Tag Archives: print

Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Five Ships, Abandoned Piers

July 3, 2014 G Dan Mitchell Leave a comment

Five ships sit at anchor beyond abandoned piers, San Francisco Bay

This will likely be the final in this series of (mostly) black and white photographs featuring this dilapidated pier (piers, actually) along the San Francisco waterfront in the China Basin area. I’ve shared several others recently, but yesterday as I was preparing some prints for a meet-up with some fellow photographers in San Francisco, I took another look at this one and saw that it could work with a more panoramic format.

The ships parked on the horizon probably don’t suggest San Francisco to most people, but it is very common to see them moored out in the San Francisco Bay, where I imagine that they must “park” before or after being offloaded. Quite a few seem to be tankers of some sort. I’ve been intrigued by these ships for some time, and the linear arrangement of five of them on this morning, when fog and backlight made the hills on the other side of the Bay disappear, almost seems a bit mysterious. The piers are also fascinating. They have obviously been there for a long time and just as obviously have been allowed to deteriorate to the point that portions seem to have simply fallen into the water, and it looks like the Bay will ultimately reclaim all of them.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Winter Dusk, Three Birds

July 2, 2014 G Dan Mitchell Leave a comment

Motion blur abstraction of a winter scene with three birds landing

Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.

I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.

Photographs: Northern California, Photographs: San Francisco

Blue Water, Blue Sky, Boat

June 30, 2014 G Dan Mitchell Leave a comment

Blue light and morning haze over San Francisco Bay

I’m channeling the blue in this photograph, shot along the San Francisco waterfront earlier this month. The facts are straightforward — I was walking along the San Francisco Bay waterfront early in the morning, as I like to do during the summer. There was some morning haze above the bay, left over from the dissipating fog, and it took on a blue coloration from the sky. Across the bay the giant cranes of the Port of Oakland are visible along the East Bay shoreline, nearer a boat passes near the end of breakwater.

I think that some people might wonder at all the city photographs, especially since so much of my photograph is of the natural world — the coast, the Sierra, migratory birds, the desert. I photograph the city for quite a few reasons. For one, it is closer than some of those other subjects, and at a minimum photographing in the city give me a chance to keep my eye “in tune.” In some ways, urban shooting can do more for this than more photography of the natural world, since the urban environment often presents such simplified forms and because I often have to work quickly and rely on (and thereby reinforce) my visual instincts. In addition, I just have to admit that there is a part of me that likes the urban world with its intense and compressed experiences. (Not that this photograph shows that part of it!)

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Walking Man, Columns

June 29, 2014 G Dan Mitchell Leave a comment

A man walks between architectural columns, San Francisco

This is what I think of as a “compose and wait” shot, something I often do when shooting street photography. I find an interesting composition — here the series of columns, with shadows falling across them, and the mottled foreground light reflected from the windows of nearby downtown buildings — and then I wait for a person to walk into the frame and provide a center of visual interest.

This approach provides an interesting combination of intentional and carefully composed elements (the selection of overall subject and its composition) with elements that are almost completely out of my control — I have no idea who will walk into the frame, exactly where they will be, or what they will be doing. Things tend to happen very quickly, too. Obviously, I could not really track this subject into the frame, as he was behind these large columns, so I have to react quickly. In truth, when I work this way I often end up making quite a few exposures that just don’t quite work… but if I’m lucky it may all fall together in a single frame.

G Dan Mitchell Photography

Tag Archives: print

Five Ships, Abandoned Piers

Winter Dusk, Three Birds

Blue Water, Blue Sky, Boat

Walking Man, Columns

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.