting, the light at the end of this day of less-than-phenomenal light momentarily made up for some of the earlier “blah” light. It had been a good day of goose (and crane) chasing, but with few moments of sublime light so far. That’s not necessarily a bad thing, since even when the light is not at its most astonishing out here, the air and the sound of the birds still makes it worthwhile, especially when a large flock of geese suddenly lifts off in unison or when the sound of cranes floats down as they coast overhead.

But still, we want that light! Just before sunset, as the hazy sky was already starting to dim, the last sun slanted in from the west at a low angle just as this flock of geese was beginning to fly out for the night. I made this photograph just a moment after the foreground group had taken to the air, but while other groups that had lifted off earlier were still visible beyond them as they departed over the grove of trees to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Evening Fly-Out

Ross's Geese, Evening Fly-Out
Ross’s Geese, Evening Fly-Out

Ross’s Geese, Evening Fly-Out. San Joaquin Valley, California. January 1, 2013. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese take flight in sunset light above California’s Central Valley

So much of this sort of photography is almost entirely not under the control of the photographer. For example, in this shot it just happened that the foreground group of Ross’s geese lifted off from the nearby pond as the further groups that had left earlier lined up beyond them. The lovely formation of the front group was entirely determined, as far as I can tell, by the geese and not by me! Of all the sky conditions that I had encountered on this day, it was fortuitous that the flock lifted off in the direction of this color gradient and then rose to the right height to be in front of it as they ascended. And it was especially gracious of them to lift off as the last golden hour sun hit them from the west, and on a side where I could see it.

So what does the photographer get to take credit for in cases like these? There are, of course, choices about when and where to park oneself to increase the odds that something interesting will happen in front of the lens. And there is the matter of instincts of various sorts, without which it would be very difficult (or should I say, even more unlikely) to have the camera pointed the right direction at the right time and to click the shutter button at an opportune moment. Exposures must be reasonably close to right, which is a trickier thing than some think. And then there is some combination of recognizing luck when it comes your way, intuitively recognizing and tracking what is happening, and being able to follow the birds and instantly recognize when an interesting visual pattern occurs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.