Tag Archives: national

Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point
Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point. Death Valley National Park, California. April 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning clouds fill the sky above the Manifold at Zabriskie Point, Death Valley National Park.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Recently I’ve been going over some of my Death Valley photographs, and as I do so I discover a few that “missed the cut” the first time around but which I kind of like now when I see them a few years later. This photograph was made in 2007, on a spring morning when beautiful clouds filled the sky above Zabriskie Point and Death Valley. I have versions of this photograph in both black and white and color – I like both, though the effect is quite different. (I’ll post the color version as soon as tomorrow.)

I’ve referred to the striking central feature of the “badlands” above Gower Wash – the hill with the curving gullies and the darker material along the top – as “the Manifold” for a few years. I know I saw this label applied to the feature somewhere, but I cannot find the source now. In any case, it seems deserving of its own name, and “the Manifold” works for me.

One more observation… I have written elsewhere about my attitude toward photographing iconic scenes – an Zabriskie Point is certainly iconic! It is a bit of a long, complicated story, but this photograph illustrates part of my philosophy. I will not always bother to stop and photograph such a site, having seen many beautiful mornings (and a few evenings) there. But I do watch for special or unusual conditions, and when they occur I may well head to an icon like Zabriskie to try to make a photograph that is unlike the usual images.

Since I am in the process of reviewing many Death Valley photographs, don’t be too surprised if a few more older photos from that location show up here soon.

G Dan Mitchell Photography
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Black Point and Negit Island, Mono Lake Shoreline

Black Point and Negit Island, Mono Lake Shoreline
Black Point and Negit Island, Mono Lake Shoreline

Black Point and Negit Island, Mono Lake Shoreline. Mono Lake, California. October 10, 20120. © Copyright G Dan Mitchell – all rights reserved.

The north shoreline of Mono Lake leads from foreground offshore tufa past the base of Black Point to Negit Island and beyond.

You would never know it from this black and white photograph of the austere desert landscape around Mono Lake, but I was there to photograph… fall aspen color! Earlier in the day I had photographed further south along the eastern slopes of the Sierra, gradually working my way north with a plan of heading back to the “west side” over Tioga Pass at the end of the day after doing a last bit of  fall color photography near Conway Summit and Dunderberg Road in late-afternoon light. By mid-afternoon I had made it to Lee Vining for an espresso stop at Latte Da and a break to check some email and so forth. Soon it was time to get into position for the low angle sun that would light the aspens a bit later, so I headed north out of town.

The road north from Lee Vining skirts the west shore of Mono Lake. Before leaving the lake there is a turn-off to another road that passes along the north shore of Mono Lake and can take you to places such as Black Point. I often stop at this turn-off since it provides a slightly elevated view of the larger terrain around the lake including the low hills to the east and Mono Craters and higher mountains to the south. On a typical blue sky mid-afternoon I might not make any photographs, but something about the light and the forms of the shoreline, Black Point, and Negit Island leading into the distance convinced me to make a few exposures, using a long lens to compress the distance.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Upper Yosemite Fall and Lost Arrow, Autumn Storm Clouds

Upper Yosemite Fall and Lost Arrow, Autumn Storm Clouds
Upper Yosemite Fall and Lost Arrow, Autumn Storm Clouds

Upper Yosemite Fall and Lost Arrow, Autumn Storm Clouds. Yosemite Valley, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Autumn storm clouds swirl around the Upper Yosemite Fall, Lost Arrow, and the cliffs of Yosemite Valley.

Shooting with a long lens, I watched as the clouds floated in and out of this scene, at times almost completely obscuring Upper Yosemite Fall and then clearing. At this instant the clouds cooperated for a few seconds, lining up so that the fall was completely visibly, parting enough to let the pinnacle of the Lost Arrow appear at upper left, and revealing just a bit of the tree covered ridge in the background. A few seconds later the clouds again thickened and this view was gone.

I posted a black and white version of the same photograph perhaps two weeks ago. I have since printed the monochrome version and I like it a great deal. Today I returned to these files and since I feel that it also works in color I decided to post it again.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Meadow Grasses, Autumn Rain

Meadow Grasses, Autumn Rain
Meadow Grasses, Autumn Rain

Meadow Grasses, Autumn Rain. Yosemite Valley, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Meadow grasses made shiny by autumn rain, Yosemite Valley, California.

This fall I have been “playing around” with photographs of very dense and detailed vegetation. (Two other recent related photographs include one of aspen leaves and one of creek dogwood.) This is a difficult thing, especially with a subject whose colors seem somewhat muted, but if it works the largish prints can work both by revealing some form that might be difficult to see in all the detail and by presenting the detail itself. (As much as many of us rightfully point out that sharpness is not everything, sometimes it is pretty important!)

I noticed the subject of this photograph while shooting something quite different. I was standing in a meadow near Curry Village in light rain and using a very long lens to photograph mist and clouds drifting among trees and spires high on the Yosemite Valley rim when I happened to look down at my feet. (Always a good idea to look at the other stuff when shooting a specific subject that you came for.) I noticed the shapes of the grasses and the mixture of greens and browns with the “cool” light from the cloudy conditions. Since I couldn’t shoot this subject with the lens I was using at the moment, I went back to the other subject and made a mental note to switch lens and pay some attention to the grasses when I finished.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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