Tag Archives: patterns

Photographs: Architecture, Photographs: France, Photographs: Structures and Objects, Photographs: Travel

Stairs, Le Centre Pompidou

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Stairs, Le Centre Pompidou
Outside stairs at Le Centre Pompidou, Paris

Stairs, Le Centre Pompidou. © Copyright 2018 G Dan Mitchell – all rights reserved.

Outside stairs at Le Centre Pompidou, Paris

We had previously walked past the Pompidou Center museum but had not stopped, instead visiting other museums on our list. The structure is famous (or infamous, depending on your aesthetics) for its unusual architecture, which exposes lots of things that would usually be hidden beneath the skin of a more traditional building — ventilation ducts, stairs, escalators, structural reinforcements, and more. While the art inside the building was fascinating, the photographer in me was attracted to the structure itself.

I made this photograph from the ground level before we went inside. The simple “x” shape is superimposed on some of those exposed structural details, in this case a bunch of outside stairways. The color scheme of the building in this area is almost purely monochromatic — at first I thought I was looking at a black and white image, until I noticed a bit of yellow color along a margin. Since it was already monochromatic I decided to eliminate even that bit of color and go with a black and white rendition.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Morning Reflections

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Tufa, Morning Reflections
Tufa towers and morning light reflecting on the surface of Mono Lake

Tufa, Morning Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tufa towers and morning light reflecting on the surface of Mono Lake

The tufa towers are often the first subjects that people think of when they consider photographing at this location. I’ve photographed them many times and in may ways — up close, at a distance, in silhouette, in all kinds of conditions and at all times of day. I still find them fascinating, but I’ve come to see the lake as being more about other features now.

The greatest impression I get from the lake is immense space. This comes partly from the sheer size of this landlocked lake, but it may also come from a combination of often seeing it from elevated viewpoints and from the open and sometimes cloud-filled sky. And at early and late times of day the water takes on colors of sky and surrounding mountains, ranging from brilliantly intense to quite subtle. These colors are interrupted when the wind produces patterns on the surface of the water.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Patterns In Granite

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Patterns In Granite
Patterns in a section of Yosemite Valley granite

Patterns In Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

Patterns in a section of Yosemite Valley granite

Of all the things that characterize and define Yosemite, rock may be the most important. The Valley itself is lined with huge granite* forms in the shapes of domes and cliffs and more, carved by water, glaciers, and slow erosion. Wandering about the Valley one eventually becomes aware that the granite “moves,” and that giant chunks have fallen from the surrounding heights and sometimes managed to travel a good distance into the valley — a sobering thought. This rock continues into the high country, where some of the same features are found, along with others — the glacial “erratics” left behind as ice retreated, places were rivers flow across smooth rock, meadows dotted with boulders.

The character of granite on the large scale is hard to miss, but its character close up is also fascinating. Many years ago, for a few years, I was a bit of a rock climber. As a climber one gets “up close and intimate” with rock, learning (and remembering the tactile qualities) of the rock — smooth, straight cracks, rough, covered by lichen, disintegrating, marked by water, and more. That may explain why this little spot caught my attention. Quite a few stories are in this rock. It lies at the base of some very large cliffs, suggesting its source. It is covered by lichen, part of the reason for the color variations. Stained streaks produce vertical lines, and one odd section, which must be harder than the rest, angles up from left to right.

  • A geologist friend has pointed out to me in the past that “granite” is not a technically correct blanket description for the rock of Yosemite. I’m using the term in the casual and familiar sense. And for those who get this far, did you notice a compositional link to the recent redwing blackbird photograph? :-)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Nevada

Dormant and Alive

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Dormant and Alive
dormant and live trees form patterns against a cliff face, Great Basin National Park

Dormant and Alive. Great Basin National Park, Nevada. September 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dormant and live trees form patterns against a cliff face, Great Basin National Park

On my first visit to Nevada’s Great Basin National Park near the end of September, my initial impression was that the “big features” of the park that probably draw the most visitors are two: The Lehman Caves near the entrance and visitor center and the high, alpine area close to Wheeler Peak, the highest point in the park and the second tallest in the state of Nevada. I did not visit the caves, but I did spend a fair amount of time high up near the peaks, photographing and hiking to the alpine lakes and the bristlecone pine groves. (My one regret is that I started out a bit too late on the bristlecone pine visit, and I didn’t have enough time to cover the additional two miles up to and back from the Wheeler Glacier.)

Eventually, as typically happens, I had made my acquaintance with the iconic subjects in the park, and I started to feel the familiar impulse to look around a bit for things that might not be so obvious or immediately impressive. The first foray was up a gravel road past some less developed campgrounds, where I came across at section of low cliff running alongside a gravel road and stream bed. The autumn colors were just beginning to arrive here, so I got out and wandered a bit, looking for juxtapositions of rock and tree. This little vignette attracted my attention, and I was fascinated by the pairing of a living tree full of leaves (albeit just about to turn colors and drop) and the nearby bare, white branches holding only dead leaves, with both set off from the rock behind them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.