Tag Archives: light

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shack with Red and Green Interior Lights

March 2, 2011 G Dan Mitchell 2 Comments

A small shack with interior lit by red and green lights at the Mare Island Naval Ship Yard, California.

At last weekend’s night photography shoot with The Nocturnes at Mare Island Naval Ship Yard I wandered a bit further afield than I have on some previous visits, eventually ending up in an area where I have only photographed once before when I unsuccessfully shot a couple of large barn-like buildings. (I think I have a shot of these buildings from this trip that I like, and I’ll post it later on.)

While spending nearly a half hour photographing a light post against the backdrop of a very dark brick building (which amounted to two photographs, given the long exposure times and the follow-up “dark frame exposures) I kept thinking I saw a faint red glow inside a small nearby building. At first I thought that one of my fellow night photographers might be doing some light painting, but the light seemed awfully dim. Eventually I noticed that it was also quite constant – and light painting virtually always involves moving the hand held light source around in order to get a smooth lighting effect. Once I finished shooting the light pole (unsuccessfully, it turns out) I decided I would go over and see what was creating this light.

The buildings appears to be a small “guard shack” or similar, a very old and very dilapidated one room structure. Inside, as best as I could tell, there is a small table, a few chairs, a digital clock of some sort with green letters, and some kind of very dim red light. Intrigued, I decided to see if I could photograph it. One technical problem was going to be the very large difference in lighting between the bright light on the clock and the extremely dim exterior, made worse by the dark color of the building. I figured that I could probably put enough extra light onto the building’s exterior using a very small key chain LED light than I happened to have with me, and that is the major source of light on the front of the building and on the yellow foreground curve – I simply walked around on both sides of the building and moved the small light over its surface.

In the end, I think this is another example of night photography as a source of a certain kind of “fantastic” lighting. The actual scene was very, very dim, and the the intensity of the colors here is almost entirely the result of the very long exposure and a bit of improvised lighting on the yellow curb behind the fence – a photograph of something that cannot be seen with our own eyes.

More Night Photography

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dawn Light, Panamint Range and Salt Flats

February 27, 2011 G Dan Mitchell 4 Comments

The first dawn light on the snow-dusted Panamint Range is reflected in shallow winter pools on the salt flats of Death Valley National Park.

This is yet another story of serendipity, I think, though it also does involve some advance work – which should please those who become uncomfortable with the idea that not every landscape photograph results from a slow and deliberate and well-planned process! ;-)

The general location of this scene is along a section of salt flat just below the Salt Creek turnoff from the main highway – it is the first area of obvious salt flats that you come to as you head south towards the Furnace Creek area. One one of my first photographic visits to Death Valley I recall stopping near this location along the road and trying to make a photograph pointing down the length of the Valley. It was not successful, but I’ve always been a bit intrigued by this location where the road has to curve around to the east to avoid this salt flat. A day or two earlier on this trip I had stopped along the road at almost this exact location during the “boring light” part of the day after shooting somewhere else. I had wandered – without any camera gear – down across the wash to a patch of brown salt grass and beyond to the edge of the salt flat. I had noticed a lot of things: the very alien nature of this landscape consisting of mud and caked salt and not much else, the surprising presence of some worms and larvae in this tremendously salty water, the fact that the water seemed to seep from beneath the wash, and the interesting shapes that the water created as it slowly spread along the edge of the salt flat.

Move ahead to this morning, the final one of this trip to Death Valley, and I was up well before first light. I had several ideas about what I might photograph, but had not made a firm decision yet since the weather was something of an unknown. I had a vague idea about heading north up the valley and photographing the first light on the hills along its western edge. I was keeping open the possibility that spectacular light might make it worth while to photograph Zabriskie. But I really didn’t know.

I drove to the Furnace Creek/Scotty’s Castle junction and pulled over to watch the light begin to grow. There were lots of clouds! It looked like a lighter area might evolve straight to my east, but I couldn’t quite see photographic potential in it. To the north things looked pretty bleak. There was some possibility that light could happen way to the south, but I wasn’t convinced. I decided to drive a bit south and see what might happen, and very soon I came back to this place where I had stopped earlier. The light wasn’t very promising – clouds to the east seemed likely to block the sunrise light even though there were some interesting cloud patterns overhead that were starting to become more transparent as the sky began to lighten.

Then I caught just a bit of light on some of the higher clouds above the middle level clouds and I started to wonder if the light just might make it through. I went to the back of the car and grabbed my camera with one lens already attached and mounted it on the tripod. I wasn’t sure if I’d want wide or tele for some of the possible subjects, so I grabbed two additional lenses and stuck them in a shoulder bag and headed down the wash, not really looking up too much, just heading straight towards these little areas of water that I remembered from earlier. As I got close to the edge of the flats I saw that, indeed, a band of sunrise light was coming in below the cloud deck to the east (something I have learned to watch for) and starting to light up the highest peaks of the Panamints. I knew that if this light survived long enough to make it down across the range that it was going to happen fast, so I quickly headed out onto the edge of the flats, more or less ignoring the larger scene and simply looking for an interesting reflecting pool. As I set up – working very quickly now – the first sun lit up the face of the panamints and revealed radiating cloud shapes above. I had perhaps two minutes of this light… and then the small gap along the eastern horizon must have closed up as the light disappeared and went back to gray.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tioga Lake, Late Spring

February 22, 2011 G Dan Mitchell 3 Comments

Late spring at icebound Tioga Lake below Tioga Pass with Mammoth Peak and the Kuna Crest beyond in afternoon light.

I made and shared a slightly different photograph of this scene last summer, but when I did my annual end-of-year traverse of the year’s raw files I returned to the original set of images and wondered how I missed this one. In a lot of ways it is similar to the one I selected earlier, though the foreground light and shadow patterns are a bit different and, more importantly, I like the position of the clouds in this one more than what I had in the original. So, there are now two versions of this scene floating around…

After several fairly dry years in California, the winter of 2009-10 produced much more precipitation, as rain in the lowlands and as snowpack in the Sierra. Because of the heavier snow, Tioga Pass opened just a bit later than average, and when it opened there was still a lot of snow in the high country. Since this afforded a rare chance to cross the Yosemite Sierra in conditions not usually seen by drivers I made it a point to get up there as soon as the road opened.

On the drive there was snow along almost the entire length of Tioga Pass Road, and in many places it looked more like winter than like spring. At the same time, it was spring, and the melting of the snowpack was fully underway. While lakes like Tioga Lake, as seen in this photograph, were still ice-covered… the ice was thinning quickly, and everywhere the melting snow was creating creeks and cascades. The high country, especially at the elevation of the road, was filling with water – water in ponds, water in overflowing lakes, water in rivers, water in cascades and waterfalls. I was waterfalls along the road in places where I had not even suspected that there were creeks!

This photograph shows Tioga Lake, just east of and below Tioga Pass, the eastern entrance to Yosemite. The pass itself is in the low saddle just above the meadow ascending the hill at the end of the lake. Beyond, and inside the park, is massive Kuna Crest with white, snow-capped Mammoth Peak in full sun at the right end of the ridge.

Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Shacks and Ship Yard Structures

February 20, 2011 G Dan Mitchell 1 Comment

Shacks, trestles, pipes and other shipyard structures against a night sky – Mare Island Naval Ship Yard.

Several years ago I shot more or less this scene and created a black and white photograph from it, and since then I’ve been thinking of trying to work with the scene again. I’ve been back, but ended up not shooting it for a variety of reasons, including a tall fence that now blocks the view a bit. On another occasion I decided not to shoot it since there was no moon… and the original photograph was done in full moon light. (“It wouldn’t look like my other photograph.” What a silly reason to not shoot it!)

This time I wandered over to this area to shoot a different subject, the companion structure that sits just north of this one. (Both support large overhead “tracks” along which some sort of machinery was able to lift and move large things like ship engines from the shop to the waterfront.) With my tripod cranked up to a foot or so above my head, the camera could “see” over the fence, so I decided to go ahead and shoot this subject again.

Technically, there are a few challenges in the shot. The bright light is very close to the first building and it ends up being very bright and the light is a very saturated yellow color – so that limits the maximum exposure. At the same time, there are some deeply shadowed areas in the structure that you can probably spot – come of the areas under parts of the tower for example. In addition, the city of Vallejo lies beyond this facility – you can see a bit of the glow from its lights in the distance – and some of the city lights would be directly visible if I wasn’t careful with camera placement.

I’m intrigued by several things about this subject. As a decommissioned ship yard, it is interesting to think about what it must have been like here in the past when all of this was in use. (Mare Island’s history goes well back into the 1800’s when it was the first west coast naval ship yard.) I also marvel at the “stuff” that I see that I can’t understand at all. I have no idea what many of those pipes were for or even what must have gone on in these little buildings. And the weathered, rusted, decaying character of the structure itself is interesting to me.

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