Tag Archives: monochrome

Photographs: Central California, Photographs: Nature

Clearing the Channel

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Clearing the Channel
Equipment poised to clear a channel in agricultural land, Central Valley.

Clearing the Channel. © Copyright 2013 G Dan Mitchell – all rights reserved.

Equipment poised to clear a channel in agricultural land, Central Valley.

As I queue up this photograph for posting in the next week or two at the website, it seems oddly appropriate that I’m sharing a winter photograph on the final day before autumn begins. My photographic interests evolve seasonally, and I’m usually thinking a season or two into the future. These Central Valley landscape, along with the migratory birds that visit them each year, become my focus in the late autumn and winter.

Aside from the current — and deeply concerning — climate changes, there are variations from year to year. In the Central Valley they might be seen in the onset of the first rain, the overall humidity of a season, and whether or not there is enough rain to leave flood pools in the lowlands. There were back in this year, and I made this photograph on a very foggy morning, when I came across a piece of equipment staged to clear out one of the flooding channels in an agricultural region of the valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Fog

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Geese in Fog
Geese feed in a California Central Valley pasture on a foggy morning.

Geese in Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Geese feed in a California Central Valley pasture on a foggy morning.

As I work my way through the raw file archives from past years — a wonderful exercise in this pandemic-limited times — I don’t just think about the images as photographs. I also recall the experiences of making them — the feelings of the locations, the people who were with me, the surrounding non-photographic activities. During the past few days I’ve been thinking about the overall experience of a full day of photographing a subject such as these migratory birds, and as I do so I’ve considered how different it is from what many folks might imagine.

When people think of bird photography I believe that they relate to the “hunt” aspect of it — searching for a subject and focusing in on some amazing specimen or specimens. Sounds pretty exciting, right? But the truth about this sort of photography (and, to be honest, lots of photography) is that it tends to involve a lot more “not photographing” than actual photographing. A typical day of photographing a subject like this one involves quite a bit of just being there with my eyes open, hoping I’m in the right place at the right time. It tends to be a slow and quiet activity, punctuated by occasional bouts of intense activity. I’ve been in the field with folks who weren’t used to this, and I can often sense their anxiety of slowing down enough as they wait for something to happen. Over time I have learned to love these slow, quiet periods — like the very quiet scene in this photography. I often think nostalgically about them more than about the brief, intense moments.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Recovering Forest

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Recovering Forest
A recenty-burned Yosemite forest shows signs of regeneration.

Recovering Forest. © Copyright 2020 G Dan Mitchell – all rights reserved.

A recenty-burned Yosemite forest shows signs of regeneration.

Wildfires have recently been on our minds here on the west coast. In the San Francisco Bay Area the bad fires began about a month ago when an unusual and very active series of electrical storms set off dozens of fires and shrouded the area in smoke. Shortly after that our extremely dry summer and unusually hot August temperatures set off huge fires from California to Oregon, historic in size and intensity. (As of this date one of these fires has set a record for the largest fire ever in California, doubling the size of the previous record fire.) We’ve had a month of “spare the air” days now.

September and October are traditionally the fire season here, though not on the scale that we are experiencing this year. It is a time of hazy skies and, if you go to the mountains, active fires. Over the years we’ve moved from regarding fire as something to be avoided to thinking of it as something to be managed — it is a natural component of healthy wildlands. I’ve changed my attitude as well, at least when it comes to normal, modest fires, and I’ve been trying to see the beauty in burned landscapes. In early September I had planned a short Yosemite backpack trip, but (ironic!) I had to back out at the last minute due to smoke. I was on my way home when I stopped at this location, a place where I stop and photograph every year, especially when dogwoods bloom. Last season a fire burned over this spot and, blackening many of the largest trees and destroying undergrowth. But a few trees survived and they are now thriving.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Disrupted Strata

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Disrupted Strata
The fractured and bent layers of a fractured boulder in a Utah slot canyon.

Disrupted Strata. © Copyright 2012 G Dan Mitchell – all rights reserved.

The fractured and bent layers of a fractured boulder in a Utah slot canyon.

This jumble of rocks sits in a Southern Utah canyon, piled on debris and the lower face of a cliff that runs along the banks of a small creek. The bottoms of such canyons are, for obvious reasons, places full of all sorts of debris that either falls from the surrounding cliffs or is washed down the canyon in periodic floods. A good part of the challenge of making progress through such terrain involves contending with this detritus.

As is so often the case in these landscapes, the initial appearance of features may mislead the viewer about their history. Rocks, of course, seem quite solid and immutable. But this little vignette of almost nothing but rock actually shows more about how much it changes than about its stability. This rock was formed in layers laid down by water a long, long time ago. Those layers were compressed, folded, upended and broken over time. Here we see a snapshot of that process. Lying atop a smoother section of the cliff, this deteriorating boulder’s layers are made apparent as they break apart and realign.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.