Tag Archives: morning

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Reflections, Trees and Rocks, Morning Light

October 2, 2011 G Dan Mitchell Leave a comment

Morning light on shoreline trees and rocks at a back-country sub-alpine lake, Yosemite National Park.

I had the chance to shoot around this lake on three successive mornings. The first morning was, to some extent, more about wandering around and getting the feel of the place – though I did make photographs, too. But on the second and third mornings I had figured out what and when I wanted to photograph and I was able to more or less get right to work. Up before dawn, I walked to the far shore before the sun rose, where there was still frost on the shoreline meadows and I could shoot in the soft, early light. Soon, as the sun rose above the ridge to our east, the sun light began to make its way down to the lake, first hitting the tops of trees along the west shore, then lighting the shoreline itself, and eventually moving up the lake and lighting up trees, water, rocky islands, shoreline boulders, and the forest.

In situations like this there are several specific things that I look for and like to shoot. I love to photograph the backlit trees, pointing my camera almost directly toward the sun. The trees light up and their colors intensify. I also watch for forested slopes that climb to the east, like the one on the far side of the lake in this photograph. As the sun rises higher, the slanting beams of light begin to pick off the tops of the forest trees, and can still leave a darker background for those other backlit trees. Of course, such shooting does present a few challenges. Obviously, shooting straight into the light creates some serious flare issues, and I improvise all sorts of interesting ways to shield the lens from direct light: my hat, hands and arms held in the air, you name it. When shooting over the water it can be even trickier since you have “two suns” producing flare – the real sun in the sky, and the very intense reflected sun coming up from the water. Bugs can also be a problem! Just like the trees, shoreline mosquitos and flies also pick up that wonderful backlight… and when they are thick enough they can create little blurry stripes all over the frame. (This leads to loads of oh-so-fun work with the clone tool in post!)

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Fire Escape Ladder, Brick Building

September 22, 2011 G Dan Mitchell 5 Comments

On the final morning of our August (2011) visit to New York City, we took the subway down toward the lower end of the island to meet our son – the plan being to walk though Soho and (I think) the West Village, ending up at a gallery in Chelsea. After taking care of the most pressing bit of initial business – coffee – we wandered on through Soho… and I think this photograph was made there.

New Yorkers undoubtedly know exactly is going on with this light, but for the rest of the world… the morning sun was passing through a relatively narrow gap between buildings to strike this brick wall and partially pick off this green emergency exit zigzagging down the front of this building. In a lot of ways, this isn’t totally different from shooting natural landscapes – go out early, look for interesting subjects, find good light, make photographs. It isn’t totally the same – duh! – either. Not only can you walk here from coffee, but we (my son and I) shot without tripods, and I stuck to a single 50mm prime to keep things simple.

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Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Departing Freighter

September 16, 2011 G Dan Mitchell Leave a comment

Freighter approaching the Golden Gate as it departs from San Francisco Bay.

On this hazy but fog-less August morning I had stopped above the north end of the Golden Gate Bridge on my way north towards Point Reyes, where I planned a day of photography. I cross the bridge frequently, but I almost always schedule my crossings for times when the light might be interesting, at least if I have any control over my schedule. A summer day like this can bring any of a wide range of conditions: the bridge and bay could be totally socked in my fog, a finger of fog might extend inland while everything else is for-free, the sky could be crystal clear. On this morning the morning haze obscured a lot fo the long views… but it also increased the sense of distance and hid some distracting background elements that might have been visible in clearer conditions.

Some minutes earlier, while photographing a very different landscape from this spot, I had seen this ship beginning its outbound voyage all the way back under the San Francisco-Oakland Bay Bridge. Having watched these ships before I knew that it would eventually make its way past Treasure Island, around Alcatraz, make a wide loop, and then turn back to cross in front of me as it approached the passage through the Golden Gate. With this in mind, I kept an eye on it, and once it cleared Alcatraz I kept a close eye on it, making this exposure just as it made its final turn toward the Bridge with only the surface of the bay, the faint and distant hills, and the sky creating a blue background.

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Photographs: Northern California, Photographs: San Francisco

California Sky, New Years Morning

September 10, 2011 G Dan Mitchell Leave a comment

The sky over Northern California, stretching from coastal hills and fog across the tule-fog-filled Central Valley to the Sierra Nevada, New Years Morning.

On New Years Day 2008 I flew to Seattle for a family visit. As we flew out of San Jose and over the hills along the eastern edge of the Bay Area, the winter tule fog was filling the Central Valley and spilling up against the hills, while above and beyond it was a nearly perfectly clear sky. For those who might be unfamiliar with the landscape here, beyond the fog-filled Central Valley, and very far away, the faint dark line of the Sierra Nevada crest is visible, and if you look very closely you may be able to see that the highest peaks are snow-capped.

This photograph has sat in the archive for over three years. I liked the scene but I wasn’t quite sure of what to do with the somewhat odd colors that resulted from shooting though an airplane window and into very bright light. I had considered a straightforward black and white interpretation and, if fact, that is what I was working on when I decided to instead desaturate the image about three-quarters of the way to being monochrome – and for me this seemed like just the right thing and more in line with how I think of the scene now. Another question was whether to clone out the contrail of another plane near the upper left corner. In the end I decided to leave it, for several reasons that I’ll leave to your imagination for now.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.