Tag Archives: monument

The Last Leaves

The Last Leaves
The last autumn leaves on trees and bushes above sculpted rocks along a bend in the Escalante River.

The Last Leaves. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last autumn leaves on trees and bushes above sculpted rocks along a bend in the Escalante River.

Fall is my favorite season. I’m not really a summer person — too hot! — but the warm early autumn days are just about perfect. I love winter, too, and part of the appeal of fall is the certainty that winter, the time of “interesting” weather is coming soon, too. And as fall moves on toward winter the first of the Pacific cold weather systems begin to arrive, and snow begins to arrive in the Sierra.

Before that happens, though, we go through the autumn color season. In recent years I have discovered that I can stretch it out for months. For me it begins with a few early changes by the beginning of September in the Sierra which culminate a month later with the spectacular aspen color. Then the color works its way west across the range and down into the westside valleys, before it finally begins to peak in November nearer the coast. There’s still a bit left in December… and sometimes even later. I photographed this scene deep in the canyon of the Escalante River along a rocky bend where the final colors of the season were just about spent.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Trees, Slot Canyon

Autumn Trees, Slot Canyon
Autumn colors along a stream in a winding Utah red rock slot canyon.

Autumn Trees, Slot Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn colors along a stream in a winding Utah red rock slot canyon.

This little canyon winds away from a backroad gravel route though a section of the Grand Staircase-Escalante National Monument. (I hope it still does — for all I know it is part of the beautiful land removed from the monument in 2016. Sigh.) A group of use spent a good part of a day wandering into the canyon and photographing.

This little scene has most of the features that characterize these canyons, though none of them seem as intense as the most extreme examples. The shallow stream winds quietly through the canyon bottom, though it is also clear that this little steam can sometimes rise up and make the place impassible. There is no direct light anywhere — instead everything is lit by diffused and reflected light that filters down from far above. The view is quite limited, and as you pass through a place like this your would is constricted by the side walls and the bends above and below your position. Looking ahead to the bend in front of us, we can see a bit of light around the corner, inviting us to continue around “just one more bend.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Plants, Canyon Light

Plants, Canyon Light
A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

Plants, Canyon Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

While much of the time canyon light seems soft, suffused, and stable, there are edge conditions in which the light changes very quickly — appearing suddenly and lasting only minutes or seconds. This is especially true with direct light since the edges of the light are often scores or hundreds of feet above, and shadows from such things can traverse the deep canyon landscape with astonishing speed.

This photograph was made in such a place and in such conditions. The canyon walls were nearly parallel to the angle of the sun, and the beam of light came down from above only inches from the surface of the canyon wall. While the rock remains in shadow, this light manages to stoke the tree bits of vegetation in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Detail

Sandstone Detail
Detail of a section of a Utah sandstone rock face.

Sandstone Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of a Utah sandstone rock face.

Remarkable things happen to the light deep down in the recesses of narrow sandstone canyons. The light is rarely direct, more often bouncing many times among red canyon walls. As it does, it softens, diffuses, and picks up the colors of the red rock. At the same time this landscape is open to a band of blue sky — what I think of as a giant blue light panel — and this color becomes part of the mix, though this light can follow a more direct path and fill in shadows. When you stop to consider what it really looks like, it almost seems unreal.

We were deep in such a canyon, spending a day heading deeper and deeper into it as it cut into the landscape. By the point at which I made this photograph, that band of blue sky was increasingly narrow and we encountered less and less direct sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.