Tag Archives: line

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree and Shadow’s Edge

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Tree and Shadow's Edge
A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Tree and Shadow’s Edge. © Copyright 2021 G Dan Mitchell – all rights reserved.

A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Sometimes (oh, heck, often) photographs come about in somewhat unsuspected ways, and this is such a photograph. In October we were in Southern Utah and we had previously spent a day photographing in Zion Canyon. The general plan on this day was to photograph along Mt. Carmel Highway in the morning (which we did), grab some coffee and food beyond the park, and then, well, we weren’t quite sure. The day evolved organically and we ended up on some interesting Utah backroads crossing some surprisingly snowy highland before we eventually ended up in Cedar City. We gassed up the vehicle and realized that we had time for a quick side trip into Kolob Canyon on our way back toward our eventual destination.

I’ve been in the less-visited and less-developed section of Zion National Park several times. In addition to being a jumping off point for lots of interesting trails, it presents some landscapes opportunities that are quite different from those of the more familiar Zion Canyon. I’ve usually been there earlier in the day, so it was fascinating to observe the place in late-day light. Much of this landscape is huge, even “epic” in scale, but as I scanned it I started to see smaller vignettes that seemed interesting. In particular, I noticed that this shadow was moving from left to right and gradually lighting the prominent tree in the center of the scene, casting its shadow on the brightly-lit sandstone behind it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

Morning, Caffe Trieste

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Morning, Caffe Trieste
Patrons in line for coffee at Caffe Trieste, San Francisco.

Morning, Caffe Trieste. © Copyright 2021 G Dan Mitchell – all rights reserved.

Patrons in line for coffee at Caffe Trieste, San Francisco.

Last week I spend considerable time in San Francisco’s North Beach neighborhood. I’m a member of Studio Nocturne a group of night photographers (descended from “The Nocturnes”) who have been photographing and exhibiting together for decades. Every fall we do an “open studio” as part of The City’s Artspan Open Studio event. This year we were in the Live Worms Gallery on Grant in North Beach. We’ve been in various locations over the years, and I think this may have been one of the best spots we’ve used — lots of foot traffic, lots of places nearby to eat and drink, great atmosphere. (Terrible parking though!)

Each day I arrived an hour or so before we opened, and on the last day, Sunday, I headed a half block up Grant to this famous espresso shop. You might not know it if you just dropped in on a Sunday morning, like I did, but this is a somewhat historic location in San Francisco. In addition to being a meeting place for all sorts of interesting folks for years, it was the first espresso bar on the West Coast.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Bench and Shadows

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Bench and Shadows
A bench and shadows, photographed through a window, Portland, Oregon.

Bench and Shadows. © Copyright 2013 G Dan Mitchell – all rights reserved.

A bench and shadows, photographed through a window, Portland, Oregon.

This photograph may be a bit difficult to explain, especially to the satisfaction of those who might be looking for the usual landscape and nature images. For the most part, I don’t think I will try to explain it too much, except to say that perhaps it isn’t just about benches, and that for me it seems like it has a connection to work created by an artist that I like quite a bit.

Having said that — not a lot, but that’s all I got! — I can mention a few facts. I made the photograph on a visit to Portland, Oregon. We were out wandering around the edges of the central downtown area, and I was photographing all varieties of street subjects that I saw. This must have been a fairly quick shot, as street photographs can be, since it wasn’t a subject I lingered on.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall Color, Photographs: Flight, Photographs: Nature, Photographs: Sierra Nevada

Shoreline Aspens, Autumn

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Shoreline Aspens, Autumn
Colorful autumn aspen trees line the shoreline of a Sierra Nevada lake.

Shoreline Aspens, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees line the shoreline of a Sierra Nevada lake.

Near the beginning of the second week of October I had the opportunity to travel to the Eastern Sierra Nevada. The plan was to travel solo, camp in some fairly deserted campgrounds, largely keep my distance from other visitors, and spend some time photographing the fall color. The word from others who had been there a few days earlier was that the fall color was perhaps better than usual, and I didn’t want to miss it. I headed over the crest at Sonora Pass and almost immediately encountered truly awful wildfire smoke that only got worse as I continue south. Eventually it became tolerable near Bishop, so I headed into the mountains and set up camp.

Photography was fine the next day, as the smoke had thinned a great deal. It was still there, but not oppressive. However, that evening it returned with a vengeance and I spent the night wondering how much damage it was doing to my health. The next morning I was up way before dawn, and I decided to at least try on nearby “sure bet” subject, where I had thought about photographing from a particular location in ways that might minimize the visibility of the smoke. I arrived and, sure enough, it was smoky, though less awful than the night before. I set up above the lake behind this beautiful pair of aspens, and mostly composed in ways the eliminated the long views, instead comprising the warm orange and reddish tones of the aspens with the cool, blue colors of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.