Tag Archives: north

Frozen Pond and Sierra Nevada Range, Owens Valley

Frozen Pond and Sierra Nevada Range, Owens Valley
Frozen Pond and Sierra Nevada Range, Owens Valley

Frozen Pond and Sierra Nevada Range, Owens Valley. Long Valley Area, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

The snow-dusted eastern escarpment of the Sierra Nevada reflected in the surface of a frozen pond on the high desert of Owens Valley, California.

On a very cold early October morning this year I ended up driving out into Owens Valley toward the Owens River after I spotted some interesting morning fog while driving out of Mammoth Lakes on highway 395. Although I had started out with the intention of photographing aspens, when I saw the fog I changed my plans and decided to leave the aspen photography for later. I first drove to a small lake where I have photographed several times in the past, a lake that provides very still water at sunrise and great reflections of the peaks of the Sierra crest which were covered with the snow from a series of early season storms.

After sunrise I decided that I was finished at that lake, so I got back in the vehicle and went exploring on some gravel roads that wander around in the general area of Hot Creek and Owens River. At first I aimed for some ground fog-covered areas that I had spotted earlier, and for a section of creek where the warm water seems to frequently create interesting fog on cold mornings. I arrived at this creek, took a look around, and decided that it wasn’t quite what I wanted to photograph, so I kept driving, ending up on some roads I had not visited before. As I crossed one long flat area of rangeland I passed this mall frozen pond, drove a bit further, and then turned around to come back and photograph it with the early morning – but no longer dawn – like on the snow-covered peaks just south of Mammoth.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest in Afternoon Light

Forest in Afternoon Light
Forest in Afternoon Light

Forest in Afternoon Light. North Coast, California. October 29, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A dense forest backlit by afternoon light along the Northern California coast.

If you follow my blog, you know that I frequently photograph all around the Sierra, in the deserts east and south of the range, in coastal California in the San Francisco Bay Area and south, and even in the Central Valley. I’m almost a bit embarrassed, however, to admit to barely having scratched the surface of the photographic opportunities of “real” northern California, along the coast or inland. While I frequently shoot north of San Francisco, most of this work has been done no farther north than about Point Reyes.

This past weekend my wife and I managed a quick getaway that took us up to and slightly beyond Mendocino, where we spent a couple of nights. This wasn’t meant to be a photographic excursion, but I have a very understanding wife! She did not object when I stopped from time to time on our drive to get out the camera gear and make a few photographs. Truth be told, she made a few herself! I tried to keep the photography under control – after all, this trip was more about relaxing, seeing the sights, enjoying some good food, and so forth – but I did stop a few times make some photographs. And I also realized that I really need to head back up into this area and begin to seriously explore this region that is right at my virtual doorstep, and which is in many ways quite different from the “other Californias” that I’ve become familiar with.

This photograph was made in an extensive deciduous forest in a more or less random spot along the road, north of Fort Bragg and in an area where highway 1 takes an inland jog.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dense Aspen Grove, Bishop Creek

Dense Aspen Grove, Bishop Creek
Dense Aspen Grove, Bishop Creek

Dense Aspen Grove, Bishop Creek. Sierra Nevada, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Soft light filters through the canopy of a dense aspen grove near Bishop Creek, California.

I think that these dense aspen forest scenes ended up being something of a theme for me this fall. In this one I tried to find as dense an example of aspen forest as I could locate and then to make a photograph that may perhaps evoke the combination of diffused light coming down through the depleted canopy of yellow leaves and the very tightly packed trees. The trees in this grove are relatively small and closely packed – so close, in fact, that in places it is very hard to move among them. I used an ultra-wide lens to try to both bring as much of this detail into the frame and to let me work very close to the nearest trees. The closest tree is probably no more than about a foot from the camera.

Working in such close quarters, very small changes in camera position end up having large effects on the composition. In the end I found myself repositioning the camera and tripod by fractions of an inch from side to side. Although it isn’t easy to see in this small jpg version, the complex detail of branches and leaves eventually recedes into the distance near the far edge of the grove and the grove becomes a bit lighter along that farthest fringe.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.