Tag Archives: pacific

Photographs: Nature, Photographs: Pacific Northwest

Ridges, Evening Light

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Ridges, Evening Light
“Ridges, Evening Light” — Evening light shines on forested ridges and high peaks, Olympic National Park

I have not had a lot of luck trying to photograph the Hurricane Ridge area in the past. You’ve probably seen the beautiful and iconic photographs by other photographers – lavish displays of wildflowers, striking alpine ridges holding snow fields and glaciers, spectacular cloud-filled skies. However, on the few occasions when I have tried to shoot there I have contended with wind, fog that held visibility down to mere yards, and poor seasonal timing. Since we were in the Seattle area (for something non-photographic) with a free day, I figured I might try one more time. Initially I had thought of the run up to Artist Point in North Cascades, but the weather forecast there was not at all promising, with rain expected. Initially I thought that there might be similar weather out on the Peninsula, but as we started out I got a call from my brother, who is a Seattle area photographer much more familiar with the patterns of the area, saying “go to the Olympic Peninsula. I’m looking at a web cam and it seems clear!”

In fact, by the time our ferry crossed to the west side of Puget Sound, it was looking quite clear. After some midday, lowland shooting, we figured that we would try Hurricane Ridge at the end of the day. With this in mind, it was a bit after 5:00 when we arrived there. The first look around was not too encouraging – the wildflowers were mostly spent and it was cloudy, though sun was breaking through the clouds from time to time. I decided to give it a try since I know that conditions can change quickly and because it was likely too late to get to any other interesting points in the remaining daylight. Setting up and watching the scene, I noticed that while it was cloudy and even a bit rainy, breaks in the clouds to the west were sending occasional beams of light chasing across the landscape, especially the large forest-covered ridge in the foreground of this photograph.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Pacific Northwest

Olympic Peninsula Forest

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Olympic Peninsula Forest
Olympic Peninsula Forest

Olympic Peninsula Forest. Olympic National Park, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight filters through dense forest in Olympic National Park, Washington

During mid-August we traveled to the Seattle area – not primarily for photography but mainly to see the Seattle Opera production of Richard Wagner’s Ring Cycle. The Seattle Ring is sometimes referred to as the “Green Ring,” largely because the production design draws heavily on the natural world of the Pacific Northwest, and especially on the forests. Even when photography is not the primary focus, it is never too far away, so on a day when there were no performances we decided to take the ferry across Puget Sound to the Olympic Peninsula and see what we could find. We left the Seattle area in heavy fog – the subject of at least one photograph that I’ll post later on – but when we got across the water it was relatively clear. That was a bit surprising since I’ve had seem some pretty cloudy and rainy weather out there in the past, including one memorable trip to Hurricane Ridge when we arrived to find visibility that must have approached, oh, about fifty feet.

One of my brothers, also a photographer, lives in the area and after seeing the positive weather forecast he had suggested that we start at Sol Duc Falls. In actually turned out that the weather was perhaps a bit too nice, as this heavily forested area ended up exhibiting that deadly combination of bright light beams coming through the trees and deep shadows down below, an effect sometimes called “pizza light.” It is about the most difficult thing to photograph, as the dynamic range of the scenes is just far too large for cameras. We hiked to the falls, a short and pleasant hike, and arrived to find that the base of the fall, which is in a deep gorge, was in dark shade while brilliant direct sunlight hit the top of the water. I decided to not try to photograph this – “been there, done that!” – and instead see what I could find in the surrounding forest itself. The light issue remained here, too, but I noticed that a few puffy clouds were blowing around and I figured that I could set up the shot and wait for the nice soft light to arrive in the shadow of one of the clouds. This photograph was made in exactly those conditions – a passing cloud momentarily obscured and softened the light. I think that seeing the beautiful forest-inspired set of Seattle’s Ring had put me in a frame of mind to find and photograph this sort of thing, and I feel like this photograph reflects that connection.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Pacific Northwest

Column, Wall, and Dying Tree

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Column, Wall, and Dying Tree
Column, Wall, and Dying Tree

Column, Wall, and Dying Tree. Portland, Oregon. May 26, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The brown branches of a dying tree stand against a stone wall and column, Pittock Mansion, Portland, Oregon

This might be about as unrepresentative a photograph of the Pittock Mansion as one could make. ;-) Pittock Mansion is a historic location in the hills above Portland, Oregon. If I recall the story correctly, it was built by an early leading citizen of the area who ran the newspaper (The Oregonian?) and may have had interested in the lumber business. The expansive mansion was built on a hillside above the city, with views of three of the major volcanos of northern Oregon, and on grounds that included beautiful and lush gardens. The mansion itself is large and luxurious and was, for its day, very modern.

So I went and photographed a dead tree against a stone wall. What can I say? This section of wall combines a blocky section of the wall with a cylindrical column. Not surprisingly for the Pacific Northwest, moss grows on the rock, giving it the slight green tint. I think the tree is dying – at least it looks that way – and its odd color caught my attention.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks, Surf, and Dusk Horizon

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Rocks, Surf, and Dusk Horizon
Rocks, Surf, and Dusk Horizon

Rocks, Surf, and Dusk Horizon. Pacific Coast, California. August 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A curving rock shelf extends into the “blue hour” Pacific Ocean surf and toward the fog-darkened horizon as night approaches.

A short, evening visit to the California coast above Santa Cruz began with photography in golden hour light in areas where the fog bank hung just offshore with moist air over the coast creating a gentle, misty atmosphere and soft light. We photographed a few subjects in this light – and looked at others that we did not stop to shoot – and continued north as the sun dropped toward the horizon, where the fog waited to envelop it. We stopped at a beach where large groups of pelicans were resting and then resuming their flight along the coast, and noted that there was still a bit of light in the sky and, oddly, below the bottom of the fog bank along the horizon. As this light died, we turned briefly north, and I soon saw this rocky bench extending into the ocean waves.

Following the evening golden hour there is a time that some call the blue hour – when the warmer colors of sunset drain from the sky and we are left with soft, blue light. It might have seemed odd to anyone watching me photograph this rocky feature, but instead of hurrying to shoot it before the light faded, I took my time – I wanted the light to fade, both for the mysterious blue coloration and because this would make it easier for me to use extended exposure times to allow the water to soften and blur a bit. When I began shooting it was only dark enough to get exposures of perhaps a second or two – at least without adding a neutral density filter – but as I waited, making an occasional photograph in the interim, the light began to move toward a near-night state, and I was able to get exposures of 15 seconds or longer… and that blue light that I was looking for.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.