Dawn light on the Amargosa Range and lower ridges of the Panamint Range, Death Valley National Park.
This is another photograph from an early morning winter venture high into the Panamint Range in Death Valley National Park during the first week of the year. While the desert can be a rather drab place during most of the day, in the right conditions the colors can be nearly psychedelic for a few moments near the ends of the day – and this was one of those mornings for sure.
While many might wish for perfect, clear, haze-free atmosphere, it was the presence of some rather hazy conditions that created the wild atmospheric conditions as the sun came up on this morning. Light simply passed through clear air, but it illuminates hazy air and can make it glow. At this moment the sun had just risen and the light was nearly horizontal as it passed across the immense gulf of Death Valley to light the nearby lower ridge of the Panamint Range and the much more distant upper peaks of the Amargosa Range.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.
I spent a good portion of the week following New Year’s Day in Death Valley National Park. My goals were to earlier in the seasons when the days were shorter and more “good light” was available, to perhaps encounter cloudy skies from a passing weather system or two, and to both shoot some new subjects and shoot some familiar ones in somewhat different ways. I think that I succeeded with most of these goals, though those storm front clouds were elusive. (This is a very strange and troubling season for California weather. At a time when the Sierra are usually covered in winter snows… all of the high trans-Sierra passes are still open, and the east side of the range looks pretty much like it might normally look in, say, July.)
On one morning I decided to visit a favorite overlook high in the Panamint Range very early in the morning. I’ve shot here a number of times in the past, but always late in the day during sunset and dusk hours. While getting up an hour and a half before dawn to drive to such a place is always a bit of a challenge, at least the sunrise isn’t quite as early at this time of year. On the other hand, it is colder! (Those unfamiliar with the Death Valley seasons may think of it as an entirely hot and dry place, but it gets quite cold there this time of year.) When I got up the temperature down in the Valley at my camp site at Stovepipe Wells was in the thirties. Surprisingly, the temperature rose into the low fifties as I ascended into the mountains, and when I reached my goal at a bit above 6000′ it was no colder than the Valley at this hour.
I arrived before dawn, but just as the pre-dawn light show was beginning. On this morning I had perhaps the best clouds of the entire trip, and they lit up shortly after I arrived and got my equipment ready. (Photos of that moment will likely come a bit later.) As the sun finally rose above the horizon the interesting light began to work its way down, starting with the higher peaks and then descending past the lower ridges to finally reach the Valley itself. This photograph shows the first light striking an unnamed (as far as I’ve been able to determine) spur ridge the projects eastward into the Valley from the massive bulk of Tucki Mountain. In the far distance are the low mountains and washes along the far side of the Valley, and the are also just beginning to pick up the first light.
Shooting in these rapidly evolving conditions that are not entirely predictable is more of an action sport than a sedate and contemplative experience, at least during the first minutes of light as it works its way across and down the landscape, often surprising me by showing up in places I had not thought to look. At one point I had photographed the cloud-filled sky but lamented a bit that the mountains below that shot were a bit dark and drab. I look away for a moment and when I looked back this intense and saturate light had hit those very mountains… so I turned and quickly began to photograph them.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A winter-dormant tree is backlit by morning sun in the grasslands of the Calero Hills, California.
This tree and I are old friends at this point. (If you were to snoop around enough at my web site you might find other photographs of the same tree.) It is at a local county park where I have hiked for many years, and it is not far from the parking lot at the park, sitting on the far side of a small pond and somewhat inaccessible. So I almost always pass it at the start of any hike there, and I have photographed it in just about any conditions that you can imagine: summer heat, morning, evening, fog…
I hadn’t been there for a while, but I managed to find time for a short hike on Christmas Eve day this year. The trail approaches the small pond near the tree by ascending up a very shallow valley. There are thick reeds growing around the pond, and often an egret can be found at the lake. With that possibility in mind, I usually approach the pond slowly and quietly and often with my long lens already on the camera. I did so on this day… but no egret! The water level was very low after a fall season with almost no rain, so there were few birds there at all. But at just about the time I arrived the sun was beginning to peak over a nearby hill and it was back-lighting this tree against the still shaded grass-covered hillside beyond.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A Brooklyn Bridge lamp-post stands against a backdrop of several iconic lower Manhattan structures, New York City.
I was surprised to find that I apparently never posted this photograph after our August trip to New York City. We had taken the subway over to Brooklyn very early in the morning to meet our son, and then wandered around some areas of Brooklyn near the waterfront where there is a view of lower Manhattan. Eventually we worked our way over to the Bridge with the plan being to walk back to Manhattan.
As we walked along I noticed several things that seem to characterize this bridge. Some of the features are pretty obvious to the point of being iconic – the pattern of the support cables for example. But these lamps kept distracting me, so I decided to see how I could photograph them. At this point, it occurred to me that I could actually leave out most of the bridge except for the lamp post (and a bit of the top of one of the towers) and then line it up with a bunch of other recognizable stuff on the lower Manhattan skyline. I chose to desaturate this image quite a bit in post, which explains the somewhat unusual color palette.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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