Tag Archives: meadows

Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Slopes

Aspen Slopes
Autumn aspen trees rise from a valley toward the Sierra Nevada crest.

Aspen Slopes. © Copyright 2023 G Dan Mitchell.

Autumn aspen trees rise from a valley toward the Sierra Nevada crest.

This little valley running along the base of the eastern slopes of the Sierra was on my agenda for this trip. But due to trying to squeeze in visits to numerous locations I couldn’t get to all of them in the perfect, soft, early and late day light. I arrived at this spot in the late afternoon, when the sun was backlighting these trees.

The answer groves here are among the most extensive I know of. They are not fully continuous, but there are quite a few of them and they are draped across the slopes, rising high up to where they meet the conifer forest. While the daytime sunlight isn’t my favorite for aspen photography, here the backlight intensifies the colors of the leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color, East of the Sierra

Autumn Color, East of the Sierra
Fall color spreads across hillsides in mountains east of the Sierra Nevada.

Autumn Color, East of the Sierra. © Copyright 2023 G Dan Mitchell.

Fall color spreads across hillsides in mountains east of the Sierra Nevada.

After photographing autumn color in the Eastern Sierra for a few decades, I still return every year and remain fascinated by the subject. After all of this time I “discover” new subjects and new ways to see old ones every time. But eventually I figured out there’s more to fall color than just the familiar locations, and I branched out in various ways. Now I occasionally head east from the Sierra, toward basin and range country. I’m not certain whether this location qualifies geologically as basin and range, but it most assuredly is not the Sierra.

Over the past few years I’ve explored this area, going beyond even the parts of it that are somewhat known to photographers — heading out on some narrow little dirt tracks just to see where they go. This fall I ended up on a narrow road that descended toward a canyon, and across the valley was one of the more extensive blankets of autumn color that I’ve seen in California. The trees are not large, but they stretch on for great distances.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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