Tag Archives: morning

Aspens, Earth Shadow, Morning

Aspens, Earth Shadow, Morning
“Aspens, Earth Shadow, Morning” — The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Crew Members, Staten Island Ferry

Crew Members, Staten Island Ferry
Two crew members against a railing in morning light on the Staten Island Ferry, New York, City

Crew Members, Staten Island Ferry. New York City. October 7, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two crew members against a railing in morning light on the Staten Island Ferry, New York, City

The photograph is something I grabbed while riding the Staten Island Ferry from Manhattan to the island. It is almost a bit embarrassing to admit this in retrospect, but I made the photograph while the whole family was on the ferry on the way to the wedding of our youngest son. They hired an actual wedding photographer — there were two of them, actually — but, of course, I could not leave my camera behind. I had been making a lot of informal photographs of the wedding party when I saw these two guys against the orange-painted steel of the ferry.

Technically the photograph was a little bit tricky. Not only were parts of the scene in deep shadow, but the two figures were backlit and the sunlight on the urban landscape beyond was extremely bright. I exposed to (barely!) keep a bit of detail in those bright areas, planning to bring the shadow details back in post. Amazingly, it worked! :-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Trees, River, Fog

Two Trees, River, Fog
Colorful trees on the banks of the Merced River on a foggy autumn morning

Two Trees, River, Fog. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Colorful trees on the banks of the Merced River on a foggy autumn morning

I remember the first time I discovered the magic of an autumn rain storm in Yosemite some years ago. I had gone there to photograph fall color — I was mainly thinking of dogwood trees back then — and I was camping. But then it rained. For three days straight. And it rained hard. I was equipped to camp in the rain but perhaps not fully equipped to photograph in such conditions, but I faked it (using a had to shield the camera, for example) and went to work. And I found some special Yosemite magic in the combination of fall colors, rising river levels, resurging waterfalls awakening from end-of-summer slumber, and the beauty of clouds and fog.

I encountered just a bit of that during this year’s brief end-of-October visit to Yosemite. On my way up there from the San Francisco Bay Area the rain poured on me. It mostly stopped when I left Oakhurst, but then there was fog and beautiful light all the way into the park. I made this photograph then next morning in the Valley. I arrived in time to catch the end of the post-rain morning fog, and I quickly went to a spot I know along the Merced, where I found the river had risen dramatically, all the w


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wildfire Smoke, Early Morning

Wildfire Smoke, Early Morning
layers of thick wildfire smoke obscure the morning light

Wildfire Smoke, Early Morning. Along US 395, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

layers of thick wildfire smoke obscure the morning light

This was the culmination of more than twelve hours of observation of a developing wildfire located east of the Sierra Nevada, roughly between Lee Vining and Mammoth Lakes. The previous evening I finished a hike into the Sierra backcountry not far from Tioga Pass, returning to my car well after sunset. As I drove back down Lee Vining Canyon in the near-darkness I saw a big tower of smoke to the southeast and the tell-tale glow of fire on the bottom of the cloud. The next morning I woke up and headed straight back toward Mono Lake, from which I figured I could photograph conditions related to the fire.

I began photographing Mono Lake itself, where the lake was still mostly visible with only a few thin smoke clouds floating over it. But very soon this changed as winds brought the smoke right over Mono Lake, casting a pall over the scene all the way up to Conway Summit. My goal was to head south along the eastern escarpment, but as I did so the smoke only became thicker. I made this photograph at a point closer to the fire, where the smoke was very, very thick, enough so to take away most of the sunlight and add a post-apocalyptic quality to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.