Tag Archives: monochrome

Sierra Wave, Mounts Dana and Gibbs

Sierra Wave, Mounts Dana and Gibbs
Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.

Sierra Wave, Mounts Dana and Gibbs. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.

This is how the show began, though I had my suspicions much earlier in the afternoon. When conditions are right, a “Sierra wave” cloud formation can form along and just to the east of the Sierra Nevada crest. It can be a long, undulating cloud formation, sometimes with many stacked layers — think of lenticular clouds that are many tens of miles long. The clouds simply sit above the crest, unmoving (though subtly transitioning in form) for hours. They are very impressive in broad daylight, but in the evening when conditions are right they are lit by the last sun coming from far west of the range, and the colors can be quite nearly unbelievable.

I first saw some interesting potential clouds shortly after noon, and I began to keep an eye on them. As evening approached I thought that perhaps they might dissipate or dissolve enough that the shape would not be compelling, though some sunset color was certainly a possibility. I set out to photograph something else entirely, slowly wandering up to the far end of a subalpine meadow by myself and photographing for perhaps an hour and a half. At this point the clouds looked like they were starting to hold greater potential for something quite special, so with about 45 minutes remaining before sunset I began to head back to the western edge of the meadow, from which this view included the clouds, the Dana Fork of the Tuolumne Meadow, and the summits of Mounts Dana and Gibbs. If you are wondering if the color finally developed… stay tuned!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands, Morning Fog

Wetlands, Morning Fog
Morning fog clears from Sacramento Valley wetlands on a winter morning

Wetlands, Morning Fog. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning fog clears from Sacramento Valley wetlands on a winter morning

I love these winter mornings out in California’s Great Central Valley — cold, damp, perhaps foggy or perhaps clear, with the sights and sounds of migratory birds all around. This was my first visit to this wildlife refuge up in the Sacramento Valley, and I was in exploration mode on this visit, trying to get my bearings and begin to understand the rhythms of the place. It was a mostly clear morning, with high clouds from Pacific Ocean weather above and pockets of tule fog below.

It is easy to imagine that the wildlife refuges are wild places, someone along the lines of small wilderness areas. But the truth is more complex, at least at the refuges I’m familiar with. They are actually managed landscapes, with water levels carefully controlled to support various kinds of wildlife and even the growth of plants managed for their benefit. Those beautiful foreground curves of stubble in the water are the result of management — over the course of the season such grassy areas are cut down to ensure an optimum balance of open water and tall grasses. Beyond the water lies another peninsula lined with trees, with fog beyond and that winter sky high above it all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Western Horizon, Fog Clouds

Western Horizon, Fog Clouds
Clearing fog clouds above the Pacific Ocean western horizon

Western Horizon, Fog Clouds. Big Sur Coast, California. June 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clearing fog clouds above the Pacific Ocean western horizon

While I often am inclined to photograph the coast in the very early and very late hours, when the light is often at its most beautiful, I frequently see a special kind of light over the ocean in the middle of the day when I look to the west. Dissipating fog and the general moisture of the ocean, sometimes augmented by higher clouds, can give the backlight atmosphere a luminous and glowing quality — one that I often think of a light so intense that I can barely look into it. The ocean may lead off toward a horizon that simply disappears in this mist and luminosity.

This was a challenging day photographically, though the circumstances of making this photograph were quite mundane. I begin photographing at a slough many miles to the north, in the early morning when things were still foggy and gray. Eventually I moved down the coast, finding alternating fog and sunshine, but always high winds. It was a wonderful day to be out and about along this coast… but not an easy day for photography, and I had made very few photographs when I finally hit my turn-around point and stopped for coffee and a snack before stating to drive back to the north. After I parked and got my snack I came back to my car and noticed the small dissipating clouds of fog just offshore. The road was narrow, with no room for me to safely set up a tripod, so I shot handheld, thinking more about capturing scene data for a concept I wanted to work on in post than about capturing an “accurate” straight out of camera image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes Interrupted

Dunes Interrupted
A curving diagonal of rock across sand dunes, Death Valley National Park

Dunes Interrupted. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A curving diagonal of rock across sand dunes, Death Valley National Park

The sand dunes of Death Valley are more complex things than they might appear to be. For example, I have read that beneath their surface they actually hold quite a bit of moisture — quite a contradiction to our intuition about their dryness. (That intuition is based on fact — they can be hot and dry places, and the surface layer of the dunes is quite dry.) At the right times of day and of season they can be cool places, and they support plant and animal life.

These dunes also appear to stand on top of quite un-dune-like features. Around their edges you can find hints. You cross flat playa surface to get to them, and this surface holds abundant evidence of the work of water. In places you can even find areas that mimic perfectly the surfaces of contemporary playas, with their sedimentary formations covered with cracks. Here the edge of what must be a rather old example of this cuts diagonally across the landscape and still manages to poke its edge through the sand.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.