Tag Archives: park

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects

Architectural Detail

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Architectural Detail
Architectural details, New York Botanical Gardens

Architectural Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

Architectural details, New York Botanical Gardens

We began our recent trip with a short visit to New York City. This gave us a chance to visit with relatives there and to break up the jet-lag-inducing flight to Europe. Because the visit was short — we were only in New York for three nights before we flew on to London — we took it easy and didn’t try to see too much this time. We hung out near our Manhattan hotel, walked a lot, went out to eat, and made one longer trip to the The Bronx to visit the New York Botanical Garden.

The Garden is spectacular, very large, and full of interesting things to see. Unfortunately, we were there on a typical August New York Day… which many of you may know means 90+ degrees and near-100% humidity. Our first stop was indoors, to see a small exhibit devoted to O’Keeffe paintings from her visit to Hawaii. In the building shown in this photograph there was a companion presentation that featured some of same plants and flowers that were the subjects of her work on the Islands. Needless to say, inside this greenhouse-like structure on a hot humid New York day… it was even hotter and more humid! We stuck it out for a while, but we eventually had to go back outside. As we did so, we got a bit of light-softening overcast, and I made a few photographs of the forms and textures of this remarkable building

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Germany, Photographs: People, Photographs: Urban/Street

Red Wall

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Red Wall
A person walks in front of a painted section of the Berlin Wall

Red Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

A person walks in front of a painted section of the Berlin Wall

Before I say much about this photograph, a bit of background. Near the start of August 2018 we departed from California’s West Coast on a trip that would last forty days. We started with a brief visit to New York City, followed by another brief visit to London — both great places to visit and to adapt more slowly to the time zone changes. From there we made a rough loop that took us to Amsterdam, Berlin, Nuremberg (briefly!), Bayreuth (site of the famous Wagner festival), Heidelberg (for rest and recuperation… and laundry!), Vienna, Paris, and then a week outside of Paris near Barbizon with family. Whew! It was a great trip, with a few familiar places and some that were new to us. Along the way we had lots of opportunities to make photographs, and I’ll be starting to share some of them over the next few weeks and months.

We had three full days (four nights) in Berlin, a city that neither of us had visited before. We don’t travel with tour groups, so we were mostly on our own to explore, and most of our exploring was done on foot. On our last full day we headed east from where we were staying, eventually making our way to the “East Side Gallery.” This is a large section of the Berlin Wall that was not knocked down, but instead turned into a vast canvas for artists. My approach to photographing such a thing isn’t precisely to photograph the art itself, but instead to try to place it in its surroundings and/or photograph people interacting with it — which is the case with this man dressed in red who walked in front of this red section of the former “red” wall.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ridges and Haze

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Desert Ridges and Haze
Layers of desert ridges extend into distant haze

Desert Ridges and Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Layers of desert ridges extend into distant haze

Desert landscapes are, in some ways, what I think of as the most “pure” landscapes. Their aridity means that there is rarely much to obscure the actual geology of these places — no forests, no grassy meadows, few bodies of water. The landscape is laid bare.

The colors, textures, and patterns of rock and soil are revealed, and the changing light paints this landscape in remarkable ways. The colors change throughout the day depending upon the height of the sun, the color of surfaces reflecting the light, and the clarity of the sky. The atmosphere itself changes the landscape — crystal clear air reveals distant features as if they were close by, while air filled with blowing sand and dust obscures detail and focuses attention on larger elements of the scene.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Wash and Mountains, Evening

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Desert Wash and Mountains, Evening
Cloudy evening light on Mountains, Death Valley, and a desert wash

Desert Wash and Mountains, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cloudy evening light on Mountains, Death Valley, and a desert wash

When people ask for advice about how to photograph Death Valley, one thing I tell them is to think a lot about the relationships between the landscape and light throughout the day. Many features align along a generally north-south line, so you can figure out fairly quickly when a location may be in direct sun or produce dramatic shadows. (I also suggest heading into narrow canyons when the sun gets a bit higher in the sky — here the higher sun position may send welcome light into their depths, which can otherwise be a bit murky sometimes.

I made this photograph late in the day after emerging from one of those canyons near the top of a large wash. The wash and the nearby hill face to the west and, as you can see, receive that late afternoon light — at least until the sun dips behind the mountain range on the other side of the valley.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.