Tag Archives: pattern

Branch, Water on Salt Flats

Branch, Water on Salt Flats
Branch, Water on Salt Flats

Branch, Water on Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A forelorn branch sits near pools of reflecting water on salt flats of Death Valley National Park.

After the brief dawn light on the Panamints ended (see the photograph I posted yesterday) and the world went gray over in that direction, I noticed this odd log or branch sitting out on the mud in the salt flats between some of the ponds that streak this section of the flats. While the two minutes of beautiful color on the Panamints had ended, the increasing light was transforming what had been a fairly solid covering of gray into a transparency that revealed interesting layers and patterns of clouds in the morning sky.

I moved a bit closer and made one final sequence of Death Valley photographs before heading back to Stovepipe Wells to take down my camp and start the long drive home. I tried a couple different compositions, including some in which I was closer to the log, but in the end I prefer this one that put some distance between it and me and, I think, suggests the huge spaces that are among of the most compelling characteristics of this landscape.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turnstile Shadows

Turnstile Shadows
Turnstile Shadows

Turnstile Shadows. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Shadows cast by sodium vapor lamps shining on old turnstiles at Mare Island Naval Ship Yard.

This old row of abandoned turnstiles stands at the entrance to an alley through which we almost always walk as we begin shooting in the core area of the historic Mare Island Naval Ship Yard near Vallejo, California. It seems odd to see the structure here since now one can just walk around them, but I suspect that this area must have been somewhat secure at times since military ships were built here.

This isn’t an easy subject to photograph. Several of us were talking about how we have struggled to find a composition built around the turnstiles. I have one other photograph that I made a few years ago that I think works pretty well. In that one I aimed a bit higher and let the metal structure pretty much fill the frame, and I also ended up making it a black and white image. (It was used as a cover for a book at one point.) But on this evening a few of us were staring at the turnstiles again and remarking that there must be more photographs in there… somewhere… but that we are still trying to find them.

I thought it might be interesting to make the long and complex patterns of the shadows fill most of the frame, so I moved back just a little and pointed the camera down so that just a portion of the turnstile structure appears at the top of the frame. This also helps with a couple of technical challenges: the bright lights beyond the structure create a tremendously large dynamic range in the scene, and it can be difficult to keep some distracting background elements (like a stop sign!) out of the image. The garish yellow/orange light is from a large sodium vapor lamp that sits above the intersection on the road in the background. That coloration is part of what made me choose to make the previous photograph of this subject black and white, but on this night I decided to go with the color.

The final image is a blend of two exposures. The shorter one was selected to avoid blowing out the brightest areas in the upper part of the frame, and the longer one let me keep a bit more detail in the shadowed asphalt foreground.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Color – Wall of Leaves

Aspen Color - Wall of Leaves
Aspen Color - Wall of Leaves

Aspen Color – Wall of Leaves. Eastern Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

A nearly solid wall of brilliant fall aspen leaf color in the eastern Sierra Nevada.

This is going to be the first in a short series of “frame filled with foliage” photographs that I’ll post. Although I think they work best as prints – and fairly large ones at that – I’d like to share these since they are something a bit different that I’ve been working on.

Sometimes I’m just so impressed by the sheer density and complexity of the foliage that I’m tempted to just point that camera at them and click. It might look like that is what is going on here, but I am also trying (remember, “trying!”) to find some sort of pattern and form in these very complex textures. This photograph was made in a small aspen grove that was essentially at the color peak – only a very small number of partly green leaves remained, yet most of the transformed leaves were still on the tree. If you have chased aspen color, you know how difficult it can be to find the leaves at just this point!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Brooklyn Bridge Cables, Lower East Side Buildings

Brooklyn Bridge Cables, Lower East Side Buildings
Brooklyn Bridge Cables, Lower East Side Buildings

Brooklyn Bridge Cables, Lower East Side Buildings. New York, New York. August 19, 2010. © Copyright G Dan Mitchell – all rights reserved.

Buildings of the lower east side of Manhattan, seen through the cables of the Brooklyn Bridge.

My son kept suggesting a walk across – or at least on to – the Brooklyn Bridge, so when the weather finally cleared up on our last full day in New York City and we found ourselves wandering around Lower Manhattan near the entrance to the pedestrian walkway across the bridge, we really had no choice.

It is hard – perhaps impossible? – to make a truly new photograph of the bridge, at least for this first time photographer of this New York icon. I do have a few frames of the masses of cables ascending to the tower closest to Manhattan, a scene we’ve all seen before, and I probably won’t be able to resist posting at least one of them eventually

I have no idea whether or not a shot like this one is familiar to those who have seen more photos of the bridge than I have, but it wouldn’t surprise me if it is a typical view. In any case, I was fascinated by the dense web of cables, the fact that they are much thinner than bridge cables that I’m familiar with, and the appearance of the many buildings along the east short of Manhattan Island both north and south of the bridge.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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