Tag Archives: precipice

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Haze

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Big Sur Haze
“Big Sur Haze” — Summer haze along rugged Big Sur coastline, California.

I drove down the Big Sur Coast on this mid-August morning, traveling as far as the point where the road is currently closed for landslide repair. A bit north of that I pulled out at a popular overlook where I have photographed before — there is a great view down the coast and past a series of big ridges descending to the water. I almost didn’t photograph, but as I looked at the scene I became interested in smaller sections of the larger view.

Typically when I have photographed here I have worked in vertical portrait mode so that I could include the more distant curve of the coast and an interesting “natural bridge” on some rocks to the right. I’ve often trued to exclude the foreground trees, but this time I thought that they might make a good foil to the haze-muted forms and textures of the more distant coastline at the upper right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Wildlife, Photographs: Yosemite

Precipice, Clouds

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Precipice, Clouds
Autumn storm clouds hover around a granite precipice

Precipice, Clouds. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn storm clouds hover around a granite precipice

It was a late in the afternoon — almost evening, actually — when I made this photograph near the end of October. I had been in the Yosemite area for a few days, photographing fall color and the moody conditions of an early season rain storm, and late in the day as the storm cleared out the remnant clouds hugged the granite cliffs of the Valley.

Conditions like these are highly variable and continuously change from moment to moment. This is not the sort of landscape that you photograph by carefully composing a subject and then making a single exposure! The clouds are in motion, and with the intense backlight from the west the visibility of elements of the landscape changes continuously. Here the light in the clouds was so bright that the exposure rendered the shaded cliff face in very dark tones.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Granite Cliffs, Alpine Lake

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Granite Cliffs, Alpine Lake
Rocks from vertical cliffs line the base of a deep blue alpine lake

Granite Cliffs, Alpine Lake. Sequoia National Park, California. August 6, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Rocks fallen from vertical cliffs line the edges of a deep blue alpine lake

As I write this tonight for posting tomorrow, winter is over and spring is a few hours old. It is perhaps for that reason — the start of spring and the inevitability of summer — that I found myself looking though some old photograph files from a summer about eight years in the past. There is a practical reason to revisit the old files from time to time; I often find photographs that now look pretty interesting that I apparently skipped over originally, for one reason or another. But it is also an opportunity to revisit the older memories as well, since looking at the photographs brings back the recall of many other details of such Sierra trips.

On this trip I crossed the Southern Sierra from west to east with a small group of long-time trail friends. I am not sure why, but I had not been back on this trail in the decades since my first visit — so I was excited to revisit this spectacular route. Today I began tracking the progress of the trip via the old photographs, starting on the first day and looking at photograph up through day three, when we climbed from a beautiful lake to cross the Kaweah Mountains and head east. I came to this photograph, which is a vertical orientation interpretation on a scene in another of my photographs that may be somewhat recognizable. At the time when I made the original print I think I must have committed to the horizontal format and, thus, put the vertical on the back burner. but today I decided that I like this version, too, with a bit less emphasis on the water and a bit more on the vertical thrust of the rocky walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Cliff’s Edge, Winter Mist

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Cliff's Edge, Winter Mist
Cliff’s Edge, Winter Mist

Cliff’s Edge, Winter Mist. Yosemite Valley, California. February 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Winter mist and snow swirl above the edge of Yosemite Valley cliffs

We spent three days in Yosemite Valley near the end of February and through the first day of March. The weather forecast had been for snow all the way down to the Valley floor, so we thought our timing appeared to be perfect — there are few things more beautiful than this valley in new snow. Unfortunately, as seems to have been the typical pattern this winter, the snow didn’t amount to much. I had a five-minute flurry while photographing in one of the meadows very early in the morning, and a drive up and out of the Valley to higher points put us in light snowfall for a while.

To make this photograph I stopped at an iconic location, but then I looked up rather than in the direction where the famous view lay. With a long lens on my camera I was able to compose little vignettes highlighting bits of the near vertical world where the highlands area meet the upper rims of the cliffs dropping into the Valley. Here mist and light snowfall blows across the slanting terrain just above the void. Most of the image is relatively obscured — the foreground cliff is dark enough to mute many details, and near the top of the frame the mist is lit intensely by the sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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