Tag Archives: orange

Photographs: Architecture, Photographs: Pacific Northwest, Photographs: People, Photographs: Structures and Objects, Photographs: Urban/Street

Bicycle Rider, Brick Wall

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Bicycle Rider, Brick Wall - A bicycle rider in orange rides past a brick wall, Seattle, Washington
A bicycle rider in orange rides past a brick wall, Seattle, Washington

Bicycle Rider, Brick Wall. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A bicycle rider in orange rides past a brick wall, Seattle, Washington.

This is going to be the first in a small series of photographs from Seattle, Washington that focus on what might be described as urban geometry – odd or interesting juxtapositions of shapes and colors and so forth. I made this photograph back in early May when I joined a group of Seattle photographers for a “Seattle Photo Walk” in the Fremont District. I had only an hour to shoot, but I managed to work intensely for that hour and come back with some stuff that is interesting to me in one way or another.

One thing that I enjoy about photographing the urban environment is that potential subjects come and go almost constantly and often last only for a brief instant. I have to react so fast that I certainly cannot see everything in the frame in a conscious way while making the photograph, though there is something to be said for perhaps have an intuitive understanding of what is there. When I made this photograph I was walking along a bridge the heads back into Seattle’s Fremont district. I had been looking at these brick buildings which feign being old – they are actually new but with old-looking brick walls. The geometry of the buildings attracted me, but I hadn’t really seen a photograph in them at this point. Then, as I looked, I saw the cyclist coming along wearing this very bright orange shirt and helmet and wearing an orange pack. I quickly framed up a composition that included the building, the walkway, and a portion of the road and then waited for the rider to enter the frame. As he passed through I quickly squeezed off three frames. In two of them, a car obscures the cyclist, but in the final one, taken just before he exited the frame, he is all alone against the patterns of the road and the building. (I didn’t notice until later the windows reflected in the middle row of windows on the building.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Building Facade, Reflections

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Building Facade, Reflections - The facade of a San Francisco building reflects the image of nearby buildings and the sky.
The facade of a San Francisco building reflects the image of nearby buildings and the sky.

Building Facade, Reflections. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The facade of a San Francisco building reflects the image of nearby buildings and the sky.

I enjoy looking for reflections in large, glass-facade downtown buildings in San Francisco and other urban centers. I find the reflections fascinating, especially when they hold complete images of other buildings or sky, the way that they acquire various distortions, and when the reflections begin to visually merge with the image of the building itself.

I spotted this building as the train approached the Fourth and Townsend Caltrain Station in San Francisco, so by the time the train stopped I had figured out that I needed to wander on over to this spot to see if I could find a photograph. I made a bee-line for the general area of the building that I had seen, and I soon figured out who to put together an image that included a wide range of materials: the building itself, the interior spaces beyond the window glass, the reflections of sky and clouds, and more. I especially like the bits of orange reflection from a building behind my camera position.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Pines and Sandstone

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Pines and Sandstone - Sunlit pine trees against shaded sandstone, Zion National Park, Utah
Sunlit pine trees against shaded sandstone, Zion National Park, Utah

Pines and Sandstone. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlit pine trees against shaded sandstone, Zion National Park, Utah.

This was probably one of my first photographs on my recent trip to Zion National Park (and other Utah locations) in early April. After arriving in the general area of the park in the middle of the afternoon, we decided that we should see the “high country” along the Mt. Carmel Highway that heads up and east from the main Zion Canyon and Virgin River area. While almost everything in Zion is fascinating, I find this higher elevation terrain especially intriguing – with its combination of swirling and curving sandstone shapes, carved waterways, and various kinds of vegetation. At first it was hard for me to understand how I might photograph this country, but the more I looked the more I at least started to “see” it.

Of course, I like to photograph trees like these anywhere! Although when I stopped I first photographed some sandstone formations to the left of these trees, I had noticed the trees and thought about the possibility of shooting them with this backlight against the shaded sandstone cliffs, with their red tones altered a bit by the reflected blue light from the open sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Detail, Face of The Watchman, Sunset

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Detail, Face of The Watchman, Sunset
“Detail, Face of The Watchman, Sunset ” — The last sunset light on a portion of the face of The Watchman, Zion National Park, Utah.

As this evening approached, I had a plan to be somewhere close to the Zion National Park visitor center above Springdale, where I had seen the nearly full moon rising behind the ridge near The Watchman before sunset the night before. With that timing of the moon in mind, I estimated that on this night, the moon might rise in roughly the same spot but just a bit later. In many ways, the prime time for doing photographs of the full moon is during the golden hour, when there is sufficient ambient light to permit the correct exposure for the moon. But there is no moon in this photograph – so you might wonder what the point is!

I did show up here to photograph the moon, and I did get some photographs of the moon rising over the ridge. But after making a few moon photographs, I began to scan my surroundings a bit more closely, and I saw that the line between the sunset glow and the deeper post-sunset shadows was slowly working its way up the face of the Watchman. So as light/shadow demarcation slowly moved up the face of the cliff below the summit of the Walkman Watchman (!), I turned my camera that direction and made a few exposures of the rugged rocky face as it was lit by the last light of the setting sun.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.