Tag Archives: lobby

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco

Museum Lobby

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Museum Lobby
Visitors milling about in the lobby of SFMOMA

Museum Lobby. © Copyright 2018 G Dan Mitchell – all rights reserved.

Visitors milling about in the lobby of SFMOMA

It has been a while, and I was more than due for one of my periodic walking days in San Francisco. As per the usual plan, I was out the front door of our house long before dawn, to the train station by bus, and then by train to San Francisco, arriving just before sunrise. There were clouds over the City to my north and west, so I headed to the edge of the Bay, where the skies were clear to the east and early sun shone through on the shoreline and the City. I photographed along the waterfront for a while, and eventually wanted past the Ferry Building and up into the City north of Market Street.

I had a plan to circle back to SFMoMA by late morning, since the expansive Walker Evans show ends there in about a week. I arrived and took a break from my own photograph to view his and that of his contemporaries. (To anyone in the SF Bay Area who likes this sort of thing, go now! There is a ton of work in this show, and it ends a few days into February.) Evans evokes a mixed response for me. I share an interest in some of the subjects that interested him, including certain kinds of shops and other urban structures. His photographs of common tools are exquisite, and the WPA photographs of sharecroppers are really great. Other work impresses me less, and some of the photographs of objects and buildings (though not all of the latter!) impress me at times as being snapshots. But still, there’s a lot of great work in the show, and Evans had a big influence on the ways that many of us see. Once I completed my time in the Evans exhibit, it was time to leave and head back to the train station. But before I left I made a few photographs inside the museum, where I saw for the first time the patters of these lights reflecting on the floor in many places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: France

Musée d’Orsay, Interior

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Musée d'Orsay, Interior
The main interior area of the Musée d’Orsay, Paris

Musée d’Orsay, Interior. Paris, France. August 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The main interior area of the Musée d’Orsay, Paris

Even though we had almost a week in Paris this past summer, there was simply too much to see — not that this was a surprise! We knew that there were certain things that we simply had to see, and we knew that we wanted to visit several museums, some small and some large. We visit a small photography museum one day, and we visited a portion of the Louvre on another, but there were other things to see and do as well.

All of this is to explain our unfortunately brief visit to Musée d’Orsay, which we only managed to get to near the end of our trip, and then on an afternoon when the place was only going to be open a few more hours. We went in and rushed to see at least a few things that we knew we did not want to miss, and I found time to make just a few photographs, including this one of the airy interior of the building just before it closed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Southern California, Photographs: Structures and Objects

Courtyard Window Reflections

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Courtyard Window Reflections
Courtyard Window Reflections

Courtyard Window Reflections. Getty Center, Los Angeles, California. March 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Curving window reflects the courtyard of the Getty Center

This curving wall of tinted windows is a favorite subject of mine at the Getty — I have photographed it several times, in fog and rain, with people in front of it, with people behind, and the structure alone. People often move across the courtyard area in front of it on their way to other places, so I can catch people in motion against this background. In fact, one other series from this visit includes a child jumping and hopping his way across. Frequently people will appear momentarily between the columns leading into the distance at the right, too.

This was a very clear day, so the light is crisp and the reflections are very visible in the curving glass. The color of the glass almost reminds me of the water of a swimming pool, and I wonder if the architects thought about this when they designed this aquarium-like rounded building with its many windows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

All Stops Special – Caltrain Station

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All Stops Special - Caltrain Station
All Stops Special - Caltrain Station

All Stops Special – Caltrain Station. San Francisco, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

The San Francisco Caltrain station, photographed through glass lobby windows.

I frequently ride Caltrain to the City to do street photography. (Getting there by train is far better for me than taking the car, mainly because I think I can do more effective photography of this sort when I’m working completely on foot and not dealing with the whole driving/parking thing.) In this photograph I liked the nearly empty glass-enclosed lobby area, lit by very diffused light under the early morning fog, and with the trains visible on the other side. The “All Stops Special” sign seems enigmatic when seen out of context.

By the way, as much as San Francisco residents love the sunny and warmer days that occasionally come to the City this time of year, for photography I much prefer at least some fog and cloudiness, especially when I try to shoot during the daytime hours.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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