Tag Archives: photography

Pedestrian, Steps

Pedestrian, Steps
Pedestrian, Steps

Pedestrian, Steps. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sidewalk steps lead to a lower roadway, where a pedestrian crosses the street

This is another of the photographs done street photography style in Seattle in August, when we had a free day between some other events that took us to that city. On this morning we had started at Pike Place Market, the well-known tourist spot, and then walked south into the more central downtown area and eventually towards the south side of downtown.

I recall that the first time I visited downtown Seattle many years ago I was surprised by the multiple levels in some parts of the city, especially along the waterfront. Across the street from the water, a major highway runs high above on a viaduct. Between the viaduct and the main downtown there is a very short, steep hill (almost a cliff in some spots) leading up to the next level of streets above. (The multiple level effect is seen elsewhere, too, such as near the convention center.) As we walked along one of those upper streets, this steep staircase led to a lower level street and some parking, and a pedestrian continuing on toward the waterfront walks through the light coming down the cross street.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trance Entrance

Trance Entrance
Trance Entrance

Trance Entrance. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A sign with multiple potential meanings, Pike Place Market

There are so many possible bad puns that could be made about the sign in this photograph, especially considering the city in which it was made and other things that were going on in town at that time. I’ll refrain.

On a free day during a recent trip to Seattle we decided to wander around downtown Seattle and do mostly street photography. We started out near Pike Place Market, where there are abundant opportunities to find not only the coffee and food we were seeking, but also lots of interesting “Seattlish” photographic opportunities. As we walked past an entrancing entrance to the Market, I looked up to see some wildly colorful flowers (not that you can tell here!) growing along the edge of the roof and partially hanging over the sign.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows
Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late winter shadows fall across a suburban scene composed of a stucco wall, pipes, and a window

This is the second of two “walking around” photographs made in my neighborhood while wandering around with a camera and a couple of lenses. These walks are exercises in seeing, in several ways: When I carry the camera I pay a lot more attention to things around me that I would otherwise simply not see at all, and the process of looking and seeing photographs in places that are so mundane that I might regularly walk past them helps “tune up” my seeing skills.

As I often do, on this walk I was paying a lot of attention to shadows falling across the walls of buildings. As I write in my last photo post, once I started noticing the shadows, which are everywhere in this area, I began to see the buildings differently. For example, here is a building that I might otherwise have simply thought of as a tan building. But now it is a building with branches “painted” over almost its entire surface. And in this one, the branch shadows converge on the mundane little collection of faucets and wires and what-not at the lower left, then spread and open up to surround the white window frame above and to the right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

River Thames Reflections, Night

River Thames Reflections, Night
River Thames Reflections, Night

River Thames Reflections, Night. London, England. July 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Nighttime lights from the Southwark Bridge reflect on the surface of London’s River Thames.

As we walked back across the Millennium Bridge toward the north bank of the River Thames in the evening light, I saw many colorful lights on bridges, boats, and buildings that were reflected in the surface of the river and which stood out against the somewhat hazy blue hour atmosphere. This bridge provides a great location for photographing the reflections since it is, obviously, right above the water and because it is easy to align reflections with various other elements by moving back and forth across the bridge. In this photograph most of the interesting reflections are coming from the Southwark Bridge, with the white lights on the Tower Bridge just visible further along the river.

On a technical note, I relied on a very different sort of photographic gear on this trip. Since our plan was to keep our luggage down to carry-on size – for a three-week trip to three countries – we decided to take some radical steps to downsize the amount of camera equipment we would carry. I normally shoot a full frame DSLR and typically carry a very large tripod and multiple (sometimes many!) large lenses. My normal load of camera gear alone, at least for car-based shooting, would exceed the carry-limits that we would deal with on our international flights – and would also weigh me down more than I wanted during a trip that would include a lot of walking. So for this trip I left my Big Gear at home and instead carried a Fujifilm X-E!, a small cropped sensor mirrorless camera, and only three lenses: a 14mm prime, a 35mm prime, and a 55-200mm zoom. All of this fit in a small messenger bag with room left over for my (small) laptop and lots of other necessities. I bring this up because this photograph was shot handheld with this camera, using the 35mm prime – in a situation and of a subject where I would normally assume that a tripod was necessary. (I’ll be writing more about the experience with this alternate gear soon at my blog.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.