Tag Archives: peaks

Alpenglow, Meadow

Alpenglow, Meadow
“Alpenglow, Meadow” — Evening alpenglow comes to high peaks beyond a flower-filled meadoow, John Muir Wilderness.

Since I was unable to get to the Sierra much this season — it is a long story — I’m revisiting the archives, where I find a lot of interesting photographs that were “left behind.” This one comes from a trip into a high backcountry region with a group of fellow photographers a few years back. We set up a basecamp in a high basin just over the crest, and spent a week photographing the heck out of the surrounding terrain.

I made this photograph of evening alpenglow on the surrounding peaks from a stunning meadow that we discovered about 10 minutes walk above our camp. The meadow was open to 360 degrees of alpine terrain, and it was filled with wildflowers, even though it was near the end of August. (One of our group members, stunned when he first saw the meadow, named it “******* Julie Andrews Meadow.” I’ll leave you to guess the missing word.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

September Rain

September Rain
“September Rain” — A late-season rain shower over Sierra Nevada crest peaks and a stand of trees.

This photograph comes from that wonderful late-season time when the crowds diminish, the temperatures drop, things seem to slow down, and there are clear signs that the summer weather is coming to an end. I had gone to the Sierra just east of Yosemite for a few days of camping and photography. The weather was cold and blustery, and the sky was spitting rain as I set up my tent.

With camp set up, I had time to look around and notice the veil of rain draped across the rugged features of this nearby mountain, lit by soft light coming through the showers. I walked a short distance from my camp, found some interesting foreground trees, set up, and made this photograph before the rain arrived in camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains and Lake Manly

Desert Mountains and Lake Manly
“Desert Mountains and Lake Manly — Morning light on desert mountains with flow patterns in the distance.

This photograph might be a bit disorienting. I wonder what you see at first? Some desert mountains with an unusual sky in the background? But what to make of that white area at the far right? And then, what kind of “sky” are we looking at? If I’m right, at some point you might have a bit of difficulty putting all of these elements together into a whole that makes sense. There is an explanation…

I photographed from a ridge-top location in the mountains east of Death Valley. Although my initial goal was to photograph some other distant mountains at sunrise, I stuck around as the sun climbed higher. Eventually it was high enough that it began to illuminate the outcroppings on the slopes below me. Their contours lead down to the eastern edge of Death Valley and, this year, the shoreline of Lake Manly. That “sky” in the photograph is a shallow section of the lake, and the streams are submerged channels.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.