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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

First Light on Zabriskie Point Hills

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First Light on Zabriskie Point Hills
First Light on Zabriskie Point Hills

First Light on Zabriskie Point Hills. Death Valley National Park, California. April 3, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

The first morning light touches hills at Zabriskie Point with ridges of the Panamint Range visible in the distance, Death Valley National Park, California.

When I visit Death Valley – typically, at least once each year – I usually try to seek out some of the less iconic scenes. However, I still do visit the icons, too. And Zabriskie Point at dawn may be the best known and perhaps the most photographed “icon” in the park. When I do go to Zabriskie it is usually for one of two reasons. First, if the light or conditions are truly special, I’ll be there with everyone else when the sun comes up! Second, I have a vague project to try to photograph aspects of Zabriskie that are different from the icon views across Gower Gulch or of Manley Beacon. This photographs sort of fits into that second category.

Those who have photographed here more than once become acquainted with the way that the morning light typically unfolds at Zabriskie. The pre-dawn light begins to softly light the entire scene, and before long the very first dawn light strikes the highest ridges of the Panamint Range on the opposite side of the Valley to the west. This light works its way down the face of that range, gradually illuminating the ridges and valleys of the range and spreading horizontally. It then begins to hit the Valley floor and works its way east and closer to Zabriskie and the rest of the ranges along the east side of the Valley. Although the closest hills are in shadow, one can almost sense the beams of light over head that are reaching into the Valley and sense that the angle of this light is gradually working down toward the closest ridges. Then the first light appears on the higher features around Zabriskie Point, at first soft but quickly increasing in intensity.

This photograph was made at this moment when that firs light arrives. The subject is a darker and rugged ridge that rises between the usual vantage points and the backdrop of the distant Panamint range, which in this photograph is somewhat obscured by the hazy atmosphere on a day when giant dust storms were just beginning to develop further north in the Valley.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Red Cathedral, Zabriskie Point

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Red Cathedral, Zabriskie Point
“Red Cathedral, Zabriskie Point” — Early morning light on the Red Cathedral and eroded terrain at Zabriskie Point, Death Valley National Park.

This photograph was made at what may be the most famous location in Death Valley, the overlook area at Zabriskie Point. The photograph does not include the famous view of the spire of Manley Beacon, which is just out of the frame to the left in this image. Instead, the photograph focuses on the “Red Cathedral,” a ridge to the right of Zabriskie that rises above the rest of the surrounding eroded hills, is a darker and reddish color, and presents a deeply eroded face.

It is not an easy subject to photograph, and I still have some additional ideas on how else I might approach the feature as a subject. Exposure is a challenge when shooting the Red Cathedral. At first, as light comes to other nearby areas, this feature remains dark. When the sun does finally arrive here – as it is in this photograph – it rakes across the foreground gullies, brightly illuminates the light-colored ridge to the right, and picks off a few small areas of the Red Cathedral while leaving others in deep shade. To add insult to injury, there is a good chance that a photographer will be set up in a position that eventually gives very flat front lighting to the ridge. I may this exposure very shortly after the sun hit Manley Beacon and just as it was starting to light up the foreground gullies and small hills.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Southern California

From the Panamints to the Sierra

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From the Panamints to the Sierra
From the Panamints to the Sierra

From the Panamints to the Sierra. Death Valley National Park, California. April 1, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A landscape of high desert ridges and mountain ranges extends from Death Valley’s Panamint Range to the peaks of the southern Sierra Nevada in late afternoon light.

This lookout, high in the Panamint Range at the end of a gravel road, is one of my favorite places to be at the end of the day in Death Valley National Park. Perhaps because it is a bit less well-known, because it has a name that is harder to pronounce and remember than “Dantes View,” due to its location at the end of this gravel road which at one point passes along a very exposed section of the ridge, and because it is farther from some of the popular places to stay in the park the number of visitors here remains small. I frequently have the place completely to myself or perhaps share it with one or two others.

Behind the camera position is a stupendous view down into Death Valley itself, many thousands of feet below. But in the other direction, looking back towards the west, a series of rugged high desert valleys and mountain ranges extends all the way to the highest peaks of the southern Sierra Nevada range. In the morning, the front light can show the details of snow and rock on the summit of the Sierra, but in the evening the light crossing the intermediate ridges picks up late-afternoon haze and mutes the details of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Fog, Autumn

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Evening Fog, Autumn
Evening Fog, Autumn

Evening Fog, Autumn. Yosemite National Park, California. October 5, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Evening fog forms on an autumn evening above a ridge near Olmsted Point, Yosemite National Park.

I made this photograph on a memorable evening back in 2008 while returning to the SF Bay Area from several days of autumn aspen photography on the east side of the Sierra. After shooting aspen subjects like crazy for several days, I more or less thought that my photography for this trip was finished as I ascending Tioga Pass to enter the park on my way home. In fact, I didn’t really do much photography around the pass or at Tuolumne. But as I drove I noticed that low clouds were forming over peaks and ridges, created by condensation in very moist post-rain air as the temperature dropped quickly as sunset approached. Now this was starting to seem a bit interesting!

As I came to Olmsted Point the clouds were so thick that I couldn’t really see a thing. You never know for sure how these atmospheric conditions are going to develop, and while part of me was disappointed that perhaps there would not be a photography opportunity, another part of me (the tired part!) was almost a bit relieved that I could perhaps get on with task of driving home. But as I rounded the very next bend, where the road rises to a high point just west of Olmsted, things opened up just a bit and light from a clear area a bit further to the west was making the fog glow a bit. So, with a combination of reluctance and excitement, I pulled over, hoisted my gear, and walked off into the forest and granite landscape to make this photograph.

(After making this one, I was certain that my work was done, as the light was fading fast. As fate would have it, a mile or two further on there was a tremendous view of the fog filled valley below, in soft dusk light and with Clouds Rest looming above. Yup, had to stop one more time for that one, too…)

G Dan Mitchell Photography
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