Tag Archives: monochrome

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Calero Oaks, Fog

April 27, 2013 G Dan Mitchell 2 Comments

This is an older photograph that I sort of “rediscovered” while going through older files recently. It was due for a bit of additional work, reformatting to fit my current preferred 4:3 print ratio, and the updated web border and text that you see in the online versions of my photographs. (And, to answer the question that comes up from time to time, my fine art prints do not include the text found in the online photographs!)

Although I no longer visit there quite as often, this area became a favorite location of mine a few years ago, especially during the winter months when morning fog frequently burns off and reveals the newly-green winter landscape of the California grassland and oak forests. The photograph was made on one of these very mornings, as I had hiked the familiar trail along the top of this ridge, to find myself on the border between fog in the valleys and clearing on the ridge, with the edge of the fog drifting through these trees and the sun backlighting this misty atmosphere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Sandstorm, Dunes

April 19, 2013 G Dan Mitchell 1 Comment

Strong winds lift clouds of sand high into the air above desert sand dunes, Death Valley National Park.

Sandstorms are common in Death Valley, especially when I visit, typically in the spring. I wasn’t totally surprised (nor totally pleased!) when one arose on the second day of this early April visit. After photographing all morning, I was back in camp to get something to eat and take care of camp business before heading back out in the mid-afternoon for the second shoot of the day. As I sat by my camp I saw a few pillars of dust out in the valley near dunes, and at that point I had a pretty good idea of what might be in store for me in the next few hours. It wasn’t long before the wind began to pick up, soon becoming strong enough to stir up a lot of dust and blow down any weak tents left by campers who had headed out for daytime activities elsewhere.

In objective terms, a sandstorm is an unpleasant thing. It is hot. It is dry. It is full of blowing sand and dust, and the fine dust gets into everything, no matter what you do to try to protect against it. In the worst cases, the blowing sand can damage the paint on vehicles. However, in visual terms, a sandstorm can be quite interesting – as long as you can find ways to shoot it that don’t risk destroying your photographic gear. It looked to me like the main storm was in the middle of the valley, so I figured I might be able to cross the valley, take road along the other side, and skirt the far edge of the storm, and photograph back into it with the light coming from behind. I drove across the valley and stopped right at the edge of the blowing sand and mostly shot from inside my vehicle so as to minimize the dust contamination. From this vantage point I could use a long lens to photograph the abstract shapes of sand dunes, backed by clouds of whirling and drifting sand that obscured the Cottonwood Mountains on the far side of the valley.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Structures and Objects

Tomales Bay Building, Morning Fog

February 12, 2013 G Dan Mitchell Leave a comment

Detail of a Tomales Bay shoreline building with morning fog along nearby hills

Living in the San Francisco Bay Area, I am fortunate to be within a few hours driving distance of the Point Reyes National Seashore, so I shoot there fairly regularly. I had a free morning on this early February day, so I decided to drive up that way with the intention of being there for dawn. I didn’t quite make it for the actual sunrise – at that point I was driving through foggy redwood forest – but I got to the road that travels along the edge of Tomales Bay on the way to the “point” shortly after sunrise, and as the fog was clearing from over the water and the hills.

This structure is what I think of as the “Launch for Hire” building, since a very large size with that announcement has been painted on both sides. I haven’t stopped to photograph here much at all in the past, but the early light was interesting on this morning – foggy to the north toward the entrance to Tomales Bay, and backlight fog and trees to the east – so I spent a bit of time photographing along here. I shot the building from both sides – the side facing into the “golden hour” early morning light, and the deeply shaded backside of the building with the very bright morning light and thinning fog beyond. In the latter case, there was a glow in the windows of this building, on pilings out over the water, from the light coming into its interior through windows on the far side facing the rising sun.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Colorado River, Dead Horse Point

February 6, 2013 G Dan Mitchell 2 Comments

The canyon of the Colorado River, from Dead Horse Point State Park, Utah

The light was a bit tricky when we drove out to Dead Horse Point to look at the famous view of the Colorado River as it loops below huge cliffs at the edge of Canyonlands National Park in Utah. It was nearing the middle of the day, so the soft morning and evening light was nowhere to be found. It was also hazy, with the slightly opaque air taking on distinctly blue colors. For all of these reasons, and also perhaps as a nod to old school landscape photography, I went with a black and white rendition of this photograph.

This is a truly remarkable bit of terrain. First, in the bottom of the canyon the Colorado River negotiates and abrupt horseshoe bend here beneath the tall cliffs leading up to the “Island in the Sky” portion of Canyonlands National Park. Above the river are a series of huge terraces form as the river eroded its way though the deep and old layers of sedimentary rock that characterize this area. Shooting with a slightly long focal length, I was able to eliminate most extraneous subjects and crop tightly around this area of massive cliffs and terraces.

G Dan Mitchell Photography

Tag Archives: monochrome

Calero Oaks, Fog

Sandstorm, Dunes

Tomales Bay Building, Morning Fog

Colorado River, Dead Horse Point

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.