Tag Archives: mono

Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Wildfire Smoke

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Mono Lake, Wildfire Smoke
Mono Lake and tufa towers with drifting wildfire smoke in morning light

Mono Lake, Wildfire Smoke. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and tufa towers with drifting wildfire smoke in morning light.

My foremost impressions of Mono Lake are usually formed around its vast expanse — the place is absolutely huge, and the low mountains to its east accentuate this effect. The great open space above its water usually presents an equally expansive view of sky, whether it is pure blue or broken by various clouds. (My other strong impression of the place is an audio impression — a combination of early morning silence and the sounds of thousands of birds.)

I made this photograph during very unusual conditions. On this late-summer morning a very large wildfire was erupting south of here, and its smoke was drifting northward in the early morning. The morning light was increasingly blocked by the smoke and eventually (after I made this photograph) the smoke became oppressively thick and I had to leave. When I made the photograph the smoke was drifting softly in front of those distant mountains and glowing faintly in the early morning backlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Mono Lake Basin, Photographs: Nature

Rising Sun, Wildfire Smoke

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Rising Sun, Wildfire Smoke
Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada

Rising Sun, Wildfire Smoke. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada,

This was one of the most eerie days I have experienced in the Sierra. While it wasn’t the first of last time I’ve encountered the effects of wildfire there, this was quite different. The previous evening I had seen a bit of smoke far to the south, but didn’t think too much of it, as this was the wildfire season and such things aren’t unusual. I was camped in a deep east side valley that did not afford a distant view, so it wasn’t until I left that valley in the early morning and headed out on the east side fo the range that I saw what was happening.

I arrived at the junction of US 395 and Tioga Pass Road before dawn and found a high spot to photograph Mono Lake. It was immediately clear that a very active wildfire was building to the south and that the smoke was drifting north. It was still mostly clear above the lake, but not for long. Soon the smoke nearly obscured the view, though I continued photographing. I thought that heading north might get me away from the smoke, but now it was spreading fast and I couldn’t escape it. I made a few photographs from a high location that featured the smoke-filled Mono Basin, and then I started toward the southern Sierra. Passing again by Mono Lake I encountered some of the thickest wildfire smoke I have seen. This photograph was made under that pall, which was so dark that it barely seemed like twilight and the light of the sun was almost blocked.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Wildlife

Wild Horses

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Wild Horses
A herd of feral horses in high desert hill country east of the Sierra Nevada

Wild Horses. © Copyright 2016 G Dan Mitchell – all rights reserved.

A herd of feral horses in high desert hill country east of the Sierra Nevada.

Those of us whose orientation to the Sierra Nevada and points east comes mainly from visits as outsiders can overlook aspects of the culture and history of the area that we weren’t looking for. As someone who came to these mountains, starting many decades ago, as a camper and backpacker (and, at times skier, climber, and photographer) my orientation held that the range was mainly a place about wilderness. It is that, in many ways, but that’s not all it is. Over time I learned and accepted that there are other threads: prospecting and mining, fishing (I tried, but little luck!), ranching, and more.

This herd of feral horses is probably a remnant of some of those “other” threads. Over decades a number of horses managed to get free, and they also managed to survive rather well in some of the areas east of the Sierra. (I first saw them decades ago way out in Nevada.) I ran into this herd on an exploration into less-visited areas roughly east of Yosemite a few years back. I had rumors, but wasn’t necessarily expecting to see them — but was thrilled when I came over a low saddle and spotted them up ahead. (It might seem surprising to some that I’ve put this photograph in the “wildlife” category, but these horses are no longer domesticated critters.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Alpine Meadow and Lake, Sierra Crest

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Alpine Meadow and Lake, Sierra Crest
The Sierra Nevada crest beyond an alpine meadow and lake

Alpine Meadow and Lake, Sierra Crest. © Copyright 2018 G Dan Mitchell – all rights reserved.

The Sierra Nevada crest beyond an alpine meadow and lake

A short walk from our backcountry camp was a higher meadow that we visited almost every day, morning and/or evening. In this unusually wet year the meadow was green and full of wildflower,  with water running strongly in the creek and the areas around the tarn muddy with standing run-off.

The meadow and its flowers were the first attractions of this spot, but the more I visited it and watched the light on the higher peaks, the more they came to fascinate me. The central peak in the photograph stands apart from the main ridge, and for this reason it picks up direct sun from morning until evening. I made this photograph in the evening, when the direct light had already left the meadow (shadowed by a nearby ridge) and remnant thunder-storm clouds filled the sky.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.