Tag Archives: monochrome

Photographs: Mono Lake Basin, Photographs: Nature

Burned Pines, Mono Basin

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Burned Ponderosa Pines, Mono Basin
“Burned Pines, Mono Basin” — Burned trees near the end of a giant pine forest, Mono Basin.

This desolate scene is along the fringes of Mono Basin, the large valley holding Mono Lake. It is just east of the Sierra Nevada, but it is a very “un-Sierra-like” place, being dry sagebrush country for the most part. The photograph looks past a sparse forest of dead snags and in the direction of Mono Lake itself.

There is a vast pine forest near here, stretching over nearby mountains toward Mono Lake. Most of it appears to be quite healthy, and it features open forest with space between the trees and lots of light. However, at some point in the past a wildfire swept through part of it and left behind many dead trees, including these that used to make the very edge of the forest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sky

Mono Craters, Evening Cloudscape

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Mono Craters, Evening Cloudscape
“Mono Craters, Evening Cloudscape” — Dissipating afternoon storm clouds above Mono Craters.

I made this photograph at the end of a beautiful afternoon of aspen photography that was enhanced by the passage of impressive thunder storms. I had completed the day’s aspen photography and dropped back down into the high desert along US 395 in the Mono Lake area when the clouds began to thin and break up and glow in evening light. Here some lenticular clouds were forming over the Mono Craters.

The Mono Craters comprise an interesting bit of geology that we might not automatically associate with the Sierra Nevada. We tend to think of the range being built by the uplift of gigantic “blobs” of granite, with deeply eroded overlaying material above. But volcanic processes were at work out here, too. Mono Craters are a particularly obvious example that you cannot miss as you drive south from Mono Lake — and part of a chain of volcanic cones extending from the north short of the lake to south of Mammoth Mountain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Ocean & Coast

The Quiet Pacific

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The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Headlands, Fog

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Big Sur Headlands, Fog
“Big Sur Headlands, Fog” — Morning fog on and early fall morning along the Big Sur coast.

You never can be quite certain of the conditions you’ll encounter along California’s Big Sur Coast. Ocean and continent boundaries are transitional zones, and conditions depend on which one dominates. On this visit I expected to arrive to clearing fog and broken sunlight on the coast. But, alas, it remained cloudy the entire time I was there. Fortunately, there are advantages to such conditions, too. The press of tourist traffic diminishes, and the coast can take on a quiet and moody quality.

I stopped at a high point where I rarely photograph these days, having been there so many times over the decades. When I do stop, it is often to use the vantage point to see if whales are passing by. No whales this time, but the headlands lined up to the north, gradually receding into the mist and haze, seemed pretty interesting — interesting enough to pull out the camera and make this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.