Tag Archives: mountains

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dry Panamint Flowers

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Dry Panamint Flowers
Dry flowers photographed high in the Panamint Mountains of Death Valley during winter.

Dry Panamint Flowers. © Copyright 2020 G Dan Mitchell – all rights reserved.

Dry flowers photographed high in the Panamint Mountains of Death Valley during winter.

The title “Panamint Flowers” refers not to the identification of the flowers, but to the place where I photographed them, high in the mountains of Death Valley National Park. I was there back in January for a four-day visit. The photography was challenging — conditions were less than ideal — so on several occasions I simply went off exploring. On this day I was way out along a lonely gravel road in the Panamint Range when I spotted an old mining site off to one side. I stopped to take a look, and soon my attention shifted from the historical site to the thousands of dry flowers on the surrounding vegetation.

In retrospect, it was very fortunate that I made this trip in the January. Every year I head to Death Valley around the end of March and beginning of April for that brief interval between winter and the arrival of extremely hot and dry weather. That visit isn’t going to happen this year as national parks are shutting down and we are all sheltering in place to slow the spread of corona virus.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature

Mono Basin, Morning

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Mono Basin, Morning
Autumn wildfire haze slighlty obscures mountains on the far, eastern side of Mono Basin

Mono Basin, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Autumn wildfire haze slighlty obscures mountains on the far, eastern side of Mono Basin.

Early on this autumn morning, before heading off to find aspen trees to photograph, we made a side trip to a high spot with a view of the Sierra Crest, Mono Lake, and most of the the Mono Basin. We arrived before sunrise and set up our equipment to photograph the sunrise, which turned out to be a subtle experience due to the prevalence of drifting wildfire smoke east of the Sierra Nevada.

Mono Basin is a gigantic landscape. It is one of those places where the scale is so grand that it is actually hard to realize just how big the distances are. This photograph looks across the surface of the huge lake to its far, eastern shoreline and to the dry mountain ranges beyond. That distant landscape lies in the rain shadow of the Sierra Nevada, and it quickly takes on the dry quality of Nevada’s basin and range country.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Layers

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Aspen Layers
Layers of autumn color in shaded aspen groves

Aspen Layers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of autumn color in shaded aspen groves.

Overall, the current Eastern Sierra Nevada fall color season has seemed less stunning than in the best years. The start was promising, with good high elevation color arriving on the expected schedule. But later on a number of areas that frequently offer up amazing color did not quite deliver. However, a few points are in order. Even in a less-than-astonishing year there is great color to be found if you just look around a bit. (And some of it is not in the usual iconic locations.) And a lot depends on the specific moment you arrive — the day and even the time of day.

This grove may serve as an example. We first spotted it while driving past in the early morning, when the sun had not yet arrived on this spot. We continued up the road a bit, thinking we’d turn around and photograph it a bit later. It turned out that “a bit later” produced some pretty uninspiring light on this subject… so we returned the next day and timed our visit more carefully. Photographing fall color in shaded light can produce a very different effect than photographing in full sun, with more color subtle and varied color with more shadow detail. This grove offered an additional compositional detail — the heights of both the small and large trees produced a sort of arch shape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens In Canyon Light

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Autumn Aspens In Canyon Light
Colorful autumn aspen trees in an Eastern Sierra Nevada canyon

Autumn Aspens In Canyon Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees in an Eastern Sierra Nevada canyon.

The quality of the light, as we all know, is incredibly important in photography — where it comes from relative to the subject, its color, whether it is harsh or filtered, how it differs in various areas of the frame, and much more. In some cases great light can make a not-so-exciting subject “work” as a photograph, while poor light can make it difficult or impossible to make an effective photograph of a great subject. In landscape photography we don’t generally have much ability to control the light. But we can learn to anticipate what it may do, and we can try to time our photographs for when the light may be at its best.

The window of opportunity for this light on this subject is very small. The idea here was to photograph this grove during the very short period when shadows, created as the sun dropped behind high ridges in the upper canyon, moved across the frame. At this point the backlight would intensify the colors of the trees, yet it would be slightly muted. Additionally, the haze in the far upper canyon would glow in the backlight. When we arrived at this spot the light was far from ideal, and I think that the people who accompanied me may have wondered what I saw. But a few moments later we all experienced the brief transition of wonderful light that I came here to see.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.