Tag Archives: pink

Geese, Morning Clouds

Geese, Morning Clouds
“Geese, Morning Clouds” — A flock of geese in flight against morning clouds, Central Valley, California.

Sunrise often produces remarkable light, especially when the right sorts of clouds are present. These clouds were a bit unusual for this location, where I usually either encounter thick tule fog or high clouds produced by large scale weather patterns. These morning clouds were lower than usual, but not ground fog, and having a bit of the “mackerel sky” look. I photographed them as the first light arrived and a flock of migratory geese passed overhead.

I photograph a lot of different subjects, but in the late fall and winter months the migratory birds become a major focus. It is easy to miss their arrival if you live in a city, but in rural parts of California their presence, often in astounding numbers, is pretty obvious. I photographed these in an otherwise nondescript agricultural area in the Central Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Lake, Evening

Black Point, Mono Lake, Evening
“Black Point, Mono Lake, Evening” — Evening clouds above Mono Lake and Black Point.

I made this photograph on an autumn evening after incoming clouds had ended my aspen photography for the day. I decided to make a quick run down to the shoreline of Mono Lake to see if there might be any interesting dusk light. The conditions were a bit subtle, but I think that they are actually representative of what we’re likely to see at Mono in the evening when clouds over the Great Basin dissipate and the lake is in shadow.

This particular bit of shoreline has long intrigued me. (I’m not the only one!) In many places along its edge we look straight out at the immensity of this lake, but in this spot we instead have a view along the shoreline, past bays and Black Point, toward volcanic islands and then desert mountains in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Clouds, Evening

Desert Clouds, Evening
“Desert Clouds, Evening” — Sunset light colors evening clouds above Death Valley.

Let’s call this a moment of peace and calm in a world that sometimes seems too tumultuous. I photographed this cloud formation above Death Valley on a quiet evening, alone in a high place above the valley as the day ended. I was there to photograph the landscape, but at this moment it was the cloudscape that caught my attention.

It isn’t news that clouds are fascinating. While they often appear as supporting acts in landscape photography, sometimes they form temporary “cloudscapes” on their own. That ephemeral quality is part of their magic — one moment there might me nothing there, but soon they silently assemble into fascinating shapes and juxtapositions, only to dissolve and re-form a moment later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Clouds, Desert Mountains

Morning Clouds, Desert Mountains
“Morning Clouds, Desert Mountains” — Layers of colorful dawn clouds above Searles Valley and distant peaks of Death Valley National Park.

The distant peaks seen here are within the boundaries of Death Valley National Park, but I was a good distance outside the park when I made the photograph. I had gone to the Trona Pinnacles, outside the extractive mining town of Trona to photograph. But the visual action wasn’t that at the pinnacles that morning — it was far to the north above these snow-capped desert mountains, where lenticular clouds caught the dawn light and momentarily glowed with intense color.

The town of Trona is like many desert towns in Southern California and the Southwest. It is far from being a ghost town, but it has the air of a place whose best days are distinctly behind it. The economy is built around extractive industries, in particular mining the mineral deposits of the Searles Valley playa. People still live and work here, but a drive past the town reveals abandoned homes and businesses, left to decay in the desert sun and wind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.