Tag Archives: nature

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada, Photographs: White Mountains

Owens Valley and the White Mountains

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Owens Valley and the White Mountains
The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Owens Valley and the White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Our recent road trip began in the Eastern Sierra Nevada. The reason for starting here was aspen color, and whether or not that ended up being the primary photographic focus the fall aspens are always worth a visit. Having photographed that subject for quite a few years, going to only the “usual places” is no longer quite enough, so I invariably end up heading out and exploring some places where aspen hunters typically don’t go. On this morning we headed up toward the base of the Sierra, passing through lots of aspen-free high desert terrain, and finally reaching a high enough point that we found some small, isolated groves.

In places like this, aspens can take a back seat to the larger and even monumental vistas along the eastern escarpment of the Sierra. With a bit of elevation, views open to the north, south, and (especially) to the high ridges of the White Mountains along the eastern side of Owens Valley. Although this range is in the rain shadow of the Sierra, and thus lacks the Sierra forests and deep snow, it is just as high and rugged. The photograph looks straight across Owens Valley toward the range, where White Mountain, the highest point, is just nudging Into the base of the morning clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove and Rocky Hill

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Aspen Grove and Rocky Hill
A small aspen grove and a rocky hill, high in the Buttermilks.

Aspen Grove and Rocky Hill. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small aspen grove and a rocky hill, high in the Buttermilks.

This photograph comes from “Buttermilk Country” (also known as “The Buttermilks”) in the Eastern Sierra Nevada, an area perhaps best know to climbers for its innumerable bouldering opportunities. I’ve long wondered about the name, but in the past I had only speculated idly that something about the formations here somehow suggested “buttermilk” to visitors… though it is very hard to see any logic in that. I finally looked it up, and apparently the name goes back to the 1870s when a dairy supposedly operated in the area. (It seems like an odd place for a dairy, but I confess that my dairy experience is… limited.)

The area interests me photographically on a number of counts. Perhaps most obviously, it sits right beneath one of the most magnificent sections of the Sierra crest, and open views of these mountains are available throughout the region. Additionally, the rounded boulders and other formations that attract climbers are plentiful and quite different than the usual east side terrain. It also is one of those wonderful Eastern Sierra interfaces between the high desert and the beginnings of the more alpine world. That latter is what we were looking for when we visited recently, navigating far enough on some of the rough roads that we got to where the small aspen groves begin. It was a lovely morning — a dusting of new snow was on the nearby mountains, brilliant sun was shining, and a bit of haze accentuated the distance between near and far subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Columns

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Sandstone Columns
Columns on eroded sandstone, Zion National Park.

Sandstone Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Columns on eroded sandstone, Zion National Park.

While the entirely of the Utah landscape (and similar landscapes in the American Southwest) is compelling, for me the main defining feature always seems to be the red sandstone formations. Yes, I know there are other geological wonders, but in so many cases I see those relative to the massive layers of sandstone. Those lovely white strata? Much more powerful juxtaposed with the red sandstone? The beautiful forests? That red is a powerful complement to their color. And on it goes.

So it shouldn’t be surprising that my photographs of the regions from time to time distill down to photographs of that rock itself. It is a remarkable material. Sometimes it is fractured and broken, but it can also appear to be as smooth and unbroken as butter. We say it is “red,” but the truth is much more complicated, and the light affects our perception of its color a great deal. I photographed this small section of a Zion Canyon wall from below using a long focal length that allowed me to constrain the view to a few columns in the diffused and reflected light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Headlands, Autumn Light and Fog

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Big Sur Headlands, Autumn Light and Fog
Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

Big Sur Headlands, Autumn Light and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

This is a spot that I visit on virtually every trip to the Big Sur Coast. The place where I pull over and find this view is not a spot where you would likely consider stopping. The view is not really all that visible from the roadway, and I think I first found it by spotting the subject from another place and speculating about where I might need to go to find the angle I was looking for… and then successively trying a series of pull-outs until I found one that worked. I know — figuring out which wide spot on the road to use for my camera position sort of diminishes the romance of the whole thing!

But this view! There is a series of tall and steep headlands that fall directly to the Pacific Ocean here. Beyond there is a shallow bay, and then the coast curves back toward the ocean in the distance. The formation of the successive headlands is mirrored in a series of successive ridges running from the ocean back toward peaks. Of course, based on the photograph I made on this visit you will have to take some of this on faith since you cannot see it. Because the coastline here gradually heads further east as it goes south, by late morning the sun’s light reflects off the water, and when there is a bit of fog, as on this day, the effect is remarkable. The atmosphere truly glows, and it is almost too bright to look at. Since I have photographed this before, I’ll point out that that there are two features of this rendition that are a bit different. First, that glowing fog is unusual. Second, I decided to go with a bit broader composition here, and I included the sweep of the darker near ridge at the bottom of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.