Tag Archives: pink

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Layers, Sunset Dunes

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Layers, Sunset Dunes
“Layers, Sunset Dunes” — layers of desert sand dune formations in the last sunset light of the day.

When photographing dunes that are new to me, I have little to go on when I first venture into them. I typically start walking toward them when the light is still somewhat flat and harsh, or before dawn when it is dark. It is difficult to imagine the details of how the light will evolve. I make some guesses based on the direction of the sun, how I think distant ridges may affect the arrival of shadows, and what I can see of the dunes’ features in the less-than-ideal light. In the end, I’m almost always surprised by how these first visits play out.

I approached these dunes in the late afternoon in preparation for sunset and evening light. I picked out a destination along the base of a particular dune where I saw some potentially interesting plants. Because the ridges to the west are quite low here, I guessed that I’d have a bit longer period of colorful light and longer shadows later on. Initially I walked past the location of this photograph because the textures of the successive ridges had little contrast in the daytime light. Later, as I finished photographing other nearby features that fell into shadow, I happened to look back in this direction, where the very last bit of colorful light was now delineating these shapes as evening shadows approached.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunset Sand

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Sunset Sand
Sunset light, shadows, and sand dune textures, Death Valley National Park.

Sunset Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Sunset light, shadows, and sand dune textures, Death Valley National Park.

In the evening I found myself in an isolated place. In fact, as near as I could tell, there was no one else in these dunes at all, despite a few parties being camped not far from my location. Taking stock of the orientation of the dunes and the surrounding topography, I decided that I wanted to be at the edge of the dunes about an hour before shadows from a tall ridge to me west would arrive there. I picked out a likely-looking destination in the distant dunes, waited in my “camp” for the right moment, and then headed that way.

The complex interplay between the warm-toned light angling low through the atmosphere, the hills that would inevitably cut off that light a bit before actual sunset, and the shapes, colors, and textures of the dunes plays out rather quickly. Sometimes the ideal light may last only minutes, though this can be extended a bit by looking for higher and lower spots to photograph and by paying attention to where the light will last a bit longer as it streams through low spots in the ridge. I thought that I was probably done for the evening until I looked toward this bit of dune texture, where the last bit of light was shining through one of those gaps in the mountains to the west.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

First Light, Eastern Sierra

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First Light, Eastern Sierra
Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

First Light, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

As I queue up photographs for future posts this morning I seem to be alternating, in a way, between the ridiculous and the sublime. The previous image I posted was one of a broken pumpkin, cast aside next to the curb on the morning after Halloween. The photograph shown here comes from a rather different sort of morning, before dawn in a high place just below the eastern face of the Sierra Nevada, awaiting the arriving of sunrise light on an autumn morning.

Photographs (and, arguably, especially landscape photography) is largely about the light. The great subjects are always there, and many of them stand still for hours, days, seasons, years. But the light is never really the same twice, even though we can recognize certain categories of light. One beautiful sort is the softly colored light that may appear just before sunrise when the conditions in the sky are just right to produce some color. I had arrived at this location quite early, having made a prior plan to photograph here, but I could not know exactly what the light would do. Although my plan was to photograph the first sunrise light on the tops of the peaks, it was this soft, early light that turned out to be the most fascinating.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset, Wildfire Haze

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Sunset, Wildfire Haze
Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

Sunset, Wildfire Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

This is one more in the series of photographs I made during a few moments of intensely colorful light one late-season evening in the Yosemite backcountry. The physical location (high, with a clear line of sight to the western horizon) and the presence of wildfire smoke created intensely colorful light just as the sun set. It was one of those exhilarating photographic experiences when something quite unusual happens, but it is so transitory that one must act quickly and photograph almost without conscious thought. I was working quickly, relying on instinct, and trying to respond intuitively to the landscape and the changing light. (Having a lot of prior landscape photography under one’s belt helps a lot in situations like this!0

I suspect that the light in the photograph looks almost unreal. It seemed that way to me at the time, too! In this photograph the hazy quality of the atmosphere is more apparent — take a look between the darker trees and toward the more distant granite slope, where details are muted by this glowing haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.