Tag Archives: low

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Low Tide, Drakes Estero

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Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero
Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Low Tide, Drakes Estero. Point Reyes National Seashore, California. July 23, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Although I have been visiting the Point Reyes National Seashore, just north of San Francisco, for quite a few years, it has sometimes been a challenging place for me to photograph. Perhaps it is because, with some exceptions, it generally doesn’t feature the same sorts of iconic and spectacular Pacific coast subjects found in places such as the Big Sir coast. instead there are coastal lowlands with most-treeless bluffs, thick and impenetrable forests further inland, and grand vistas across low-lying landscapes. But given enough time and patience and persistence, I think ti begins to be possible to discover a way of seeing almost any landscape, and I’m starting to understand how to see this place.

I knew it that there would be fog on this visit, and my plan/hope was that I could get there at the right time to place myself along the boundary between sun and fog, where interesting things often happen with the light. I decided to take a rather long hike (about 13 miles roundtrip) to a location that I have long wanted to visit, and I arrived at the trailhead just as the fog was beginning to thin there. After dropping through forest I arrived and crossed one arm of Drakes Estero as the tide was at its low point, revealing mud flats along the shoreline. The trail climbed again and I came around another high headland to see a more expansive view toward the fog over the ocean to the west. The low tide revealed remarkable patterns in the estero, and the shallow water reflected the deep blue sky and the thinning fog clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Patterns, Evening Light

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Sand Patterns, Evening Light
Sand Patterns, Evening Light

Sand Patterns, Evening Light. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low angle evening sun highlights the patterns of a Death Valley sand dune

On my second day in Death Valley National Park — my first full day of photography there on this trip — I made a long journey down into the southern reaches of the place, driving out on some less used back roads and getting into some places I had not visited before. Death Valley National Park is a huge landscape, and getting from place to place there can become quite a production, especially if you get off of the main paved roadways and get into the back-country on the many unpaved roads. In terms of absolute mileage it probably would not seem like I went all that far, but the actual driving time was many hours. I first headed up a canyon toward an abandoned ranch and mine area, then went far to the south and took an alternative route back to the north, using a long unpaved road though high desert country.

Late in the day I made it back to my basic but functional camp at Stovepipe Wells, took a short break, and decide that it might be good evening for some sand dune photography. The closest dunes to this area are iconic and are perhaps among the two or three best known sites in the park. I don’t necessarily avoid photographing that well-known view, but I’ve seen that so many times that these days I’m a lot more interested in looking for other subjects in the dunes. For the most part I pay almost no attention to the icon here, instead preferring to wander off into lower sections of the dunes. I walk slowly, following my instincts, watching to see what might appear. In the end it could be a large view across vast acreage of dunes, or it could be some tiny subject at my feet. There had been a big wind and dust storm during the past 24 hours, and I found lots of newly made patterns in the sand. I photographed this subject in evening light, when the low angle sun highlighted the patterns of newly made ripples in the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Geese, Twilight

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Geese, Twilight
Geese, Twilight

Geese, Twilight. San Joaquin Valley, California. January 25, 2015 © Copyright 2015 G Dan Mitchell – all rights reserved.

Abstract photograph of low-flying flock of geese in twilight

It has been a while since I share a fuzzy goosescape, so I’ll try to make up for it with this one. Late in the evening of a long day photographing migratory birds and the San Joaquin Valley landscape, after the sun had set, I made this last photograph of the day in very low light. As we photograph on into the evening — typically with the camera off the tripod when photographing birds — we try to keep up with the fading light by opening up the aperture, raising the ISO, and gradually lengthening the shutter speed.

Eventually there comes a point where the light is so low that this won’t allow sharp photographs of moving birds any more. I actually look forward to this end-of-the-evening time and I happily switch over to intentional motion blur photographs. I lower the ISO, close down the aperture, lengthen the shutter speed and try for soft, blurring photographs. A lot of this work is rather experimental, since you can’t completely know what you’ll get ahead of time. You do have some control — shutter speed controls just how much blur there will be; by panning the camera you can get moving subjects to be defined enough to recognize; by moving the camera you can control the angles and curves of lines of blurred light. And when it all works out just right the result can be quite beautiful and, in some ways, more suggestive of the feeling of this place at twilight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Geese, Tree, Dusk

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Geese, Tree, Dusk
Geese, Tree, Dusk

Geese, Tree, Dusk. San Joaquin Valley, California. January 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Ross’s geese fly low past a tree at dusk, San Joaquin Valley

A small group of photographer friends spent (for the third year in a row) New Year’s Day in California’s San Joaquin Valley, greeting the dawn of 2015 by photographing it! Dawn wasn’t the only attraction — we are also drawn here by the landscape, the incredible wildlife (geese, cranes, egrets, herons, ibises, pelicans, and much more), and the beautiful winter light in this part of California. We began our day in the pre-dawn soft and foggy light and ended it in post-dust light when it finally became to dark to photograph.

For me this simple photograph of a field, a tree, and some geese evokes many of the things that draw me back to this landscape every winter. Even on a day when the tule fog thins, the atmosphere rarely seems to fully clear, and the dusk light is soft and mysterious and full of colors. And at this hour the geese seem to be settling in for the evening, often collecting in large groups in fields of ponds. As they do, they often seem to fly low between groups, flowing across the still landscape and between trees like the wind itself or like the flow of water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.