Tag Archives: paris

Paroisse Saint-Paul Saint-Louis

Paroisse Saint-Paul Saint-Louis
Paroisse Saint-Paul Saint-Louis, Le Marais, Paris

Paroisse Saint-Paul Saint-Louis. © Copyright 2022 G Dan Mitchell.

Paroisse Saint-Paul Saint-Louis, Le Marais, Paris.

This church figured briefly in the text accompanying a recently-posted photograph of a historic Paris fire alarm station. The story is that I wasn’t sure what building this is. It caught my attention, for obvious reasons, while walking in Le Marais, so I made a photograph — but I neglected to note the precise location or even the identity of the place. (I often prefer to not do too much research about a location in order to retain some of the fun of “discovering” it.) I finally figured it out by spotting its reflection in the fire alarm photo!

The remarkable church was constructed in the 1600s, which explains the detailed architecture. Today the colors of certain features are quite striking — those red doors and the sun design around the clock, for example.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fire Alarm Station

Fire Alarm Station
A historic fire alarm, Paris.

Fire Alarm Station. © Copyright 2022 G Dan Mitchell.

A historic fire alarm, Le Marais, Paris.

This is a photograph that began as a simple, spur-of-the-moment thing and ultimately led me down a rabbit hole of information about the history of fire alarms. I saw this thing while walking in Le Marais. It looked interesting, and the shiny red paint caught my eye, so I photographed the upper part of it with the alcove and barred windows in the background. Later I finally looked into it and learned a LOT about fire alarm systems. The earliest apparently were created about 200 years ago — and before that alarms were delivered by… sending a runner. In the 1800s telegraph technology was eventually used, and near the end of the century early telephone technology made its appearance. Paris was late to the game, with their first alarms in the late 1800s. This one dates to the early 1900s, and people reporting fires would break a glass window and then speak to the department via telephone. Whew.

One other interesting thing came from this photograph. Recently I was working on a photograph of a Paris church, and I did not recognize it. I knew I made it on a day when we walked in and around Le Marais as other nearby areas, but I couldn’t figure out what it was. Then, as I worked on this fire alarm photograph I realized that the building is reflected in the window at the right! Since I could easily find the location of the fire alarm (it is the only one in this area), I went to it on a digital map and there was the church! (More about that location later when I share its photograph.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Empty Lot, Paris #2

Empty Lot, Paris #2
An empty lot with graffiti in Paris, a 2022 rendition.

Empty Lot, Paris #2. © Copyright 2022 G Dan Mitchell.

An empty lot with graffiti in Paris, a 2022 rendition.

Almost any time I open up an old photograph for some reason other than pure curiosity — and sometimes for that reason, too — I reconsider it and make some minor adjustments that seem like improvements. That might seem odd in today’s world of digital post-processing and inkjet printing. Back in the film era, every print was a unique rendition, the result of physical acts in the darkroom during the printing process. It was literally impossible to do what is the norm today — to make every print exactly the same as the others. All of this is a long way of saying that I don’t see why an early version of a photograph should be the final say on it.

Recently I re-opened this photograph, made a few years back on an evening walk around the Montmartre area in Paris. It was surprising to find this empty lot in a crowded area and to note that it appears to have been empty for some time. There’s a lot going on in the scene, but that blue portrait catches my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Seated at the Louvre

Seated at the Louvre
A boy and two girls seated on benches at the Louvre, Paris.

Seated at the Louvre. © Copyright 2022 G Dan Mitchell.

A boy and two girls seated on benches at the Louvre, Paris.

Among the members of my family, I have a problematic reputation as a museum visitor. Apparently I spend way too much time in such places and traverse them way too slowly. A ritual has developed where eventually everyone else heads off to somewhere fun, leaving me behind to wander and. ponder, and later I catch up and join the party. What can I say? I like museums.

Not only do I like them for the things they present, but I also like to photograph in and around them. The buildings usually have fascinating design and architecture and often also very interesting light. There are lots of people, individually or in groups, who populate these interesting spaces. Here I photographed outside the Louvre, in the immense central courtyard, making a photograph of two girls in enthusiastic conversation and one very small-looking boy sitting alone against the monumental scale of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.