Tag Archives: light

Forest and Tower, Afternoon

Forest and Tower, Afternoon
Gentle afternoon haze and soft spring light on forest and granite towers, Yosemite Valley.

Forest and Tower, Afternoon. © Copyright 2023 G Dan Mitchell.

Gentle afternoon haze and soft spring light on forest and granite towers, Yosemite Valley.

The main visual aspect of Yosemite Valley, I think, is of massive, iconic formations in combinations that would be almost impossible to imagine: a dome sliced in half, waterfalls launching from the edges of cliffs thousands of feet above the valley, incomprehensibly massive expanses of granite, the u-shaped form with a carpet of trees at the bottom. But more subtle things characterize the place, too: the back-lit afternoon haze, cloud shadows moving ac ross the landscape, trees and meadows next to the river, and more.

The location is a bit west of the most popular parts of the Valley, wheres a beautiful small meadow provides more open views of the surroundings. The meadow that can be more of a lake in the snow melt season when the nearby Merced river rises. This spot was almost the final stop on my recent one-day visit to the Valley, and there I found multiple subjects to photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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First View

First View
Morning view of Yosemite Valley’s El Capitan and Ribbon Fall on a spring morning.

First View. © Copyright 2023 G Dan Mitchell.

Morning view of Yosemite Valley’s El Capitan and Ribbon Fall on a spring morning.

There are several stories about how I came to this spot earlier this week. One starts decades ago, but I’ll begin with a shorter one. Up at 2:50AM and on the road minutes later, I began the drive from the San Francisco Bay Area to Yosemite Valley in darkness. I had considered a sunrise arrival, but that would have meant being on the road around 1:00AM — which wasn’t going to happen. So the sky began to lighten out in the Great Valley, and the sun rose while I was in Merced Canyon. This scene was in front of me when I finally stopped, shortly after turning onto Southside Drive in the Valley.

Of course, the full story of “how I got here” is much, much longer. It started decades ago when I was five years old and my parents relocated to California from the Midwest. Soon after our arrival we went to Yosemite — I don’t know the exact year, but it must have been not long after my fifth birthday. I’ve been to this place many times over those years, and I expanded my experience to the greater Sierra. On this visit I thought a lot about how my relationship to this Valley has changed, and I hope to write a bit more about that in the next few weeks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shadows on Dunes

Shadows on Dunes
Morning shadows lie across Death Valley sand dunes.

Shadows on Dunes. © Copyright 2023 G Dan Mitchell.

Morning shadows lie across Death Valley sand dunes.

Yes, I know. More dunes. As I wrote earlier, it is almost impossible to visit Death Valley National Park and not photograph sand dunes at least a little bit. To be sure, they comprise only a small portion of the park, and there is much more to see there. But they are a compelling subject, with infinite variations of light, texture, form, and color. I photographed these in the early morning just after sunrise when the shadows were still long.

While photographs often show the actual features and forms of the dunes, photographers “interpret” the subject, too. We seek out the most fascinating bits and pieces, the best light, and then we go to work to present them in the most interesting and appealing way. Here I wanted to show the directionality of the early light, but also maintain at least some details in the deep shadow areas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Dunes

Morning Dunes
Sand dunes and shadows in early morning light.

Morning Dunes. © Copyright 2023 G Dan Mitchell.

Sand dunes and shadows in early morning light.

Sand dunes provide an endless laboratory for experimenting with curves, light, shadow, and texture. To the best of my memory, I have never failed to photograph then during a visit to Death Valley National Park, and some of the dunes have become old friends. But that long familiarity doesn’t eliminate surprises, and I discover something new on every visit.

I photographed this scene on a late-March morning, back when the weather in the region was still more like winter than summer. In fact, this clear and pleasant morning was a bit of an exception, and we encountered snow, high winds, and rain at other points during our visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.