Tag Archives: national

Desert Automobile Graveyard

Desert Automobile Graveyard
Desert Automobile Graveyard

Desert Automobile Graveyard. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of old automobiles abandoned and left to decay in a gully at an old desert mining site

I have passed this old mining site quite a few times, looked up at it, and kept going. On this morning I had a bit of extra time so I decided to pause and poke around a bit. Certain obvious signs of the presence of an old mine are clear from nearby, but a bit more exploration revealed a more extensive than expected site – as is often the case. Although an old gravel road headed into the area, I decided to first walk up the road, partly to avoid nasty surprises while driving and partly so that I would see a bit more – which is typically what happens when I’m on foot rather than inside my vehicle.

The gravel road twisted up a small gully and soon reached an area that revealed views of quite a bit more mining evidence than I had suspected. I’m certain that if I had continued to explore that I would have found even more, but I’ll save that for another visit. I often have this feeling that these sites should be much older than they really are, and I’m still somewhat surprised to find that some of them were electrified. The surprise at this location was the number of not-really-that-old vehicles that had been abandoned. They are decades old, but I’m guessing that they might date to roughly the WWII era or even a bit later which, in the grand historic scheme, isn’t all that long ago. Several of these vehicles had been abandoned, somewhat oddly, in the bottom of a wash that must flood at least occasionally, considering the amount of gravel that swamped their undersides. The back of this one was open, so I positioned my tripod just outside the car and shot through it toward the other abandoned vehicles. (If you find and explore such places, please be extremely careful to leave things as they are. The effects of our individual disruptions are cumulative and accelerate the destruction and eventual disappearance of these sites.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Patterns

Sandstone Patterns
Sandstone Patterns

Sandstone Patterns. Zion National Park, Utah. October 14, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Complex patterns in sandstone formations at Zion National Park

I’m certainly no geologist, but that doesn’t keep me from being somewhat amazed by the fantastical and convoluted shapes and conjunctions in this little detail of cross-bedded sandstone photographed in the Zion National Park high country. As I understand it, these rocks originated in sand that was laid down, perhaps as dunes, in the distant past. For a variety of reasons, layers that originally tilted one direction ended up butted up against or nudging into layers tilting in radically different directions. My untrained eyes count a number of such layers in this small bit of rock. Overlaid on this are eroding flakes, cracks, bits of vegetation, lichen, and more – and all of it on this intensely colorful Southwest rock.

I am not certain precisely where this bit of geology was photographed, beyond recalling that it was along the Mount Carmel Highway through Zion National Park and that the photograph was made in shaded and diffused light. I am not only intrigued by the disjunct lines and angles of the underlying rock here, but also by odd features such as the big curve running across the middle of the frame and the subtle differences in the coloration of the rock – in places it is quite pink, verging on redness, while in others it is almost somewhat purple.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Three Ross’s Geese, Blue Sky

Three Ross's Geese, Blue Sky
Three Ross’s Geese, Blue Sky

Three Ross’s Geese, Blue Sky. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three Ross’s geese directly overhead against blue morning sky

These Ross’s geese obligingly flew directly over head against a blue sky and in morning light… and, no, they did not drop any, uh, payload on me. (That has happened. It comes with the territory. Someone told me that somewhere in the world – Europe? – it is considered good luck to get “bombed” by a goose. I could write much more on this topic, but I’ll restrain myself. You may thank me later! ;-)

In any case…a difficulty when shooting birds passing overhead is that the light source is often higher than the bird, thus putting the parts of the bird facing the camera into shadow. But in very early or very late light – near sunrise or sunset – the sun is so low that it can cast light on the undersides of the birds, as in this photograph. When shooting this critters as they pass overhead in flight, while I can and do think about their positions in the frame and relative to one another, in the end I have to take what the birds give me. There is a lot that I cannot control about this kind of photography. It comes down to being observant, being able to work quickly and intuitively, and a whole bunch of luck regarding the birds, the light, and the weather.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Reyes and Drakes Bay

Point Reyes and Drakes Bay
Point Reyes and Drakes Bay

Point Reyes and Drakes Bay. Point Reyes National Seashore, California. February, 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.