Tag Archives: north

Detail, Granite Face

Detail, Granite Face
Detail view of a section of a Yosemite Valley granite cliff face

Detail, Granite Face. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail view of a section of a Yosemite Valley granite cliff face

Yosemite, and especially Yosemite Valley, is famous for its “granite” (quotation marks for any geologists reading this post…) cliffs, towers, domes, slabs, and other formations. While we tend to think of this rock as being “gray,” the coloration varies quite a bit depending on the nature of the rock itself, the presence of lichens or plants, and on the light. Almost everywhere the expanses of granite are cut through by intrusions of different colored rocks. I don’t usually think of this particular face as being all that colorful, but on this morning the light somehow brought out the rust-colored tones on many sections of the rock.

I did just enough rock climbing many years ago to have developed memories of the sensations of such rock, from the cold and smooth slabs, to sharp edges of cracks, and rough surfaces (you hope!) on some friction routes. A close look at this section of cliff reveals an amazing variety of surfaces and irregularities. Perhaps most obvious is the large, curving vertical crack towards the left. The dark water stains are also striking, as is that rust colored rock. A closer look reveals other patterns, including a diagonal rising from left to right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Black Oaks, Spring Snow

Black Oaks, Spring Snow
Spring snow falls on a black oak grove, Yosemite Valley

Black Oaks, Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Spring snow falls on a black oak grove, Yosemite Valley

It is hard to pick a favorite season in Yosemite Valley. Fall brings much cooler temperatures, diminishing crowds, and autumn colors. Winter brings snow and clouds drifting among peaks and across meadows. In spring the waterfalls flow strongly again as rivers rise, and the Valley’s vegetation comes back to life. Perhaps the ideal time is the transition between winter and spring, when on the ideal day you can experience a bit of both seasons. (Identifying the least favorite is easy. That would be summer, on account of the sometimes extreme heat and the frequent crowds of tourists. I generally stay away between June and mid-September.)

This was one of those spring days that briefly felt more like winter. A quick snow storm came through, dropping temperatures and leaving a few inches of snow on trees and on the ground. (It was almost all gone before noon the next day, when spring returned.) These black oak trees, with their graceful trunks and branches, are always lovely, but when snow falls they are special. There was just enough snow to coat the upper branches of these trees, and snow and mist swirled beyond among the cliffs surrounding the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dead Trees, Snow

Dead Trees, Snow
Burned forest trees silhouetted against snow storm clouds swirling around a granite face

Dead Trees, Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dead forest trees silhouetted against snow storm clouds swirling around a granite face

I have written before about my long-term process of trying to find ways to photograph the beauty of dead or burned forests, a subject that I was brought up to regard as a tragedy. For decades, Smokey the Bear told me that forest fires were a wholly bad thing, to be avoided at all costs. Eventually we came to understand and (mostly) accept that fire is a normal and even necessary part of the life-cycle of healthy forests, and in places like Yosemite fires are often “managed” rather than suppressed. Currently in the Sierra Nevada the issue is compounded by the sight of millions of trees that fell victim to bark beetles during the recent drought, and whole forests have died in some places. A few dead trees are a normal part of the landscape, but this is unprecedented in the lives of any of us.

This photograph was made on a snowy day in Yosemite Valley, probably the last such day of the current season as winter turns to spring. Beyond the stark trees, a combination of clouds and blowing snow mostly obscured the Valley’s cliff faces. This photograph illustrates something else I figured out about photographing tall trees some years ago. I used to feel that the way to show the vertical scale of tall trees was to move back and show the whole tree, usually in a vertically framed image. I specifically recall the day when I figured out that there is another way. I was photographing in the coast redwood forest north of San Francisco, where I was unable to move back to get the tree-encompassing distance. I realized that I could do the exact opposite of what I had been doing — use a panoramic framing that does not show the whole tree, but instead implies by absence that subject is too tall to fit in the camera’s frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Afternoon Light, Blowing Sand

Dunes, Afternoon Light, Blowing Sand
Late afternoon light and blowing dust above Death Valley sand dunes

Dunes, Afternoon Light, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light and blowing dust above Death Valley sand dunes

Wind and blowing dust on sand dunes can produce an otherworldly and spectacular scene. They are also very difficult to work in — tough on equipment and tough on photographers! (I recently read some advice about entering the dunes during serious sand storms. Basically, the recommendation was, “don’t.” For the stubborn, who would do it anyway, the text continued with a recommendation to wear protective clothing, eye protection, and some kind of mask — perhaps towels soaked in water. Fun, eh?) The conditions on this occasion were not really that bad, probably not even as challenging as they might appear to be in the photograph, but it was an afternoon of blowing wind and sand.

We were in a section of low dunes, a distance away from the popular areas where the challenge seems to be to surmount the highest dune. In these lower areas there is plenty to see and photograph, and I usually prefer them to the less accessible and higher areas. Here there are plenty of plants growing in the same, and the more intimate landscape of hills and valleys provides endless subjects. As I was working that terrain I happened to look west toward the late day sun — barely out of the frame — to see the complex patters leading away on the closer dunes, the dark shape of the more distant tall dune, and the light shining through the wind-blown sand in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.