Tag Archives: park

Desert Mountain Ridges

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Morning Clouds, Lake Manly

I made my annual visit to Death Valley this past week. While there I realized that it has been 25 years since my first encounter with the place, and that I have been photographing there every year for about two decades. In addition to the usual attractions, this trip focused on Lake Manly, the temporary resurrection of the prehistoric lake that once filled the valley. The lake reappeared after intense tropical storm rainfall last year and was augmented by more recent heavy rains.

Look past the obvious aridity of the place and the role water played in its creation becomes obvious. Roadways continuously rise and fall as they cross minor and major washes. The mountains are covered with the evidence of water erosion. The extensive playas and salt flats were created by pooling water. But the reappearance of Lake Manly really brings home the role of water in forming Death Valley’s geography.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Urban Wild, Manhattan

Urban Wild, Manhattan
Tightly packed buildings and large trees, Manhattan.

Urban Wild, Manhattan. © Copyright 2023 G Dan Mitchell.

Tightly packed buildings and large trees, Manhattan.

This photograph embodies something about Manhattan that I’ve mentioned before: For such an intensely urban place, there are a lot of examples of the natural world. It isn’t the kind of (ostensibly) “pure” nature that we see in the America West, but I sometimes think that its close juxtaposition with the city environment almost makes it more precious. We have whole forests out here in California, but in Manhattan a single tree can sometimes mean almost as much.

I saw this scene from the High Line Park as we walked its length last November. To those of use used to living with more space around and between us, the closeness of urban abodes along this park is surprising, and it almost seems voyeuristic to take a long look through the trees in someone’s tiny yard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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