Tag Archives: lot

Photographs: San Francisco, Photographs: Urban/Street

White Building, Overpass, Empty Lot

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White Building, Overpass, Empty Lot
Urban scene, downtown San Francisco

White Building, Overpass, Empty Lot. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Urban scene, downtown San Francisco

This is another urban landscape, and it is at least partially about light. I was walking north toward the central Market Street area of The City when I passed underneath this highway overpass. I had stopped to photograph some interesting columns and fences there, since the area is currently transformed by a major construction project, with lanes close and fences up everywhere.

Emerging from the underpass I looked across the street and back at the edge of the highway above and saw the start nearly-white building, the empty lot, the cyclone fencing, the bridge and the way that all of these forms fit together, especially with the linkage from diagonal lines of the large shadow and its smaller twin, the foreground fencing also descending from left to right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Windows, Ramp, and Asphalt

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Windows, Ramp, and Asphalt - The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington
The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington. The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington

Windows, Ramp, and Asphalt. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington.

This is the third in the short series of urban geometry photographs from my early May visit to Seattle, on which I had an hour (only an hour!) to photograph in the Fremont District with a group on a Seattle Photo Walk. After starting in “downtown” Fremont, meeting up at the Lenin statue, wandering over beneath the Aurora Bridge, and walking back along the waterfront, I climbed the stairs to another bridge that took me back toward my starting point.

This bridge turned out to be an interesting subject and vantage point. I made a few photographs of the bridge itself, mostly focusing on details, but for the most part those did not end up being images that I’ll share. However, once I got up on the bridge and started to walk across it, the vantage point it provide across the tops of buildings and down into areas below was interesting. The subject of this photograph is probably some of the most banal looking office space around, especially since I narrowed the composition down to simply showing a wall, some windows, a bit of concrete, the shadow of the bridge on which I was standing, and a painted out section of an asphalt parking area. It is what it is, and you get to figure out what that might be! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Driveway, Arrows, Yellow Line

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Driveway, Arrows, Yellow Line - White arrows and a yellow line painted on a parking lot driveway, Seattle, Washington
White arrows and a yellow line painted on a parking lot driveway, Seattle, Washington

Driveway, Arrows, Yellow Line. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

White arrows and a yellow line painted on a parking lot driveway, Seattle, Washington.

Another in the series of photographs of urban forms, shot in Seattle in early May. The story, and this isn’t the first time that I’ve mentioned it, is that I had a free hour during a visit to Seattle. I found out that there was a “Seattle Photo Walk” going on in the Fremont District, which I think I may have passed through before but where I had never photographed – so I met up with the group and spent an hour wandering around in the Fremont area.

I made quite a few photographs during that short time, and near the end of my hour I crossed back into Fremont by walking across a bridge, and this bridge turned out to figure in several photographs, either as a subject or as a vantage point. In this photograph it is merely the vantage point, as I shot into this driveway leading to an underground parking area while walking across the bridge. The opposing arrows were an obvious interest, but I also was intrigued by the single yellow line cutting through the scene and the overall concrete grayness of this spot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Parking Lot Near Pier 48, Morning

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Parking Lot Near Pier 48, Morning
Parking Lot Near Pier 48, Morning

Parking Lot Near Pier 48, Morning. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Morning light on a large parking lot near Pier 48, San Francisco.

Continuing with the “urban landscape” theme, this is a photograph of a parking lot south of the bridge next to ATT Park and near the buildings of Pier 48 in San Francisco. After getting off the train that arrived in San Francisco at 7:00 a.m. and wandering over to Townsend Street, I decided to cross the what I think must be the Mission Bay inlet and take a look through this area which was rather deserted at this early hour. (Come back here before a Giants game, and the parking lot will be completely full of the cars of people who are willing to spend exorbitant amounts to park here.)

While there were cars in other portions of this parking lot that are closer to likely destinations, at this far end there was a single lonely car, and that seemed like it could be an anchor for a photograph of the lot, the tall streetlight poles, the industrial-looking buildings of Pier 48 and other assorted waterfront things. Because it was so early, the sun rising across the bay was filling the air with brilliant light that created a sky that was more white than blue.

In addition to the obvious crop, this image required other kinds of substantial work in post. The first issue was controlling the very brightest parts of the sky and a second was the follow-up need to then lighten a few other areas to get some detail back into the image. Color balance was a tricky thing – this isn’t that far from what the raw file contained, though I did warm the colors just a bit. I also did something in this image that I rarely do, namely use semi-opaque blurred and desaturated overlay layer of the original image to do, well, some stuff that is a bit hard to describe in written form. Suffice it to say that this had an effect on the parking lot and on the brightness of the sky.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.