Tag Archives: pink

Photographs: Fall, Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake Moonrise

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Mono Lake Moonrise
Early autumn full moon rising over Mono Lake, California.

Mono Lake Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn full moon rising over Mono Lake, California.

This is a photograph of that magical moment when an early-autumn full moon rises above the mountains to the east of Mono Lake while there is still a bit of sunset or early twilight light in the sky. I’ve experienced this here quite a few times, and I often time my arrival at this point for this hour when it is full moon time. On this evening it all worked out perfectly: intense color in the sky as the moon appeared, plus sky color reflected on the surface of the lake, interspersed with blue areas where surface turbulence broke up the reflection.

Photographing a full moon is a bit trickier than it might appear at first glance, especially if you want to include the landscape in the scene, too. Once it is dark or close to it, the difference between the light on the landscape and light of the moon is huge — the moon is essentially a daylight exposure, while that landscape is much darker. Even with a camera that had enough dynamic range to capture both of those extremes, you would either end up with a well-exposed moon and a nearly invisible landscape or a nicely exposed landscape and featureless white disk of a moon. One approach is to time the photograph so that the moon in in the sky before it is fully dark. Ideally, this means photographing the moon a bit before it is truly “full” — or photographing at a time of year when there is still light on the landscape when a truly full moon rises.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Dusk Clouds, Pacific Ocean

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Dusk Clouds, Pacific Ocean
Colorful dusk sky and clouds along the Nothern California coast at Crescent City.

Dusk Clouds, Pacific Ocean. © Copyright 2021 G Dan Mitchell – all rights reserved.

Colorful dusk sky and clouds along the Nothern California coast at Crescent City.

This was an evening of beautiful light, a surprise or two, and at least one missed opportunity that will be hard to find again. We were along the far northern coast of California, primarily to photograph late-spring redwood forest subjects… but it is hard to ignore the Pacific Ocean when it is right next door! In the evening we headed to a nearby coastal area with rocky islands and seas stacks and an open view of the western horizon. — and there were clouds to catch the last colorful light. I photographed right through sunset, until the light was becoming quite dim.

That last point — “photographed right though sunset” — is important. The light show doesn’t necessarily end with the sun drops below the horizon. In fact, some of the most astonishing light often comes quite a bit later as the colors deepen and begin to change from warm sunset tones to the bluer tones of night. The sun was gone in my location, but somewhere far to the west it was reflecting upwards to illuminate the clouds from below, coloring thin clouds and wispy bits of virga.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Wall Detail

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Canyon Wall Detail
Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

Canyon Wall Detail. © Copyright 2021 G Dan Mitchell – all rights reserved.

Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

These rocks tell a story, a profound one no doubt, but also one that this non-geologist is incapable of fully comprehending. But I do know a few things, and with that bit of knowledge and the time to observe, I can report that there is a lot to think about in places like this and, for that matter, the entirety of Death Valley National Park. A difference between this landscape and most others with which I’m familiar is that here it is almost entirely exposed rather than being hidden underneath forests and snow.

As I understand it, the course of many of the rocks here is sedimentary — they were formed under ancient seas. (Portions of the valley were submerged much more recently, and that shorter tale is visible, too, in places.) Those sediments sometimes captured creatures that became fossilized, as we see in the black spots in the rocks of this photograph. Then various geological forces lifted, tilted, fractured, and contorted these layers over a vast span of time. In many places in the park the strata are inclined upward as they progress to the west. Here one of the inclined rock bands contains colors that are the exception rather than the rule in this national park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Flight, Winter Sky

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Geese in Flight, Winter Sky
“Geese in Flight, Winter Sky” — A flock of snow geese in flight against a winter dusk sky, California Central Valley.

February seems to be the time of year when California’ over-wintering migratory birds become restless. Earlier in the season they often seem somewhat inactive and may be difficult to locate, but on February days, at least in my experience, they are more active throughout the day and are present in much greater numbers . I estimate that at one point I saw perhaps multiple tens of thousands of geese on one large system of ponds.. By evening they were everywhere, and the sound was simply astonishing.

I’ve written that my ideal winter bird photography weather calls for tule fog in the morning and hazy sky during the rest of the day. This was not that kind of day. The sun rose in clear air, and hardly any clouds appeared in the blue sky, aside from a few low clouds far to the east along the line Sierra Nevada. (At times, snow-covered peaks were visible above the clouds.) Just after sunset the sky turned pink above the blue-gray of the earth’s shadow, and this huge flock of (mostly) snow geese wheeled wildly in front of the pink-gray boundary.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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