Tag Archives: orange

Wetland Reflections, Dawn

 Wetland Reflections, Dawn
Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.

Wetland Reflections, Dawn. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.

The dawn light is remarkably fleeting. The space between “too early” and “too late” can be extremely small, and on a morning like this one I might have only moments to see what is happening in the sky, find a foreground, create a composition, and make some photographs. When the light arrived and a small group of clouds appeared in the distance, I first worked handheld with a long lens in order to narrow the view and get some flexibility about positioning the tree. Then I grabbed another camera that had a wider angle lens attached, and I made a few photographs that included more sky and water than seen here.

I have photographed in some remarkable landscape, where particular objects demanded attention. But this landscape along the Pacific Flyway is not that sort of place. To be honest, often it can seem plain and even boring. Much of the area is agricultural country, and nearby there are large cattle operations — not the most scenic or pleasant of landscape subjects. But for a few months each winter the fields flood and migratory birds return, and when the conditions are just right magic may happen.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Trees, Sunset Clouds

Three Trees, Sunset Clouds
“Three Trees, Sunset Clouds” — Three trees and sunset clouds reflected in a Central Valley pond.

As we approach the end of 2021, here is (another) photograph from the last day of 2019, made on the last New Year’s Eve of the Before Times. It is strange to think back to the end of that year, when we certainly were well aware of challenges in our world — but when we had no idea of what was about to come. The subject of the photograph is an astounding scene of light and sky that formed late in the day. So many of these scenes are the result of coincidences that are far beyond our control — the light, the weather, the wind, where you find yourself and more. Often nothing out of the ordinary happens. But if you are there often enough, eventually you will almost certainly encounter something astounding.

As I saw this scene developing I stopped what I had been doing — photographing migratory birds — and turned my attention to the landscape. Since much of the scene was the sky itself and its reflection, the only real compositional decisions had to do with frame boundaries and what else might be in the scene. I found a place where I could get close enough to the water to fill the lower frame with reflections, then identified these trees as a potential visual focus, and I simply began making photographs as the light evolved. You may have seen another photograph from this evening that shared recently. I don’t think that there is one right way to portray such a scene, so I ended up with at least three ways of seeing it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Central Valley Winter Sunset Clouds

Central Valley Winter Sunset Clouds
Sunset clouds above a Central Valley winter pond.

Central Valley Winter Sunset Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset clouds above a Central Valley winter pond.

Recently, as we approached the end of 2021, I revisited some photographs from around New Years day of 2020, the last New Year’s of the Before Times. As is our tradition, a group of us met to spend a couple of days photographing winter subjects, pausing to raise a toast to the New Year following a few hours of early morning photographing on the first day of the new year. If you are focused on your New Year’s Eve party plan, it may be difficult to understand, but I can’t imagine anything better than greeting the literal dawn of the new year in a wild place, accompanied by friends.

We have met on New Year’s Day for a few years, but more recently some of us have expanded our celebration to begin the day before. So we were out there photographing on New Year’s Eve Day, right into the twilight hours. Sunsets can be exactly what you expect them to be, but sometimes they toss something unexpected and remarkable your direction. That was the case on this evening, when a combination of the passing tail edge of a weather front, still air, and a very colorful sky combined to create a rather remarkable set of conditions. It was one of those moments when it almost feels like I just have to point the camera and push the shutter button. (OK, there’s a bit more to it than that, but at least the primary subject is plainly obvious.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color Layers

Autumn Color Layers
Layers of autumn color from aspen groves ascending an eastern Sierra Nevada slope.

Autumn Color Layers. © Copyright 2021 G Dan Mitchell – all rights reserved.

Layers of autumn color from aspen groves ascending an eastern Sierra Nevada slope.

This is one of those “rediscovered” photographs that I had originally left behind a couple of years ago. I found it again during the last few months while doing a review of some older raw files. I originally made several exposures of this group of trees with autumn foliage in the eastern Sierra Nevada, and I initially went with something framed a bit differently and using the landscape (horizontal) format. But coming back to the set of images, I noticed that layered effect of these trees and thought it might be a worthy photograph, too.

This grove is somewhat characteristic of the sorts of aspen trees we find in the Sierra Nevada. As friends often remind me (usually after retiring from visits to these other places), in places like Colorado and Utah and similar locations you can find seemingly endless groves of tall, thick, and straight trees. That’s quite rare here in my state. It isn’t impossible to find large groves, nor is it impossible to find thick and tall trees — but that’s not the most common situation. Often the trees are smaller and with distinct “personalities” — which is another way of saying that they many be twisted in interesting ways rather than straight and tall. But in this grove, we get a bit of (almost) everything. Behind that first line of small trees, which are likely encroaching on the foreground meadow, there is a grove of tall aspens. Beyond that, as the slope becomes steeper and more rocky, the trees once again begin to have that… “personality.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.