Tag Archives: material

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Lower Panamint Mountains

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Lower Panamint Mountains
The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

Lower Panamint Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

This photograph is my excuse to return to an old theme of my posts about Death Valley National Park. For a place with a reputation so connected to aridity and heat, the clear evidence of the role of water in the formation of this landscape is abundant. In fact, it is hard to locate any place in the park where water had not played an important role. (The repetitive pattern of dips and rises on any drive across “level” roads here is a fine reminder of the importance of flowing water.)

I made this photograph from a vantage point high in the Panamint Mountain Range, from which I could look down at the vast alluvial fans formed by material that was once above the present-day upper reaches of the range. These fans go on for miles, and the amount of material they contain is nearly incomprehensible. More durable material still sticks up above the surface of the material, and washes and gully cut across their surface nearly everywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Textures, Photographs: Urban/Street

Fabric

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Fabric
Colorful pieces of fabric photographed in a Southern California market.

Fabric. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful pieces of fabric photographed in a Southern California market.

This photograph comes from a visit to a collection of craft stores at a San Diego location a few years ago. We were there on a family visit, but I rarely go anywhere without carrying a camera, and it was impossible to resist stopping to photograph these beautiful and wildly colorful bits of fabric at one of the shops.

Here in California these images and these colors are a part of our culture. That, of course, should be no surprise at all in a state where it is hard to travel more than a few miles without passing through a town or a county with a Spanish-language name: San Francisco, Merced, Los Angeles, and… San Diego.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Folds and Strata, Zabriskie Point

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Folds and Strata, Zabriskie Point
Folds and Strata, Zabriskie Point

Folds and Strata, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Convoluted folds topped by some stratified material at Zabraskie Point, Death Valley National Park, California.

A new hobby for me when photographing Zabriskie Point is to forego the famous panoramic views of Manley Beacon and the Panamints – well, at least sometimes – and to instead focus on smaller details of the patterns in the fantastically folded terrain. Starting about a year ago, I also became intrigued by the idea of shooting here at unusual times of the day: late morning, early afternoon, and so forth. I started doing this when a year ago I shot somewhere else at dawn and then happened to stop her much later in the morning – only to discover that some of the shapes and forms that are in shadow early in the day are actually better-lit later on.

On my late-March trip I did shoot Zabriskie at the “popular” time of dawn on one morning, but on another day I spent a good amount of time shooting here during the less classically ideal time in the middle of the afternoon. I was lucky enough to get just a bit of high thing clouds which reduced contrast just a bit, but kept the interesting shadows and illuminated ridges that appear at this time of day. When I shoot this way I go straight for a very long lens and focus on smaller details of the scene, ignoring the larger and broader landscape in favor of bits of a gully, shadowed or sunlit ridges, or a bit of strata material sitting on top of the folded material as seen here.

Rather than amp up the contrast and saturation – an easy trap to fall for in the afternoon light – I decided to keep the softer and less saturated effect that I was actually there when I made the photographs.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 250mm
ISO 100, f/16, 1/30 second

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