Tag Archives: monochrome

Trees, Marsh, Fog

Trees, Marsh, Fog
Trees grow in flooded San Joaquin Valley marshland pond

Trees, Marsh, Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees grow in flooded marshland pond

On January 1st, New Year’s Day 2018, a group of friends and photographers gathered to greet the dawn (literally!) of the New Year, raise a toast or two, hang out, and photograph birds and the expansive landscape. It meant going to bed early on New Year’s Eve, but I can’t think of a better way to celebrate the first day of the new year. (Though that 4:00 AM alarm and two-hour drive in the dark was perhaps just a bit less festive…)

After photographing all morning the bird action seemed to slow and we all gathered for a quiet little party in a parking lot near large ponds. A bit later all of us felt like we needed a walk, so we broke off into groups and followed a trail around a marsh and to some tall trees. I was the last one to start, and I decide to simply bring along my smallest camera with a single little lens, foregoing the usual Big Bag Of Gear and Gigantic Tripod. As much as I was more of a mind to walk and think than to photograph, I couldn’t help but stop and make a few handheld photographs of the complex landscape of the marsh.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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At The Door

At The Door
Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

At The Door. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

We frequently visit New York at about this time of year. Our sons and their wives live in the area and we can often open up about a week of travel time. It is a fine time to visit — there is a lot of holiday stuff to see, if that is your interest, and it seems like the subways are a bit less crowded during the week between Christmas and New Year’s Day. Plus, by comparison to our mid-summer visits, the potentially cold weather actually seems attractive… and a welcome change from “California winter,” with its 50-60 degree temperatures. But the timing of these visits often has us there just a bit too early for snow.

This year was different. Shortly after we arrived the weather turned cold — extremely cold by our California standards — with daytime temperatures barely (and not always) making it into the lower 20 degree range. We persisted, however, and did a lot of walking all over Manhattan, always carrying cameras and making photographs. For most of the week we saw weather forecasts predicting a chance of snow on the last two days of the visit, but those forecasts gradually reverted to merely “cloudy.” So we were pleasantly surprised when we opened the hotel blinds on our final morning and saw snow falling! We headed out, mainly to find breakfast and coffee, and enjoyed the transformed landscape. As you look at this photograph, try to also imagine that moment when you move between the snowy, cold, and windy street and the warm, inviting space of a restaurant, coffee shop, or the home of friends/family.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Photograph, New York

The Photograph, New York
A woman poses for a photograph as friends look on, Manhattan

The Photograph, New York. = © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman poses for a photograph as friends look on, Manhattan

For today’s photographer we are back to Manhattan, with a photograph from our recent end-of-December week in New York. I always go into street photographer mode (with essence of travel photographer sprinkled in, as well) when we visit there — which we get to do relatively frequently since two sons live in Brooklyn. The street wandering on this trip was a bit more of a challenge than usual, as we were there during a rather extreme bout of very cold weather that taxed this coastal Californian’s ability to stay warm. Our routine often became one of walking and photographing until we were too cold to continue, stopping in a warm place for coffee or food, and then heading out again.

I think I made this photograph in Soho, as we walked north from near the southern tip of Manhattan. I’m pretty certain that the lighting on these group first caught my attention. (This was the trip on which I finally realized that the light in Manhattan is as interesting as that almost anywhere else, including a lot of places that are otherwise not at all like New York City.) The arrangement of the members of the group also caught my attention — the one woman (the subject of the photograph they are making) standing apart and with her back to me and being hit by the light just a bit, the fellow with the camera trained on her, a woman seated next to him looking on closely, and the woman apart on the left and in darker clothes, who is smoking and doesn’t seem all that involved. The light shines obliquely across the scene from the left, catching both the people and the scene in front of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crosswalk, Upper East Side

Crosswalk, Upper East Side
Pedestrians in an Upper East Side crosswalk on a very cold winter day in Manhattan

Crosswalk, Upper East Side. © Copyright 2017 G Dan Mitchell – all rights reserved.

Pedestrians in an Upper East Side crosswalk on a very cold winter day in Manhattan

Another freezing day in New York, another visit to a museum, another walk, and more photography. This time our plan was to visit the Guggenheim, on the Upper East Side along Central Park. Because we tend to stay on Pacific time when we go to New York — instead of my usual 5:30 wakeup time, I wake around 8:30 — we ended up stalling on various little tasks until nearly noon. Then we stopped for coffee, followed by a walk to a subway at our Lower Manhattan location, and then a subway ride up to a stop on Lexington to the east of the Guggenheim. We arrived to find that lots of other people apparently had the same idea — there was a long line snaking around the corner. We joined the line, in 20 degree temperatures, and then simultaneously noticed that the line wasn’t moving and that we were increasingly freezing. We gave up, and headed east to find a warm place to get something to eat.

After lunch — soup, of course! — we set out again, but with no particular goal in mind. We headed south on Lexington, with a plan starting to form that would take us over to and perhaps through part of Central Park before we picked up another subway train at the lower end of the park. As we walked down Lexington we were headed straight into the sun, and its headlong light made the atmosphere glow, bounced light off of building windows, and cast long shadows from the approaching pedestrians on the crowded sidewalk and crosswalk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.