Tag Archives: nature

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Morning Surf

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Big Sur Morning Surf
Pacific Ocean surf crashes ashore on a foggy autumn morning along the Big Sur coast.

Big Sur Morning Surf. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pacific Ocean surf crashes ashore on a foggy autumn morning along the Big Sur coast.

This photograph comes from my early November visit to the upper portions of California’s rugged Big Sur Coast, an area I can visit on short notice. On this visit I left home before dawn, photographed there a few hours, and returned home for a late lunch. Yeah, I’m trying to rub it in… These visits usually feature a combination of stops at familiar locations, where I look for new or different conditions, and the ongoing search for new locations and perspectives that I have not previously photographed.

This photograph mostly fits the first of those two categories. I made the photograph at a location where I frequently stop. The spot features a long view of a beautiful subject beyond rugged rocks and a small bay that is often full of agitated water. On this morning the surf was so wild that I decided to focus on it instead of the larger view. Every few moments a huge wave would crash against this outcropping sending water and spray up into the line of sunlight coming over the tops of the mountains to my left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees on Red Rock Cliff

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Trees on Red Rock Cliff
A vertical forest of trees ascends the face of red rock cliffs, Zion National Park.

Trees on Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

A vertical forest of trees ascends the face of red rock cliffs, Zion National Park.

There are scenes like this one in may locations in the Southwest — and anywhere there are steep rock cliffs, for that matter. (I photograph similar subjects in the Sierra Nevada.) I found this little “forest” working its way up a crack system high on the walls of Zion Canyon. Here and in similar places, I’m always amazed by the minimal requirements for supporting such big trees. They often are growing in little more than cracks in the rock, and to some extent the trees seem to almost create their own meager soil as their leaves and needles fall and degrade.

Not only are the trees remarkable for growing in such a difficult situation, but they provide a fascinating color contrast with the red sandstone walls in the Southwest. In canyons like this one, I usually prefer to photograph them during main daylight hours, while the trees themselves are in shadow but partially illuminated by light reflected from other canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

First Light, Eastern Sierra

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First Light, Eastern Sierra
Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

First Light, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

As I queue up photographs for future posts this morning I seem to be alternating, in a way, between the ridiculous and the sublime. The previous image I posted was one of a broken pumpkin, cast aside next to the curb on the morning after Halloween. The photograph shown here comes from a rather different sort of morning, before dawn in a high place just below the eastern face of the Sierra Nevada, awaiting the arriving of sunrise light on an autumn morning.

Photographs (and, arguably, especially landscape photography) is largely about the light. The great subjects are always there, and many of them stand still for hours, days, seasons, years. But the light is never really the same twice, even though we can recognize certain categories of light. One beautiful sort is the softly colored light that may appear just before sunrise when the conditions in the sky are just right to produce some color. I had arrived at this location quite early, having made a prior plan to photograph here, but I could not know exactly what the light would do. Although my plan was to photograph the first sunrise light on the tops of the peaks, it was this soft, early light that turned out to be the most fascinating.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Solitary Aspen, Dark Forest

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Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.